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大众文化批评     
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  popular culture criticism
     On the Nature of Popular Culture Criticism One of the Serial Essays of the Study of Popular Culture Criticism
     大众文化批评性质论略——大众文化批评研究系列论文之一
短句来源
     popular culture in multiple contexts is badly in need of perfect criticism, concerning the nature of popular culture criticism; it should have spiritual constructiveness of the criticism content, humanism orientation of the criticism guidance and the cultural compatibility of the criticism styles and methods.
     多元语境下的大众文化急需健康的批评,就大众文化批评的性质而言,它应具有批评内容的精神建设性、批评导向的人文指向性、批评方式和方法的文化兼容性。
短句来源
     Holding firmly to this nature is the prerequisite to the healthy development of popular culture and also the direction in which popular culture criticism should be carried on.
     坚持以上性质是保证大众文化健康发展前提,是进行大众文化批评必须坚持的方向。
短句来源
  mass culture criticism
     Humanist Spirit:Ideological Kernel of Mass Culture Criticism
     人文精神:大众文化批评的核心理念
短句来源
     postmodern critics in China overturn and deconstruct modern enlightenment. It also points out the influence of mass culture on literature and analyzes problems of mass culture criticism. It stresses the mutual complement of modernity and postmodernism to speed up the project of nearing modernity in China.
     第五章至第六章为第二部分,阐发了社会转型期文化的分化导致大众文化日益占据主导位置以及中国后现代主义批评者对启蒙现代性的颠覆和解构的态势,指出大众文化对文学产生的影响,分析了当代大众文化批评所存在的问题,并强调要坚持现代性与后现代主义之间的有效互补从而推进中国未竟现代性工程,声明后现代主义不是中国文学、文论与文化的出路。
短句来源
     The defence theory of mass culture in the west is an important theory in the history of mass culture criticism.
     西方大众文化辩护理论是大众文化批评史上的一种重要的理论范式。
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     The chinese teat of mass culture criticism has been influenced deeply by the theories of mass culture in the west.
     中国大众文化批评文本大多刻写着擦抹不去的西方文化理论的痕迹。
短句来源
     The mass culture criticism, which carries on the school of Frankfurt, regards readers of romantic novels as unqualified them.
     秉承法兰克福学派的大众文化批评把言情小说的读者视为不合格的“她们(them)”。
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  “大众文化批评”译为未确定词的双语例句
     A Critique of Cultural Theory and China Cultural Context in Post-Revolution Times
     理论超越的再语境化与娱乐批判的后人文化——论后革命时代的大众文化批评与中国文化语境
短句来源
     Popular Culture of the New Stage ; the Present Situation, Essence and Characteristics of the Criticism
     新时期大众文化:批评现状、本质及特征
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     The Signification of Arts Popular-Converting——On Benjamin's Critics of Popular Culture
     艺术世俗化的意义——论本雅明的大众文化批评
短句来源
     All the mass culture criticismtheory ,including England cultural theoretical,Falankefu culture criticism,postmodernity,can'tbe used to criticize Chinese mass culture.
     主要是在一种双重文化批判的思路下,对英国伯明翰学派的大众文化研究理论,法兰克福学派的大众文化批判理论,后现代主义话语中的大众文化研究进行局限分析,认为中国大众文化批评的文化命脉必须是依存于自身文化的特点,而不能根据西方文化的特点来对自身文化进行批判。
短句来源
     But it was Birmingham School and others that brought it into "post-revolution" multi-cultural co-existent state.
     以法兰克福学派为代表的、带有鲜明文化革命色彩的传统批判理论曾盛极一时,是伯明翰学派与后现代主义诸家为大众文化批评带来的反拨和突破使其步入了多元共存的文化“后革命”时代。
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Abstract : Popular culture, as a new target, has become an important task of Chinese human studies. But the culture criticism of the new stage appeared suddenly without defining it corectly. It repeated enthusiastically some discourse of western theory, induding Frankfort school and modernist school, which resulted in 5 areas of error;late criticism, repeated critical soliloquy criticism and criticism without dominant theme. In order to establish the scientific spirit of criticism, based on sorting out and observing...

Abstract : Popular culture, as a new target, has become an important task of Chinese human studies. But the culture criticism of the new stage appeared suddenly without defining it corectly. It repeated enthusiastically some discourse of western theory, induding Frankfort school and modernist school, which resulted in 5 areas of error;late criticism, repeated critical soliloquy criticism and criticism without dominant theme. In order to establish the scientific spirit of criticism, based on sorting out and observing the fixed definition, the essence of popular culture must be defined scientifically and penetrated thoroughly according to philosophical theory of knowledge, value theory, psychology, media studies, aesthefic theory, function theory, internal structure, production and consumption and then the characteristic system of popular culture, in particular, local character will be explained.

大众文化作为崭新的知识对象已成为我国人文社会科学的重要研究课题。但新时期大众文化批评是在未对批评对象──“大众文化”进行准确定义、热衷复述法兰克福学派和后现代主义等西方理论话语的情况下匆匆出场的,由此造成了大众文化批评的五大误区:迟到的批评、复述性批评、自言自语的批评、无理论的批评、无主调的批评。为确立大众文化批评的科学精神,必须在清理、审视既有定义的前提下,从哲学认识论、价值论、心理学、传播学、审美论、功能论、生产消费和内在构成等八个层面对大众文化的本质进行多维透视和科学界定,进而对大众文化的特征、谱系尤其是本土性特征加以阐释。

popular culture in multiple contexts is badly in need of perfect criticism, concerning the nature of popular culture criticism; it should have spiritual constructiveness of the criticism content, humanism orientation of the criticism guidance and the cultural compatibility of the criticism styles and methods. Holding firmly to this nature is the prerequisite to the healthy development of popular culture and also the direction in which popular culture criticism should be carried on.

多元语境下的大众文化急需健康的批评,就大众文化批评的性质而言,它应具有批评内容的精神建设性、批评导向的人文指向性、批评方式和方法的文化兼容性。坚持以上性质是保证大众文化健康发展前提,是进行大众文化批评必须坚持的方向。

Among all the criticisms of mass culture, aestheticism is undoubtedly an influential visual angle. However, the criticism by aestheticism implies some doubts and introspections in three aspects. Firstly,aesthetic theories and rationality as traditional aesthetic theories on which aestheticism is based are yet to prove. Secondly, aestheticism ignores the features and differences of various artistic categories while these theories are applied to specific...

Among all the criticisms of mass culture, aestheticism is undoubtedly an influential visual angle. However, the criticism by aestheticism implies some doubts and introspections in three aspects. Firstly,aesthetic theories and rationality as traditional aesthetic theories on which aestheticism is based are yet to prove. Secondly, aestheticism ignores the features and differences of various artistic categories while these theories are applied to specific criticism and speech act. Thirdly, its criticism takes so little account of the present reality, historic situations, cultural tastes and functions of mass culture that it reflects the lag of theory or speech malposition. Therefore, it is necessary to build new theories and aesthetic norms.

审美主义在大众文化批评中是颇具影响力的一种视角。其本身又蕴涵着一些令人质疑或反思的东西 :审美主义所依据的“审美距离”、“理性”等传统美学观念 ,其自身的合理性尚待证明 ;审美主义在运用这些理论进行具体批评和话语操作时 ,忽略了不同艺术类型各自的特征及差异 ;审美主义批评没能充分考虑到当前大众文化的现实和历史境遇以及文化品位和功能 ,表现为理论滞后或话语错位。在反思基础上 ,呼吁理论创新 ,建立新的审美规范。

 
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