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绘画思想     
相关语句
  painting thoughts
     On Xu Bei-Hong's Painting Thoughts
     论徐悲鸿的绘画思想
短句来源
     The painting thoughts of XU Bei-hong is the cream in his art life.
     徐悲鸿绘画思想是徐悲鸿艺术人生的精华;
短句来源
     The realitic thoughts is the centre of XU Bei-hong’s painting thoughts.
     写实主义的绘画思想是徐悲鸿绘画思想的精髓。
短句来源
     Until 1947,he brought forward the theory:sketch is the basis of all the sculpting art,as well as some other theories such as :learning from nature,learning from life. These theories consist of his main painting thoughts.
     到1947年的“素描为一切造型艺术之基础”,加上他的师法造化、取材于生活,构成了其绘画思想的主干,而贯穿其中的精神是对真善美的追求。
短句来源
  drawing thinking
     The Influence of Taizhou School on the Drawing Thinking of Later Ming and Early Qing Dynasties
     泰州学派对明末清初绘画思想的影响
短句来源
     Comparing the philosophical thinking of such key figures of Taizhou School as Wanggen, Hexinying, Luorufang and Lizhi, this paper finds clearly the identity between the philosophical thinking of Taizhou School and the drawing thinking of the later Ming and early Qing dynasties as well as the influence of the former on the latter.
     通过与泰州学派核心人物王艮、何心隐、罗汝芳、李贽等人哲学思想的比较研究,可以清晰地发现泰州学派哲学思想与明末清初绘画思想的同一性,以此可以发现前者对后者的影响。
短句来源
  thought of painting
     Today's painting group presented us a complexion with complicated thought of painting and kinds of unclear artistical level.
     当今画坛呈现给我们的是一个绘画思想纷繁复杂、艺术标准多元互挠的局面。
短句来源
     Many kinds of novel thoughts of painting and modality of painting continuously came forth in our eyeshot, impacted our thought of painting and changed our concept of painting.
     各类新颖的绘画思潮、绘画理念以及绘画形式接连不断的出现在我们的视野里,冲击着我们的绘画思想,改变着我们的绘画观念。
短句来源
     It is the focus of the thought of painting in the Song Dynasty what is essence of painting.
     对绘画本质的认识是宋代绘画思想的一个焦点。
短句来源
  painting thought
     Discussion on Chinese traditional painting thought
     中国传统绘画思想浅谈
短句来源
     Discussion on Chinese Tradition Painting Thought
     传统绘画思想与艺术表现的再认识
短句来源
     “Air”is a important category of the painting thought of WuChangShuo.
     “气”是吴昌硕绘画思想的一个重要范畴。
短句来源
     A Study on the Painting Thought of WANG Jian
     王鉴绘画思想探微
短句来源
     This paper gives a theoretical study in the possibility of Chinese painting toward comprehensive development from single pattern of ink-water based on the views of liberating painting thought,adopting a correct attitude towards tradition,absorbing excellent foreign culture and exploring painting materials and skills.
     文章通过从解放绘画思想、正确认识传统、合理借鉴外来优秀文化和开拓绘画的材料与技法等方面的阐述,从理论上探索中国绘画从单一的“水墨”模式走向综合发展的可能性。
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    DONG Qi-chang's painting philosophy mixes Dhyana and New Confucianism,reflecting the features of that age.The relationship between Dhyana and his painting thought has been noted by the academic circles while the effect of New Confuciacism has been negleted.In fact,DONG Qi-chang builds a complete system of painting philosphy under the influence of New Confucianism.

    董其昌画学兼融了禅宗和心学思想,这是那个时代思想面貌在他的绘画思想中的反映。董其昌画学和禅宗的关系受到学界的注意,但他的思想所烙上的深深心学印迹,学界却少有人论及,实际上,董其昌在心学思想的影响下建立了一套具有完整体系的画学思想

    YUN Ge not only was a famous painter in the period of Kangxi, but also had a series of original painting ideas. Instead of imitating the ancients' views of entrusting their elegant emotion to painting, he showed his national heart in his “theory of emotional intussusceptions”, that's to say, he revealed his ambition by painting pictures. YUN Ge used emotional principle of poesy for reference,and absorbed philosophic theory in his painting. Furthermore, he completed a controversial definition of “elegant and...

    YUN Ge not only was a famous painter in the period of Kangxi, but also had a series of original painting ideas. Instead of imitating the ancients' views of entrusting their elegant emotion to painting, he showed his national heart in his “theory of emotional intussusceptions”, that's to say, he revealed his ambition by painting pictures. YUN Ge used emotional principle of poesy for reference,and absorbed philosophic theory in his painting. Furthermore, he completed a controversial definition of “elegant and easeful style",and especially insisted on people's elegant and easeful character. A series of original ideas were formed in YUN Ge's theory concerning view_finding,handling,painting's style and technology.He expressed his scattered but systematic ideas based on his own experiences,such as significance,principles,methods and artistic conception of painting.We can also read his painting's postscripts which are original,poetic and charming.

    恽格不仅是康熙时期著名的画家 ,其绘画思想也极有创见。他不似古人之以绘画寄托高雅之情 ,而以特有的“摄情说”寄寓民族感情 ,以物明志 ,既旁取于诗之以情为本 ,又蕴涵哲理。对历来陈述不已的“逸品”之说 ,他表达了自己的完整定义 ,尤其强调人品高逸 ,对相关的取景、笔墨、风格、技巧亦多创见。他对于画意、画理、画法、画境的看法亦结合自己的创作体会 ,做了虽零散却又系统的表达。其充满诗意的画跋自树者甚多 ,意态悠然 ,令人神往。

    Theories of painting was in static state in China in the 19 th .century,mainly due to the influence of the doctrine of“back to the ancients”.In spite of this,steady progress in painting was made in that painting had finally become popularized,which in turn laid the foundation for the reformation of traditional Chinese painting in the 20 th .Century. [

    我国十九世纪绘画思想之处于凝滞状态 ,与复古思潮大有关系。但凝滞并非不变 ,在凝滞中又有缓进 ,表现在 :深入反思山水画“南北宗”论 ,为合理的继承破除了理论障碍 ;因碑学、篆刻的发展 ,援书入画 ,造成“道、咸中兴” ;吸收新技艺以改变正统 ,使文人画走上通俗化道路 ;在中西文化碰撞中 ,开始思考“体”、“用”关系 ,成为 2 0世纪国画改革的先行。

     
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