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   音乐学研究 的翻译结果: 查询用时:0.016秒
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音乐学研究     
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  musicological research
     The Musicological Research And Academic Norm
     音乐学研究与学术规范
短句来源
     To enforce the academic norm is for academic reliability of musicological research.
     强调学术规范是为了体现音乐学研究的“学术可信度” ;
短句来源
  musical research
     The application of the social statistics to the musical research is believed to open up more perspectives.
     社会学统计方法在音乐学研究中的应用,扩大了研究视阈。
短句来源
  musicology research
     Summarize the Academic Forum of Contemporary Musicology Research in China
     学术期刊的使命和音乐学家的成长 《中国音乐学》创刊20周年暨“音乐学研究在当代”学术研讨会综述
短句来源
     Musicology Research on Bronze Carillons Unearthed at No.1and No.4 Pits of the Site of Eastern Zhou in Xinzheng City
     新郑东周祭祀遗址1、4号坑编钟的音乐学研究
短句来源
     The excavation of Jiahu Bone Flute has the unprecedented academic value in the archaeology and the musicology research.
     舞阳贾湖骨笛发掘出土在考古学和音乐学研究上具有空前的学术价值。
短句来源
     The musical philology is being to the new viewpoint of the musicology research, from the ancient meaning to the modern significance of the musical philology; through comprehensive research is the inevitable course for academic development of the musicology.
     音乐文献学正在成为音乐学研究的新视角,融会贯通古典与现代两种意义上的“音乐文献学”,是音乐学学术发展的必然趋势。
短句来源
     More than 40 representatives of the other publications and writers participated in the conference,and they discussed the history of starting publication of Musicology in China,and its academic position,influence,as well as the topic of contemporary musicology research in China.
     国内兄弟刊物代表及部分作者代表共40余人就。 与会代表围绕《中国音乐学》的创刊历史、学术地位以及学术影响和"音乐学研究在当代"两个议题,展开了热烈而深入的研讨。
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  “音乐学研究”译为未确定词的双语例句
     Development of Research Method of Musicology in New China (1949~1999)
     新中国音乐学研究方法论的发展(1949-1999)
短句来源
     Book Review Musicology——History, Writing and Literature
     音乐学研究的新视角——《音乐学:历史、文献与写作》一书读后
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     A Musicological Study on the Chime Bells of Marquis of Jin
     晋侯苏钟的音乐学研究
短句来源
     Moreover,appropriate use of quantitative and qualitative analysis added to the research is the correct methodology.
     研究中使用定量分析和定性研究两种方法,把握适度,使之较完美结合,应该是音乐学研究的一个正确方向。
短句来源
     Retrospect and Reflection - Forum on Contemporary Musicology in Chian
     一次全方位的学术回顾与反思——"中国当代音乐学研究论坛"会议综述
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  musicological research
Two relational databases for finding text paraphrases in musicological research
      
  musical research
Nevertheless, the largest musical research music in our country has focused on the formal analysis.
      


On the historical background of conflict between the Chinese culture and Western culture, the debate about identity of Ethnomusicology since 1980's has come to topics which are the most front line, the wariest and the deepest in the academic circles of Chinese music. The author in the article by simply carding the history of Ethnomusicology in China seeks out eight significant problems or issues: (1) Who is the forerunner in studying of Ethnomusicology in China since 1980's, Wang Guangqi, Xiao Youmei or the...

On the historical background of conflict between the Chinese culture and Western culture, the debate about identity of Ethnomusicology since 1980's has come to topics which are the most front line, the wariest and the deepest in the academic circles of Chinese music. The author in the article by simply carding the history of Ethnomusicology in China seeks out eight significant problems or issues: (1) Who is the forerunner in studying of Ethnomusicology in China since 1980's, Wang Guangqi, Xiao Youmei or the heritage of Yan'an in study of folk songs; (2) Is the Eurocentrism a real problem or false one? (3) What confusion of thinking does bring about since the objects of Ethnomusicology in China have been enlarged again and again? (4) The paradox from studying of Ethnomusicology in non Western culture? (5) What is the meta scholarship in the present age? (6) Does the scholarship of China still stick in a phase of pre scholarship? (7) What trouble does result from infatuatedly following Western scientism? (8) The viewpoint of the traditional learning in Chinese culture and the problem of modernity.

在中西文化相冲撞的历史大背景下 ,当前关于Ethnomusicology学科身份的讨论 ,已经触及到中国音乐学术界最前沿、最敏感、最深沉的话题。文章通过对中国民族音乐学研究历史的简略梳理 ,挑出了 8个问题 :第一 ,谁是中国 80年代后所谓民族音乐学的先驱 ,是王光祈、萧友梅还是民歌研究的延安传统 ;第二 ,欧洲中心主义是一个真问题还是一个伪问题 ;第三 ,中国民族音乐研究对象的一再扩大给思维带来了什么样的混乱 ;第四 ,非西方学者研究Ethnomusicology的悖论 ;第五 ,中国近现代历史必然性对现代学术范式的规定性 ;第六 ,中国音乐研究是否仍处在前学术阶段 ;第七 ,对西方科学主义的迷恋导致什么样的危害 ;第八 ,中国传统知识观与现代性问题

Influenced by Ethnology and Anthropology, Enthonomusicology has undergone a continuous development from Comparative Musicology to Enthnomusicology, which indicates the continuous self perfecting process of the subject from its birth to maturity. On this process, the research subject of Enthnomusicology has been changing from non Euro music, ethno music, folk music to pop music, etc. Based on the studies of different research schools, this essay has put its emphasis on the review and new expatiation of the...

Influenced by Ethnology and Anthropology, Enthonomusicology has undergone a continuous development from Comparative Musicology to Enthnomusicology, which indicates the continuous self perfecting process of the subject from its birth to maturity. On this process, the research subject of Enthnomusicology has been changing from non Euro music, ethno music, folk music to pop music, etc. Based on the studies of different research schools, this essay has put its emphasis on the review and new expatiation of the research subject of Ethnomusicology.

民族音乐学在民族学人类学的影响下 ,从开始的比较音乐学到后来的民族音乐学经历了学科诞生和发展的不断完善的过程。在这个过程中 ,其研究对象不断地发生变化 ,从开始的非欧音乐到全人类各民族的音乐、民俗音乐、大众音乐等等。本文在各家各派的认识和现实研究的基础上对民族音乐学的研究对象作了思考和新的诠释

The academic norm is a principle to guide the academic research and the propriety to survey its results. To enforce the academic norm is for academic reliability of musicological research. To discuss the issue of academic norm reflected the musician's thought on academic own fade as well as the thinking about the study-construction.

学术规范是指导学术展示的原则和审视学术结果的规矩 ;强调学术规范是为了体现音乐学研究的“学术可信度” ;对学术规范问题的探讨反映了音乐学家对学术本体命运的关怀和对学科建设的反思。

 
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