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音乐学分析
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  musicological analysis
     A Musicological Analysis on the First Violin Concerto of Szymanowski
     席曼诺夫斯基《第一小提琴协奏曲》的音乐学分析
短句来源
     On the basis of exposing the various influences on this work, such as the influences of the social culture and historical environment in the late 19th century and early 20th century, and of his life experiences with his creation concepts, this dissertation tries to probe on mu|ti aspects into the reason for people's favor for this work by way of musicological analysis on the "First Violin Concerto".
     本文试图通过对《第一小提琴协奏曲》的音乐学分析,在揭示19世纪末、20世纪初社会文化历史环境,以及他的生活经历与创作观念对这部作品的影响的基础上,从多方面去探寻这部作品之所以受到青睐的原因。
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     Musicological Analysis of Zither Concerto Li Gong Yuan
     古筝协奏曲《骊宫怨》音乐学分析
短句来源
     A Demonstration of Dimensionality of Music Analysis——An Enlightenment of Musicological Analysis of Prelude and Finale of Tristan and Isolde
     谈音乐分析的边缘拓展——《歌剧〈特里斯坦与伊索尔德〉前奏曲与终曲的音乐学分析》的启示
短句来源
     By analyzing Runyang’s Musicological Analysis of Prelude and Finale of Tristan and Isolde, the author made some suggestion on discipline development of musical analysis.
     通过分析于润洋先生的《歌剧〈特里斯坦与伊索尔德〉前奏曲与终曲的音乐学分析》一文,提出关于音乐分析学科发展的建议。
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  musicological analyze
     The Musicological Analyze to the Last Scene of Opera Wozzeck
     歌剧《沃采克》最后一场的音乐学分析
短句来源
     From the drama structure,music language and combination both of them,the article made the musicological analyze to the last scene of the work.
     本文主要从戏剧结构、音乐语言及两者的结合入手,对这部歌剧的最后一场进行音乐学分析
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  “音乐学分析”译为未确定词的双语例句
     Analyzing Musicologically the Last Interlude and Finale of Wozzeck
     对《沃采克》最后一个间奏曲和终曲的音乐学分析
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     An Analysis on Jiang Kui s "Nine Songs" in Ancient Oriental China( Yue Area )
     姜夔《越九歌》的音乐学分析
短句来源
     Chapter Three: The Musical Analysis of Four Pieces.
     第三章四首琴曲的音乐学分析
短句来源
     In these works, the Combination was drawn between Chinese traditional and national music with the western representative piano in its special arts in the performance, and thus differed with the ordinary foreign music piano works on the base of techniques, analysis of music science, Art抯 dealing, and the corresponding detailed requirements.
     这些乐曲以其将中国传统民族器乐音乐与西欧代表乐器钢琴相融合的特殊艺术性,在演奏中从技术基础、音乐学分析、艺术处理、细节要求等方面具有与普通的外国钢琴音乐作品不同的艺术特色与要求。
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  musicological analysis
Indeed, in many cases there is no need for deeper, musicological analysis.
      


One of the most important form revealed in the Combination process of Chinese and western music culture is the adaptation the traditional Chinese music into the piano music style. In these works, the Combination was drawn between Chinese traditional and national music with the western representative piano in its special arts in the performance, and thus differed with the ordinary foreign music piano works on the base of techniques, analysis of music science, Art抯 dealing, and the corresponding detailed requirements....

One of the most important form revealed in the Combination process of Chinese and western music culture is the adaptation the traditional Chinese music into the piano music style. In these works, the Combination was drawn between Chinese traditional and national music with the western representative piano in its special arts in the performance, and thus differed with the ordinary foreign music piano works on the base of techniques, analysis of music science, Art抯 dealing, and the corresponding detailed requirements.

在中西音乐文化融合进程中产生了的一种新的重要形式,就是将传统乐曲进行钢琴化改编。这些乐曲以其将中国传统民族器乐音乐与西欧代表乐器钢琴相融合的特殊艺术性,在演奏中从技术基础、音乐学分析、艺术处理、细节要求等方面具有与普通的外国钢琴音乐作品不同的艺术特色与要求。

Ding Shande is a famous composer,pianist and educator in modern history of music,active on the stage as a pianist as early as mid 1930s.Piano solo is one of his representative creative types.The paper analyzes two of his Xinjiang dances from the perspective of musicology.The composition reflects the artistic interest and creative characteristics of Chinese folk music,uses creative skills and expressive ways of western music for reference and relates closely with the development of the nation and the times so...

Ding Shande is a famous composer,pianist and educator in modern history of music,active on the stage as a pianist as early as mid 1930s.Piano solo is one of his representative creative types.The paper analyzes two of his Xinjiang dances from the perspective of musicology.The composition reflects the artistic interest and creative characteristics of Chinese folk music,uses creative skills and expressive ways of western music for reference and relates closely with the development of the nation and the times so as to convey the composer's patriotism and aesthetics.

丁善德先生是我国近现代音乐史上著名的作曲家、钢琴家和教育家,早在20世纪30年代中期就以钢琴家的身份活跃于舞台。钢琴独奏作品是他具有代表性的创作体裁。本文对他的两首新疆舞曲作了音乐学的分析。作品不仅反映了中国民间音乐的艺术情趣和创作特征,而且借鉴了西方音乐的创作技术和表现手法,更与时代和民族的发展紧密相连,传达出了他深深的爱国情思和审美意趣。

The Wozzeck by Alban Berg was a classics opera in 20th Century.From the drama structure,music language and combination both of them,the article made the musicological analyze to the last scene of the work.

阿尔班·贝尔格的歌剧《沃采克》是20世纪歌剧中的一部经典之作。本文主要从戏剧结构、音乐语言及两者的结合入手,对这部歌剧的最后一场进行音乐学分析

 
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