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  “混合性文化”译为未确定词的双语例句
     Turkic ethnic groups in Xinjiang are influenced by both Islam historic area in Central Asia, and Han nationality in Central Plains.
     而甘青地区的撒拉族、裕固族都处在各种大历史文化区的边缘地带,远离各文化区的核心地区,因而形成了一种复合性文化(混合性文化)。
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     Culture
     文化
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     Hospital culture is an important position in hospital.
     文化
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     MIXED STROKE
     混合性中风
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  mixed culture
Selection of a Mixed Culture of Cellulolytic Thermophilic Anaerobes from Various Natural Sources
      
At concentrations 15.0 and 25.0 g/l, maleic acid was utilized maximally by SS and MS forms of the mixed culture, respectively.
      
The effects of bacteria belonging to the genera Azotobacter and Bacillus in a mixed culture with Bradyrhizobium japonicumstrains on the formation and function of the legume-rhizobium symbiosis of soybean plants were studied.
      
The growth of nonsporulating mycelial fungi INBI 2-26(+), a producer of laccase; INBI 2-26(-), a producer of cellobiose dehydrogenase; and their mixed culture on lignin-carbohydrate substrates under conditions of submerged fermentation was studied.
      
In the mixed culture, both enzymes were formed; however, the level of laccase synthesis was 1.5-fold lower compared to that of strain 2-26(+), while synthesis of cellobiose dehydrogenase was similar to that of the corresponding producer.
      
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By study on its cultural context and features of architecture, this paper suggests the Dia olongbei Phase Ⅲ dated to the late Neolithic Age. At that time, agriculture, cultivation of domestic animals and textile industry were rather developed, and a hierarchy system appeared in the social life.

本文对雕龙碑第三期遗存的文化内涵,建筑特色与其它地区的资料进行比较并结合民族学材料 进行研究,认为雕龙碑第三期遗存是一种混合性文化时代为新石器时代晚期,农业与家畜饲养业发 达,家庭纺织业也较先进,社会氏族内部出现贫富差别和地位高下之分,社会形态已进入文字氏族社会。

Writers in colonies represent their cultures by three means: running against Western culture, identifying themselves with the local culture or mixing different cultures. However, the three means can't help them get away from the hegemony of Western culture. On the contrary, the literature of some postcolonial writers conspires with and strengthens the hegemony of Western culture. Faced with the dilemma, they should get rid of the writing modes which carry Western cultural hegemony. The postcolonial literature's...

Writers in colonies represent their cultures by three means: running against Western culture, identifying themselves with the local culture or mixing different cultures. However, the three means can't help them get away from the hegemony of Western culture. On the contrary, the literature of some postcolonial writers conspires with and strengthens the hegemony of Western culture. Faced with the dilemma, they should get rid of the writing modes which carry Western cultural hegemony. The postcolonial literature's culture representation should be faithful to the people's interests, to what there actually practices and to how people feel about their activities in society. In this way, a new image of their culture can be constructed.

殖民地作家在进行自身的文化书写时主要采用了三种方式:对抗性文化书写、认同性文化书写与混合性文化书写,然而这三种书写方式并没有摆脱西方文化霸权的话语圈套。后殖民作家的文化书写实践,在其有意无意之中,还与西方霸权的全球逻辑构成一种共谋与同犯,巩固了西方的霸权主义。面对这种困境,应该去除霸权话语的书写模式,强调文化书写的人民性、实践性与体验性,重构自身的文化形象。

This article puts forward that Diaolong Stele Culture in Zaoyang, as 'blending culture', is a kind of special 'style', considers that the architecture site of Diaolong Stele is provided with its own development series, and brings the viewpoint on some technology problems existing in the process of this site archaeology. And, this article considers it necessary to study this site by using the regional habitation form, furthermore, puts forwards the main tendency of Chinese culture.

该文提出了枣阳雕龙碑文化虽属“混合性文化”,却具有一种特殊“类型”的见解;认为雕龙碑建筑遗址有其本身独特发展的系列性, 并对该遗址建筑考古中的一些技术性问题提出了看法;还认为,该遗址应放大到地域性的聚落形态来研究。此外,文中还提出了中华文化的大流向问题。

 
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