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   现象美 在 美学 分类中 的翻译结果: 查询用时:0.59秒
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现象美
相关语句
  the phenomenon aesthetics
    The Phenomenon Aesthetics and the Buddhism Aesthetics
    现象美与禅态美
短句来源
    Although the phenomenon aesthetics and the Buddhism aesthetics originated from different cultures, they are similar in some aspects such as thinking about everything through the senses, key category and laying up traditional experience.
    “现象美”和“禅态美”虽然产生于中西方不同的文化土壤 ,但其共性还是较明显的 :一是直观居中的思维方式 ;
短句来源
  the phenomenon aesthetics
    The Phenomenon Aesthetics and the Buddhism Aesthetics
    现象美与禅态美
短句来源
    Although the phenomenon aesthetics and the Buddhism aesthetics originated from different cultures, they are similar in some aspects such as thinking about everything through the senses, key category and laying up traditional experience.
    “现象美”和“禅态美”虽然产生于中西方不同的文化土壤 ,但其共性还是较明显的 :一是直观居中的思维方式 ;
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Taste is a key word in Chinese classic aesthetics. It has some relation to the sense of taste in bite and sup, but also quite a lot different from it. Chinese classic aesthetic pays great attention to the essential implication. This implication is profound and subtle, sometimes even vague. It needs the personal experience of the subject. The word "taste" in Chinese classic aesthetics has been used to describe the aesthetic feelings. Chinese aesthetics based on the experience, different from the western aesthetics,...

Taste is a key word in Chinese classic aesthetics. It has some relation to the sense of taste in bite and sup, but also quite a lot different from it. Chinese classic aesthetic pays great attention to the essential implication. This implication is profound and subtle, sometimes even vague. It needs the personal experience of the subject. The word "taste" in Chinese classic aesthetics has been used to describe the aesthetic feelings. Chinese aesthetics based on the experience, different from the western aesthetics, which is based on epistemology. The beauty of the phenomenon is to be exceed in Chinese aesthetics and essential implication behind the phenomenon is more worthy to achieve. This is the ultimate beauty, as "miao" in Chinese aesthetics; it can not be explained by words for that it implies the infinite.

味,在中国古典美学中占据重要的地位,它来源于饮食中的味觉,但不是味觉。中国美学重视事物内在的意味,这种意味是精微的,模糊的,需要自身体验的。中国美学用了"味"这个词比喻美感,说明中国美学是以体验论为哲学基础的,与西方以认识论为哲学基础的美学相区别。中国美学要求审美者超越现象的美,而深入到现象后面的意义,认为这才是最高的美,最高的是"妙"。"妙"是不可言传的,通向无限的。

Although the phenomenon aesthetics and the Buddhism aesthetics originated from different cultures, they are similar in some aspects such as thinking about everything through the senses, key category and laying up traditional experience. China's Buddhist culture equals western phenomenon aesthetics in value. China can find a suitable way of eco-aesthetic construction if it breaks the "China against the West" mode.

现象美”和“禅态美”虽然产生于中西方不同的文化土壤 ,但其共性还是较明显的 :一是直观居中的思维方式 ;二是具有相似的核心范畴 ;三是悬置现成经验。中国禅宗可以与西方现象学平等对话 ,并且我们能够突破“中—西”对立模式 ,寻找适合自己的生态美学建设之路

In Critique of Judgment the word Beauty is the unification of all extensions and intensions and,through its significance in bridging theoretical rationality and moral rationality in its type,phenomenon,and stratification and the two beauty judgments,forms a tension between Kant's a priori logic and empiricist criticism,and between metaphysical pursuit and humanist morality.

《判断力批判》中“美”是各项外延与内涵的统一,它从美的类型、美的现象、美的层次以及两种审美判断四个方面表现了其从理论理性过渡到伦理理性的桥梁意蕴,从而形成康德先验逻辑与经验考证,形而上追求与人本主义道德向往之间的思想张力。

 
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