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   王维 在 美术书法雕塑与摄影 分类中 的翻译结果: 查询用时:0.257秒
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王维
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  wang wei
    From WANG Wei to SU Shi On the Integrity Between Poem and Painting,and Taking Shape of Literary Painting in History
    从王维到苏轼——论诗画交融及文人画的历史实现
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    Dhyana and Wang Wei's Landscape Ink-paintings
    禅宗和王维的水墨山水画
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    Review of the Controversies over the Origin of Wang Wei oetic Beauty
    关于王维“诗情画意”的意境来源争议述评
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    Discussion about Wang Wei and "Zen painting"
    略论王维与“禅画”
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    To analysis the origin and changes of literati gardening mainly based on Wang Wei's "Wang Ch'uan Tu" copied in Song and Yuan dynasties, and the copy attributed to Li Gong-lin, I am aiming to explore the early style and cultural content of literati gardening.
    对文人园林题材绘画的渊源、流变的分析,主要通过以王维的《辋川图》在宋元时代的临摹、阐释以及传为李公麟的《辋川图》摹本的分析,追寻早期文人园林题材绘画的风格特点和文化内涵。
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  “王维”译为未确定词的双语例句
    Your Question Penetrates Reason Like a Fisherman's Song Perinea ting Riversides.
    君问穷通理 渔歌入浦深——谈王维山水诗与宋山水画中禅宗美学观
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    TSuzerain of Painting History and Giant of Literary World
    画史宗主 文坛巨擎——亦画亦诗说王维
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    Wang Weixin's Water Color——The Exhibition Room of Wang Weixins Art
    王维新艺术道路谈——观王维新艺术永久陈列厅
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    Wang Weixins Watercolor is mixed together with the reason of copper etching, the visual strain of the folk art, the figure of Chinese traditional art and the artistic mood of literati painting. Therefore it enriches the techniques of watercolor and its spiritual connotation and has original oriental aesthetic sentiment.
    王维新的水彩画把铜版画的理性,民间艺术的视觉张力,中国传统艺术的线条,文人画的意境等融为一体,丰富了水彩画的技法和精神内涵,具有独特的车方审美情趣。
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  wang wei
The Recovery of the Tang Dynasty Painting: Master Wang Wei's Ink-Wash Creation "On the Wangchuan River"
      


the mountain-and-water paintings and poetries of Tang and Song period of China embodied the Zen thought that "be in the mood for nature". Poet Wang Wei expressed in his idylls what the artists wanted in their landscape paintings. It was what said to be "paintings of poetry and poetry in paintings", reaching the highest artistic boundary and forming the clear national quality.

中国唐宋时期的山水诗,山水画体现出禅宗“无心自然”的思想,唐代诗人王维的山水田园诗,借物抒情,常流露出无我境界。而宋代的山水画则寓情于景,将“诗中有画,画中有诗”的禅境推崇为最高艺术境界,从而形成鲜明的民族特色。

Wang Wei is the pioneer who makes use of thing to chant the Passions in his landscapes, He mixes "the plight of zen and poem" together with his landscapes, thus in the conventional aesthetics he achieves such a state of appreciation of the beautiful as to the perfect harmonious naturt and human being. His landscapes show the essential feelings in the form of mountains and waters,expressing the original nature. Namely it is the savvy and perception of Taoist. Unused painting works are the carrier of the spiritual...

Wang Wei is the pioneer who makes use of thing to chant the Passions in his landscapes, He mixes "the plight of zen and poem" together with his landscapes, thus in the conventional aesthetics he achieves such a state of appreciation of the beautiful as to the perfect harmonious naturt and human being. His landscapes show the essential feelings in the form of mountains and waters,expressing the original nature. Namely it is the savvy and perception of Taoist. Unused painting works are the carrier of the spiritual detachment for which the scholars are seeking.

王维开山水画中借物咏情之先河,将“禅境”、“诗境”融注到山水画里,从而实现了传统美学中“天人合一”的审美境界;山水画“以形媚道”,游于山水,达自然之性情,这是对道的体认与感悟;“逸品”是文人追求精神超脱的载体。

The achievements of the Tang Dynasty in art aesthetics are non replaceable, for it not only inherited what was best of the art of the Sui Dynasty, but also surpassed it in many aspects. The paintings of Wu Daozi embodied the pursuits of the period for fullness and solemnity, while Wang Wie's landscapes, with their scholarly touch, started the Southern School. In contrast with them, Li Sixun and his son paved the path for what was to become the Bright Color Landscapes of the Northern Song Dynasty. Paintings...

The achievements of the Tang Dynasty in art aesthetics are non replaceable, for it not only inherited what was best of the art of the Sui Dynasty, but also surpassed it in many aspects. The paintings of Wu Daozi embodied the pursuits of the period for fullness and solemnity, while Wang Wie's landscapes, with their scholarly touch, started the Southern School. In contrast with them, Li Sixun and his son paved the path for what was to become the Bright Color Landscapes of the Northern Song Dynasty. Paintings of horses and court ladies also scored the highest attainments in the early Tang period. Besides, the ceramic and colored porcelain products, rock sculptures and mural paintings of the period all stood out as the best of their kinds in the history of Chinese art aesthetics.

唐代的美术美学有着不可替代的成就 ,其对于隋代既有继承的一面 ,又有超越的一面。吴道子的画体现了盛唐求丰满厚重的审美理想 ;而王维作为山水南宗之祖 ,形成了真正的文人画 ;李思训父子则创造了北宋的金碧山水。盛唐鞍马画 ,张萱、周的仕女画均有很高成就。陶瓷、“唐三彩”、石窟造像、敦煌彩塑壁画等均在中国美术美学史上享有崇高的地位。

 
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