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效果史
相关语句
  effect history
     Cao Zhi and Study of Effect History of His Works
     曹植及其作品的效果史研究
短句来源
     In the light of "effect history" , "illustration history" , and "influence history" , this article probes into the process of readers' acceptance of Tao Yuanming's poems since its appearance.
     从接受史的角度对陶渊明的《归园田居·其一》进行研究,考察后代读者对陶诗自南北朝至清代这千年接受历程,按接受美学理论,从效果史、阐释史、影响史这三方面进行论述。
短句来源
     In the light of the theory, the thesis undertakes a thorough investigation into the reception of Song Dynasty in terms of three aspects, they are research into effect history, hermeneutic history and influence history from the second part to the forth part.
     在该理论的参照下,笔者将以宋代为切入点,在文章的第二至第四部分,分别从效果史、阐释史、影响史三个角度作全面、深入的考察。
短句来源
     Attached sufficient importance to the important position of readers in literary activities ,put forward that the literary history was the literary reception history and effect history of readers and readers should receive the verson of asthetic development while communicating and talking with each other .
     充分重视读者在文学活动中的重要地位 ,提出了文学史就是文学的读者接受史、效果史 ,并进而将接受美学发展为文本———读者相互交流与对话的新理论。
短句来源
     Effect history research will disclose the reception of Records of the Historian which is made up of graphical book history, anthology history, storytelling and drama history, and explore inner reasons for its effect against the specific culture background of Song Dynasty.
     效果史研究紧扣宋代独特的文化背景,揭示《史记》集刻本史、选本史、说唱史三位一体的接受盛况,及其审美效应的深层原因。
短句来源
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  “效果史”译为未确定词的双语例句
     Effective-historical consciousness comprises text-reading effect historical, people's life experience, tradition, and the dialogue relationship between reader and text.
     效果历史意识涵盖文本阅读效果史、生活经验、传统以及读者与文本的对话关系。
短句来源
     " the history of effect" main study the common reader ," the history of explain" main study critic," the history of influence" then main study writer .
     “效果史”主要是以普通读者为研究主体的,“阐释史”主要是以评论家为主体的,“影响史”则主要是以作家为主体的。
短句来源
     Chapter one is the study of the history of effect of Shen Congwen and its text, main proceeds to discuss from two aspectses, and the first aspect analyze the situation of announce, publish , translation of Shen Congwen's works , his works not only publish the number of times many but also publish quantity was big, and have the extensive reader ;
     第一章为沈从文效果史研究,主要从两个方面进行论述,第一个方面是分析沈从文作品发表、出版、翻译情况,沈从文作品不仅出版次数多而且发行数量巨大,有广泛的读者群;
短句来源
     The paper set out from the esthetics of acceptance' standpoint , and come studying the Shen Congwen and its literature from the reader, and the esthetics of acceptance bring up three concepts here:" the history of effect"," the history of explain"," the history of influence ";
     论文以接受美学的观点出发,从读者的角度来研究沈从文及其文学,在这里接受美学提出了三个概念:“效果史”、“阐释史”、“影响史”;
短句来源
     We incorporate the principles of 'fore-understanding', 'prejudice', 'fusion of horizons', 'effective-history' and 'tradition' with the theories of translation, by which we provide theoretical basis for the following chapter.
     第三部分详细的探讨了阐释学的各种理论,对施莱尔马赫,狄尔泰,海德格尔,伽达默尔,斯坦纳的观点进行了具体的分析和总结,把“理解”,“视野融合”,“偏见”,“效果史”,“传统”和翻译理论结合起来,为后文的应用提供理论支持。
短句来源
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  相似匹配句对
     Cao Zhi and Study of Effect History of His Works
     曹植及其作品的效果研究
短句来源
     What about the effect?
     效果如何?
短句来源
     History of Seismology
     地震学
短句来源
     A History of Violence
     《暴力
短句来源
     The result is good.
     效果是好的.
短句来源
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The objectivity of literary reception is a valuable attribute of literary works to satisfy readers' aesthetic requirements. The essence of the object-correspondence, which is the same cultural relationship between readers and the text, includes two subjects: the tendency-correspondence and the form-correspondence, whose negations result from the misplacement or the anti-currency in the cultural value conception and aesthetic taste of both readers and the literary works. So the object-correspondence of literary...

The objectivity of literary reception is a valuable attribute of literary works to satisfy readers' aesthetic requirements. The essence of the object-correspondence, which is the same cultural relationship between readers and the text, includes two subjects: the tendency-correspondence and the form-correspondence, whose negations result from the misplacement or the anti-currency in the cultural value conception and aesthetic taste of both readers and the literary works. So the object-correspondence of literary reception implies the transference of cultural circumstance-the cultural differences of eras. On this point, the history of literature or literary reception is a history of the cultural value concept that affects literature. The forming, changing and development of the cultural value concept in different eras direct the social dramas in the history of literary receptions.

文学接受的合对象性的实质在于读者与文本之间是否具有“同一”的“文化关系”。文学接受的合对象性包含合倾向性与合形式性两个命题。文学接受中的不合倾向性与不合形式性 ,究其原因 ,是文学文本中的文化价值观念、审美倾向与读者的文化价值观念、审美情调形成“错位”或“逆反”态势。文学接受的合对象性问题的背后隐伏着文化背景转换 ,也就是“文化时差”问题。文学史或者说文学接受史是人类文化价值观念对其影响的效果史。不同社会历史阶段文化价值观念的生成、演变、发展 ,导演了人类文学接受史上一幕幕精彩活剧

Receptions Asthetic,which took it's origin from the 60s & 70s'of the 20th cengtury as a revolt against auther-orient criticism and version-orient criticism in the west. Attached sufficient importance to the important position of readers in literary activities ,put forward that the literary history was the literary reception history and effect history of readers and readers should receive the verson of asthetic development while communicating and talking with each other .Took the idea of "uncertain and vacant...

Receptions Asthetic,which took it's origin from the 60s & 70s'of the 20th cengtury as a revolt against auther-orient criticism and version-orient criticism in the west. Attached sufficient importance to the important position of readers in literary activities ,put forward that the literary history was the literary reception history and effect history of readers and readers should receive the verson of asthetic development while communicating and talking with each other .Took the idea of "uncertain and vacant meaning"as one of the criterion whether works were good or not,emphasized on readers and their reading activity,realized the second literary theories'turn in the west.

产生于二十世纪六、七十年代的接受美学 ,是作为对当代西方作者中心论批评和文本中心论批评的反叛而出现的。充分重视读者在文学活动中的重要地位 ,提出了文学史就是文学的读者接受史、效果史 ,并进而将接受美学发展为文本———读者相互交流与对话的新理论。把“意义未定与空白”作为作品好坏与否的一个标准 ,强调读者及其阅读 ,实现了西方文论第二次大转向

In the light of western reception aesthetics theory, gazing at the history of research and status quo of Historical Records, over 2000 years, we find it necessary to research into the reception history of Historical Records.To be specific, it can be carried out in terms of three aspects, that is, research into effect history, hermeneutic history and influence history.

在西方接受美学理论的参照下,审视两千多年来的《史记》研究历史和现状,我们发现,《史记》接受史的研究极为薄弱,有必要提到研究的日程上来。具体而言,它可以从三个层面展开,即效果史、阐释史、影响史的研究。

 
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