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王维
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  wang wei
    Relationship between Landscape Painting and Chinese Classic Gardens -Take Wang Wei's Landscape Painting and Wangchuan Villa as Examples
    山水画与中国古典园林——以王维山水画及其辋川别业为例
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    Comparative analysis on "Wangchuan residences" and city gardens in the respects of the boundary of personal right,the owner's identity and the artificial factors of environment,the paper holds that "Wangchuan villa" not only is different with city gardens in the spatial construction but also is not a garden in logic.
    该文通过对《辋川图》中“辋川居所”与城市园林在“私权边界”、“主人身份”以及周边“自然山水的人工因素”等方面进行对比分析,提出王维的辋川别业和《辋川图》中的辋川居所不但在空间结构上与城市园林有着明显不同,在逻辑关系上也不应被划在园林的范畴之内。
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  wang wei
The Recovery of the Tang Dynasty Painting: Master Wang Wei's Ink-Wash Creation "On the Wangchuan River"
      


From the angle of urban planning and culture, this paper studies the cvolution and design of Chlnese classic private gardens which is named Garden House by the author The ossence of its planning and design was an mtegrated layout of outdoors, environmont of inhabiting buildings. Various examples in different dynasties in China are listed here to illustrate the author's ideas.

本文从城市规划角度及文化思想方面出发,对通常称为私家古典园林的规划设计发展演变及特性进行分析研究。采用园居一词,即园林式居住建筑。园居规划设计的本质是居住建筑的室外环境整体布置。本文列举了唐代、宋代5个著名文人园居实例,对照文献给出了想像平面图。认为唐宋是古代园居文化思想的奠基时代,其中尤其王维、白居易作出了杰出贡献。明清时代园居在技术上得到长足发展,使其相得益彰,成为古代城市规划、建筑.园林传统文化中的瑰宝。

Landscape painting, landscape poet and landscape gardens are the components of the culture of Chinese landscape, which have the same theory basis. From the history of Chinese classic gardens, we can find close relationship between landscape painting and landscape gardens. There are many examples that using Theory of Painting, not Theory of Gardens, to direct landscape design and construction. In this article, the relationship between landscape painting and Chinese classical gardens was analysed based on the...

Landscape painting, landscape poet and landscape gardens are the components of the culture of Chinese landscape, which have the same theory basis. From the history of Chinese classic gardens, we can find close relationship between landscape painting and landscape gardens. There are many examples that using Theory of Painting, not Theory of Gardens, to direct landscape design and construction. In this article, the relationship between landscape painting and Chinese classical gardens was analysed based on the example of Wang Wei's landscape painting, landscape poet and landscape gardens. The function, method of gardens and aesthetics of Chinese classic gardens were also discussed.

山水画、山水诗、山水园林被认为是中国山水文化的组成部分,三者具有相同的思想基础。中国古典园林史表明,山水画与山水园林关系尤为密切,以画论代园论指导园林设计和建设的案例屡见不鲜。以王维山水画、山水诗、山水园林为例,分析中国山水画中的园林思想,并从中讨论中国古典园林的功能、造园手法及审美理想。

According to the studies of CHEN Tie_min(1938—),a famous specialist who researched the poems of Tang Dynasty,most of the landscapes which are described in Wangchuan Painting and Wangchuan Poetry Anthology are not in the "Wangchuan villa" which belonged to WANG Wei(701—761),a great poet and painter of Tang Dynasty.The evidence of considering the landscapes which are described in Wangchuan Painting and Wangchuan Poetry Anthology as a whole doesn't achieve the result that the "Wangchuan villa" is a garden.Comparative...

According to the studies of CHEN Tie_min(1938—),a famous specialist who researched the poems of Tang Dynasty,most of the landscapes which are described in Wangchuan Painting and Wangchuan Poetry Anthology are not in the "Wangchuan villa" which belonged to WANG Wei(701—761),a great poet and painter of Tang Dynasty.The evidence of considering the landscapes which are described in Wangchuan Painting and Wangchuan Poetry Anthology as a whole doesn't achieve the result that the "Wangchuan villa" is a garden.Comparative analysis on "Wangchuan residences" and city gardens in the respects of the boundary of personal right,the owner's identity and the artificial factors of environment,the paper holds that "Wangchuan villa" not only is different with city gardens in the spatial construction but also is not a garden in logic.

从陈铁民先生的现场求证和研究结果来看,唐代《辋川图》和《辋川诗》中的许多景点都不在唐代诗人王维的辋川别业的范围之内。国内园林史学界将《辋川图》和《辋川诗》中的景点作为一个整体来证明“辋川别业”是“别墅园林”或“郊野园林”的证据并不能成立。该文通过对《辋川图》中“辋川居所”与城市园林在“私权边界”、“主人身份”以及周边“自然山水的人工因素”等方面进行对比分析,提出王维的辋川别业和《辋川图》中的辋川居所不但在空间结构上与城市园林有着明显不同,在逻辑关系上也不应被划在园林的范畴之内。

 
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