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   书法美学 的翻译结果: 查询用时:0.413秒
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美术书法雕塑与摄影
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书法美学     
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  calligraphic aesthetics
     A Probe into the Calligraphic Aesthetics of Six Dynasties
     六朝书法美学探索
短句来源
     On Su Shi's Thought of Calligraphic Aesthetics
     苏轼书法美学思想述略
短句来源
     On the Calligraphic Aesthetics of the Tang Dynasty
     唐代书法美学思想探析
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     Su Shi's outlook of calligraphic aesthetics, which stresses nature a lot, requires the expression of “natural” characteristics in both the process of artistic creation and the feature of artistic works, and fully demonstrates the traditional thought of the unity of art and nature.
     苏轼尚自然的书法美学观在创作过程及作品品格上均要求体现“自然”的特征 ,充分体现了艺道合一的传统思想。
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     His achievements was the contribution to calligraphic aesthetics more importantly.
     他的成就更重要的是他的书法美学方面的建树。
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  calligraphy aesthetics
     Three Questions of Calligraphy Aesthetics
     书法美学三题
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     On Calligraphy Aesthetics and Its Appreciation
     浅谈书法美学及其欣赏
短句来源
  handwriting aesthetics
     The core of his handwriting aesthetics is advocating the nature.
     他的书法美学核心思想是尚自然。
短句来源
  calligraphy aesthetic
     On Huang Tingjian's Calligraphy Aesthetic View and Calligraphy Achievements
     论黄庭坚的书法美学观和书法创作成就
短句来源
     I mainly read the aesthetic theorist Rudolph' s famous book Aesthetic Designart Esucation and Chen Zhenlian' s Calligraphy Aesthetic .
     在这篇论文中,我着重参阅了美国美学理论家鲁道夫.阿恩海姆著名著作《艺术与视知觉》《AESTHETZCSDESIGNART ESUCATION》和陈振濂的《书法美学》。
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      calligraphic aesthetics
    This increases our system's capability to learn and generate cursive calligraphy, which is an important aspect of calligraphic aesthetics.
          


    CHEN Du xiu's view that "Calligraphy is the mirror of one's personality" was his comprehension of the essence of Chinese calligraphic aesthetics and the criteria for his evaluation of the handwritings by ZHAO Meng fu,WANG Jing wei and SHEN Yin mo.His own calligraphy,which has long been admired and used for reference,is the symbol of his noble character.

    :“书法由来见性真”,是陈独秀对中国书法美学最本质的把握 ,其对赵孟顺、汪精卫、沈尹默书法的评价皆以此为准则。他自己的书法 ,也正是他高尚人格的象征 ,历来为人们所称道、所借鉴

    The research on the artistic style and artistic outlook is an important approach to one's aesthetic perspectives. Zhao Zhi-qian's aesthetic perspectives on calligraphy are developed from his philosophy which finds its expression in his unique artistic style. His aesthetic perspectives on calligraphy in the following two parts: I. Simple, unsophisticated and vigorous, classical and spontaneous; Ⅱ. The natural integration of Ru, Dao, and Buhdism.

    艺术风格与艺术思想研究是美学思想研究的重要途径。赵之谦书法美学思想形成于他的哲学思想,外化为其独具风格的创作。他的书法美学思想主体为:拙朴浑厚、古茂清新;儒道互补,佛理深渗。

    The paper exposes the contradictions and problems on teaching non-major calligraphy course in normal colleges or universities, and provides some pratical and useful ways of teaching this kind of course.

    师范院校书法公共课教学注重实践性 ,以训练学生的书法技能为主。为了真正提高学生的书法水平 ,有必要在书法公共课教学中融入书法理论知识、书法美学知识 ,使学生的书法学习能融会贯通 ,以期在书法实践和书法理论上均有收获。

     
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