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叙事作用
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  narrative function
     Analysis of the Narrative Function of "Xiao Zhao" in《Divorce》
     试析“小赵”在《离婚》中的叙事作用
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  “叙事作用”译为未确定词的双语例句
     Research of the Function of the Persons and Things as Narrative Signs in Linchuan Si Meng by Tang Xianzu
     作为叙述符号存在的人和物——论汤显祖戏剧中人和物的叙事作用
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  相似匹配句对
     Part Four: the function of suspense in narration.
     第四部分:悬念在叙事中的作用
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     Distinctive Narrative Angle and Its Usage in "Wuthering Heights*
     《呼啸山庄》独特的叙事角度及其作用
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     Affect of Role Intrusion Detection System
     入侵检测系统的作用
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     Narrative of the Country
     乡土叙事
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     Negligible Narration
     边缘叙事
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  narrative function
The author does not presuppose a unified narrative with each character neatly fulfilling a narrative function.
      
The narrative function of Mark's characterization of God
      
Since the first exchange proposed to the reader by the narrator, it is exchange and money which make the narrative function and which bring it to a happy conclusion.
      
As in much modern fiction, the Poslett's take on the narrative function of the site.
      


The aesthetic contrast between different art imageries is closely related with each author's sexual distinction and visual angles. The observer out-side the female subject and the inspector inside all fabricate the female imageries under their own cultural conceptions. Their description or expression endows their imageries dramatic difference in disposition and role fate. Under the gender narrative function, Lin Dai-yu and Jane ,departed from the society reigned by male ,have reached to poles apart: the reality...

The aesthetic contrast between different art imageries is closely related with each author's sexual distinction and visual angles. The observer out-side the female subject and the inspector inside all fabricate the female imageries under their own cultural conceptions. Their description or expression endows their imageries dramatic difference in disposition and role fate. Under the gender narrative function, Lin Dai-yu and Jane ,departed from the society reigned by male ,have reached to poles apart: the reality of destroying as depends on others, and the conceit of establishing female authority instead of male rules.

艺术形象的审美效果与创作主体的视角切入、性别想象密切相关。外在于女性主体的审视者与内在于女性主体的体验者,都以自身的文化心理虚构女性形象,他们的描述和表达赋予形象的性格内涵和角色命运以强烈反差。林黛玉和简·爱在性别叙事的作用下,走向女性从男权社会出走的两极:皈依男性中心毁灭自我的现实和颠覆男性中心确立女性权威的虚构。

The content of Linchuan Si Meng (Four Dreams at Linchuan) is originated directly or indirectly from the contents of legendary novels in Tang Dynasty. Comparing these novels such as Biography of Huo Xiaoyu, The Tales in Pillow, Biography of Nanke Prefecture Chief, Li Hun Ji, Tang Xianzu has attached greater importance to the narration of the characters in a play. The characters in Tang Xianzu's drama, carrying out more than those functions of the characters defined in the traditional drama research,are obviously...

The content of Linchuan Si Meng (Four Dreams at Linchuan) is originated directly or indirectly from the contents of legendary novels in Tang Dynasty. Comparing these novels such as Biography of Huo Xiaoyu, The Tales in Pillow, Biography of Nanke Prefecture Chief, Li Hun Ji, Tang Xianzu has attached greater importance to the narration of the characters in a play. The characters in Tang Xianzu's drama, carrying out more than those functions of the characters defined in the traditional drama research,are obviously performing the narration function. Tang Xianzu, while paying attention to shaping of the characters' image,gives greater significance to their functions in building the whole structure of the play,from which we can find the achievement in the narrative skills of his dramas clearly.

“临川四梦”直接或间接地取材于唐代小说。相比较唐代相关小说《霍小玉传》、《枕中记》、《南柯太守传》、《离魂记》,汤显祖在对这些小说改编时特别注重一些人和物在戏剧中的叙事作用。在剧本中,他(它)们已突破了传统戏剧研究所划定的角色范围,承担着明显的叙事任务。汤显祖在对他(它)们的形象塑造给予关注的同时,更有意于这些人和物在戏曲中的结构能力,由此可以窥见汤显祖戏剧叙事艺术之一斑。

The narrator in the know is a concept raised from the relation between the narrator and the narrated object. Differs from omniscient narrator,hidden narrator and open narrator,has some special social relations with the narrated object,which decides his status of the narrator in the know, unique characteristics and narrative functions.In fact,a narrative of the narrator in the know is a kind of multi-angular narrative.It not only mixes the advantages of the first and the third person narration but also has special...

The narrator in the know is a concept raised from the relation between the narrator and the narrated object. Differs from omniscient narrator,hidden narrator and open narrator,has some special social relations with the narrated object,which decides his status of the narrator in the know, unique characteristics and narrative functions.In fact,a narrative of the narrator in the know is a kind of multi-angular narrative.It not only mixes the advantages of the first and the third person narration but also has special superiority in narrative reliability and convenience of person change.

知情叙述者,是对叙述者与叙述对象的关系进行考察而提出的概念,“他”与叙述对象有着某种特殊的社会关系,由此决定了他的知情身份,并区别于全知叙述者、隐含或显露叙述者,表现出自己特有的性质和叙事作用。知情叙述者叙事,实际上是一种跨界叙事,不仅融合了第一人称和第三人称的叙事长处,而且在叙述的可靠性及人称转换的便利性上表现出特有的叙事优势。

 
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