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女性绘画     
相关语句
  feminine drawing
     In Feminine Drawing Flowered Image
     女性绘画中的花意象
短句来源
     The Chinese drawing history has since always been section of females "the absence" the history, needs in the Chinese fine arts history to inquire about the feminine artist's biography is very difficult, many outstanding feminine painter and the feminine drawing are all covered in the historical dust, vanishes in the space and time.
     一直以来,中国绘画史就是一段女性“缺席”的历史,要在中国美术史学中探寻女性画家的传记很难,许多杰出的女性画家和女性绘画都被掩盖在历史的尘埃中,消失在时空里。
短句来源
     However the achievement distinguishes between the masculine, feminine drawing actually has her unique angle of view and the language expression way.
     然而作为区别于男性的女性绘画却有着她独特的视角和语言表达方式。
短句来源
     Starts from "54" the New Culture Movement, establishes to new China, since again has stabbed for 90 ages today, the feminine drawing is having the huge change, and the feminine painters work also presents the different language expression way along with time vicissitude.
     从“五四”新文化运动开始,到新中国成立,再到90年代以来的今天,女性绘画发生着巨大的变化,女性画家们的作品也随着时代的变迁呈现出不同的语言表达方式。
短句来源
  women painting
     The Maternal Consciousness of Women Painting
     女性绘画中的母性意识
短句来源
     Women painting, as a part of an artistic category, is different from men's in that it depicts women's lives and their spiritual status from women's perspective.
     女性绘画作为艺术范畴的一部分,是以女性的视觉描绘女性的生活及精神情感的,这也是它与男性绘画最根本的区别。
短句来源
  “女性绘画”译为未确定词的双语例句
     An Insight Into the Development of Chinese Women's Art of Painting in the New Century
     感悟新世纪中国女性绘画艺术的发展历程
短句来源
     Brief Description of Chinese Female's Painting
     玉台丹青——浅述中国传统女性绘画
短句来源
     Today, the Woman Art proclaimed independence, which is the premise and the base of the further development.
     现在,女性绘画宣布自己独立存在并寻求进一步的发展,这种发展是未来形态的女性绘画发展的前提和基础;
短句来源
     Georgia O’Keefe one of the greatest American women artist in the20th century, who lived in the year of 1887------1986,a pioneer in American modern art, is the most acknowledged and highly praised pioneer in the modern women's painting history. And she has a great influence on the painters, especially the contemporary women painters.
     乔治亚·奥基弗(Georgia O'Keefe 1887—1986)是二十世纪美国最伟大的女性艺术家之一,也是美国现代主义艺术的先驱者,是近代女性绘画史上最受肯定和推崇的先锋,对后世画家特别是当代女性画家的影响巨大。
短句来源
     The history of female artists in ancient China is a forgotten part of the painting history.
     中国古代女性绘画史是一段被悄然遗忘的历史。
短句来源
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:This article seeks to present the women's painting history of t he Ming and Qing dynasties through description of the two classes of women pa inters. In the author's opinion, lady painters and courtesan painters differe d mainly in their presentation of themes, the latter stressing the portrayal of orchid and bamboo and the former being keen on a wider range of subject matte r. Lady painters took to brushwork mainly to amuse themselves and courtesan pai nte rs mainly to express their feelings....

:This article seeks to present the women's painting history of t he Ming and Qing dynasties through description of the two classes of women pa inters. In the author's opinion, lady painters and courtesan painters differe d mainly in their presentation of themes, the latter stressing the portrayal of orchid and bamboo and the former being keen on a wider range of subject matte r. Lady painters took to brushwork mainly to amuse themselves and courtesan pai nte rs mainly to express their feelings. This diffrence in interest, in turn, le d to the difference in their styles, one stressing attention to details and the othe r free strokes. According to the author, however, there was one thing in c ommon between the two genres: Neither of them had pioneerspirit as far as subje ct mat ter was concerned, and both emulated the other sex in the technique of r epresent ation—this latter being in fact an extension, in the artistic realm, o f ancient women's subordination to men.

本文通过“闺阁画家”与“妓女画家”这两个绘画群体来透析明清时期的 女性 绘画史。主要从题材表现上论述了闺阁与妓女画家的不同,指出妓女画家多寄兴于兰、 竹 ,而闺阁画家则在较广泛的题材领域从事创作。进而,又论述了她们在绘画旨趣上的差异 ,认为闺阁画家是以画自娱的,而妓女画家则以画遣怀;这样的旨趣又影响到她们的画风, 一个是工致的,一个是偏于写意的。最后指出了闺阁与妓女绘画的共性:它们既未能在绘 画 题材上有所开拓,又在表现技法上追逐于男性绘画,而这其实是古代女性对于男性依从 关系 在艺术上的一种延伸。

Based on the historical background of culture, the present condition of art, etc., the paper analyses and expounds the transition of Chinese women's art of painting from conformity with the ideology and concept of the male-oriented society to the active manifestation of their innermost world and volition.

从历史文化背景和艺术现状等多种切入点出发,分析并阐述中国女性绘画艺术由符合男性中心社会 的思想和观念向积极主动地表达内心自由意志的变迁。

The essay relates the process of the origination, development and mature of female paintings based on historical 教 and current situations, and presents their developing traces. Female art is more than an artistic matter, but a means of 学 thinking or a kind of ideological weapon, through which we can analyze the inner emotional world and the struggles against ...

The essay relates the process of the origination, development and mature of female paintings based on historical 教 and current situations, and presents their developing traces. Female art is more than an artistic matter, but a means of 学 thinking or a kind of ideological weapon, through which we can analyze the inner emotional world and the struggles against 与 创 male world. The power of the individual is negligible, but their collective power is great and endless. It is innumerable outstanding 作 female artists of all ages who find and realize themselves with sober-minded and introspecting attitudes.

女性艺术,已经不仅仅是一个艺术问题,而是一种思考方式或是一种思想武器,它赐予了剖析女性内心情感世界的一扇窗和在男权制话语情境下与之相抗衡的力量。本文主要通过女性绘画艺术产生、发展、成熟过程的叙述,以历史和现状两大板块为基点,透视女性绘画艺术的发展轨迹。

 
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