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戏曲观念
相关语句
  idea on opera
     Viewing the Changes in the Idea on Opera from the Publication of the Ancient Opera Texts around the Period of Republic
     从民国前后古代戏曲文本的印行看戏曲观念之变迁
短句来源
     In fact, this publication of opera texts developed with the changes in the idea on opera, and their relation can be described as transactive.
     事实上,民国前后戏曲文本的刊印活动正是伴随着戏曲观念的变化而展开的,甚至是互动的。
短句来源
  “戏曲观念”译为未确定词的双语例句
     Rethinking of Wang Guowei's idea of traditional opera
     王国维戏曲观念的重思
短句来源
     An Analysis on"Abstract Expression"in Chinese Opera
     戏曲“写意”辨——古今戏曲观念差异比较之一
短句来源
     Wang Guowei is the man who has opened up the modern historical science of the Chinese Traditional Opera .
     王国维是中国近代戏曲史学的开拓者 ,他的戏曲观念影响很大。
短句来源
     So we should examine Wang Guowei ’s ideas again and rebuild the historical science of the Chinese Traditional Opera.
     所以 ,我们今天在建立科学的民族戏曲史学时 ,必须重新审视王国维的戏曲观念
短句来源
  相似匹配句对
     Rethinking of Wang Guowei's idea of traditional opera
     王国维戏曲观念的重思
短句来源
     On the Formation and Confirmation of the Subject Matter of the Opera in the Ming Dynasty
     论明代戏曲本体观念的演变和确立
短句来源
     A Recollection of the Traditional Opera
     戏曲往事
短句来源
     Fresh Idea
     新观念
短句来源
     What is ideology?
     什么是观念?
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查询“戏曲观念”译词为用户自定义的双语例句

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Wang Guowei is the man who has opened up the modern historical science of the Chinese Traditional Opera .His ideas of the Chinese Traditional Opera has had great impact on his followers. Being restricted by the concept of the west drama and the ideas of Chinese Traditional Academic Research ,Wang Guowei just has paid more intention on the literary factor of the Chinese Traditional Opera. It has so mislead his followers that they even have not found the answers of the basic questions of the Chinese Traditional...

Wang Guowei is the man who has opened up the modern historical science of the Chinese Traditional Opera .His ideas of the Chinese Traditional Opera has had great impact on his followers. Being restricted by the concept of the west drama and the ideas of Chinese Traditional Academic Research ,Wang Guowei just has paid more intention on the literary factor of the Chinese Traditional Opera. It has so mislead his followers that they even have not found the answers of the basic questions of the Chinese Traditional Opera. So we should examine Wang Guowei ’s ideas again and rebuild the historical science of the Chinese Traditional Opera.

王国维是中国近代戏曲史学的开拓者 ,他的戏曲观念影响很大。但是 ,由于王国维本人受西方戏剧观念和传统学术研究观念的制约 ,他的戏曲观念仍存在着缺陷 ,主要表现在研究中国古代戏曲上过于强调戏曲的文学性而忽略戏曲的其他因素 ,尤其是戏曲的表演。这种观念直接影响了以后的戏曲史学研究 ,使戏曲史学的一些基本问题如戏曲概念、起源问题仍然难以得到很好的解决。所以 ,我们今天在建立科学的民族戏曲史学时 ,必须重新审视王国维的戏曲观念

Silent drama" and "taking romances as a blueprint of legend" proposed by Li Yu have indicated his viewpoints of a close relationship between novel and drama the same themes in different forms. However, the differences between them also cannot be ignored, and in no cases his ideas of drama and that of novel could be confused. Li's rewriting does not mean a simple repetition, but represents a course into which his concepts on drama and novel are fused. In novel details, scene narration, character depiction, etc.,...

Silent drama" and "taking romances as a blueprint of legend" proposed by Li Yu have indicated his viewpoints of a close relationship between novel and drama the same themes in different forms. However, the differences between them also cannot be ignored, and in no cases his ideas of drama and that of novel could be confused. Li's rewriting does not mean a simple repetition, but represents a course into which his concepts on drama and novel are fused. In novel details, scene narration, character depiction, etc., he reveals the great differences between the two forms of literature.

李渔“无声戏”与“稗官为传奇蓝本”的提法已明示在李渔意下小说与戏剧的密切关系 ,即异中之同。但小说与戏剧的同中之异也不可忽略 ,李渔的戏曲观念与小说观念绝不能混同。李渔戏剧对小说的重写不是简单的重复 ,而是融入了他对戏剧、小说最基本的观念。在小说细节、情境叙写与人物描摹等方面 ,揭示两大体裁的不同景观。

Since the eighties of the 20th century,the research approach has been a key topic that researchers have paid close attention toall the time. Compared with other disciplines,there is a very obvious impetus on opera in the research approach. It makes the wholeopera studied discipline and changed basically. The researchers fully consider the characteristic of the operaoneself, draw lessons fromthe relevant theory and method of disciplines,such as archaeology,folklore, religion,etc. boldly. From newer opera idea,...

Since the eighties of the 20th century,the research approach has been a key topic that researchers have paid close attention toall the time. Compared with other disciplines,there is a very obvious impetus on opera in the research approach. It makes the wholeopera studied discipline and changed basically. The researchers fully consider the characteristic of the operaoneself, draw lessons fromthe relevant theory and method of disciplines,such as archaeology,folklore, religion,etc. boldly. From newer opera idea, open up thesource of the document, expanding the space of academic research, have studied the renewal of the model type. The need of disciplinedevelopment has caused the change of the research approach. It change basic pattern that opera study, influence nature, trend that operastudy; Besides, new change put forward high request to research approach, make it change towards substantial results, flexibility andgetting wide direction. There is a benign, interdynamic relation between the two.

自20世纪80年代以来,研究方法一直是研究者所关注的一个核心话题。相对其他学科而言,研究方法对戏曲研究的推动作用尤为显著,它使整个戏曲研究学科发生了脱胎换骨式的变化。研究者们充分考虑戏曲自身的特性,大胆借鉴考古学、民俗学、宗教学等其他学科的相关理论和方法,从更新戏曲观念、开辟文献来源新途径、拓展学术研究空间等角度出发,进行了研究范式的更新。学科发展的内在需要导致了研究范式的变革,改变了戏曲研究的基本格局,影响到戏曲研究的性质和走向;同时,这种新变又对研究方法提出了更新的要求,使其朝实效性、灵活性和包容性方向调整。两者之间存在着良性互动的关系。

 
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