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六朝文学
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  literature of six dynasties
     "Two Lus" and Literature of Six Dynasties
     “二陆”与六朝文学
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     The article explains wholly the close connection between "Two Lus" and literature of Six Dynasties from a new angle ,that is ,noble and literature.
     本文从世族与文学的新角度对“二陆”与六朝文学之密切关系做了较为全面的阐释。
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  “六朝文学”译为未确定词的双语例句
     Naihe and the Emotions in the Literature of the Six Dynasties
     奈何之情与六朝文学情感空间的拓展
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     Literary Criticism in the Six Dynasties Period and the Consciousness of Chinese Poetry
     六朝文学批评与汉语诗性的自觉
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     A Brief Comment on the Comprehensive Study of the Literature, Culture and Cultural Relics of the Six Dynasties
     略论六朝文学文化文物之综合研究
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     On Buddhism and Wei Jin and Six Dynasties' Literature
     论佛教与魏晋六朝文学
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     The Development and Evolution of "lyricism" ——A Concept in the Literature from the Prime Qin Dynasty, Han Dynasty,Wei Dynasty to Six Dynasties
     论先秦汉魏至六朝文学“抒情”概念的发展演变
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     The Characteristics of the Literature during the Period of Six Dynasties
     六朝文学新论
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     Family Xie and Literary in Six Dynasties
     六朝谢氏与文学
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     Beijing Literature
     京味文学
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     Literature with Multiple Aspects
     多面的文学
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The author has expounded and proved that conscious creation of beauty was one of the distinct features of the literature during the period of Six Dynasties. Epoch-making achievements were made after the accumulation of several hundred years.At that time, the literary language was refined, and sentiments became the key note in the creation of literary works, New varieties came up all the time in the development of literature. The classification of styles in literature became more and more detailed.

本文主要论证六朝文学“自觉”于美的创造,经过几百年的积累,取得划时代的成就,表现为文学语言求丽、文学创作的“缘情”主张成为主旋律、文学发展进程中不断“新变”,文体的区分日益细密等特征。

The writing of literary history has been an on-going concern for Chinese scholars since the third century. Incorporating his predecesors's discoveries, Jiao Xun of the Yangzhou School in the Qing Dynasty put forward this thesis: "Every generation has its own merit." With the abolition of the imperial examination system in 1905 and the consequent promotion of school education based on Western models, the writing of Chinese literary history prospered quite unexpectedly. Scholars with radically different backgrounds...

The writing of literary history has been an on-going concern for Chinese scholars since the third century. Incorporating his predecesors's discoveries, Jiao Xun of the Yangzhou School in the Qing Dynasty put forward this thesis: "Every generation has its own merit." With the abolition of the imperial examination system in 1905 and the consequent promotion of school education based on Western models, the writing of Chinese literary history prospered quite unexpectedly. Scholars with radically different backgrounds took this opportunity to advocate their own literary and political ideals. Mr. Hu Xiaoshi introduced Jiao Xun's thesis to his students and contributed significantly to the writing of a history that would take account of the respective merits of each period.

中国文学史首由国外学者编写,但我国古代一直有人对此进行研 究,魏晋六朝建树尤多。清代扬州学派中人焦循综合前人成果,提出了文学 “一代有一代之所胜”的新说。清末废科举、兴新学,注重分科教育,中国文 学史的编写乃应运而起。当时各大文派纷纷在学堂中占领地盘,注重魏晋六朝 文学的《文选》派中人物逐渐排除了桐城派的势力,而继承朴学传统的大文学 史仍受人重视。胡小石先生首先介绍“一代有一代之所胜”说,并培养出了许 多学生,为建立符合中国文学实际的文学史作出了贡献。

Literary discrimination began with Qi lue (Seven Outlines) and the Yi wen zhi (Literature) chapter of Han shu (The History of the Han Dynasty), which had a tremendous influence on literature, history and Buddhism in the Han, Wei and Northern and Southern Dynasties periods. Writers, historians and Buddhists all worked on the basis of academic concepts, and built up a background of learning in which writing and literary criticism were traced to their origins.

文体辨析是汉魏六朝文学批评的基本前提 ,而其学术渊源则来自《七略》和《汉书·艺文志》。二书“辨章学术 ,考镜源流”的思想 ,对汉魏六朝时期的文学、史学乃至佛学 ,都产生了极大的影响。此时期的文学家、史学家和佛学家无不在这一学术思想指导下工作 ,并因此构成了本时期主要的学术背景。在这个背景中开展的文学创作和批评 (包括总集编纂 ) ,都鲜明地带有追溯源流的特征。它不仅使文体辨析更趋细致、周密 ,而且各文体源流有自 ,对纠正当时写作体例混乱、文本不明等时风末弊 ,起到了良好的指导作用。

 
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