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意象艺术
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  imagery art
     The Modern Pursuit of Imagery Art of Nine Leaves School
     九叶诗派意象艺术的现代化追求
短句来源
     The Imagery Art of Chinese Modern Poetry in the 1920s
     论20年代中国现代诗歌意象艺术
短句来源
     The imagery art in Chinese poetry is a perpetual topic of aesthetic category in China。
     中国诗歌的意象艺术是中国美学范畴一个永恒的话题。
短句来源
     On Imagery Art of Nine Leaves School
     论九叶诗派的意象艺术
短句来源
     EXPERT APPRAISAL OF RESEARCHING FRUIT FROM“IMAGERY ART”——NATIONAL SCIENCE AND RESEARCH SUBJECT
     西安美院国家科研项目“意象艺术研究”——五年计划科研成果专家鉴定会纪要
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  image art
     On the Image Art of Modern Chinese Poetry
     论中国现代派诗歌意象艺术
短句来源
     It illustrates from three aspects: study of image poetry, study of image art development, and study of image art comparison.
     论文从意象诗学论、意象艺术发展论、意象艺术比较论三个方面展开论述,依诗学论作为研究的理论基点,将发展论作为具体研究意象文本与总结现代意象艺术嬗变规律的主要内容,从比较论透视中国现代诗歌意象艺术的现代性与民族性特征,初步形成一个中国现代诗歌意象艺术研究的体系。
短句来源
     Regard image tradition of classical poem as consult, in longitudinal to perspect very poem image national characteristic and modern quality of art more compare , have done more overall perspectivity to image art of He Qifang's early poem.
     以古典诗歌意象传统为参照,在与古典诗歌意象艺术的比较中透视何其芳诗歌意象艺术的民族特征和现代品质。
短句来源
     The image of Ai Qing's poems during 1930s have achieved the merging and creative development of modern Chinese poetry image art after the May 4(th) movement.
     艾青1930年代的诗歌意象实现了“五四”以来中国现代诗歌意象艺术的多方融合与创造性的发展。
短句来源
     Regards China's classical poem image art as consult, appraises image art of He Qifang's poem in the course of development of modern poem.
     以中国古典诗歌意象艺术为参照,在现代诗歌发展的历程中评价何其芳诗歌的意象艺术
短句来源
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  image ar t
     On the Image Art of Modern Chinese Poetry
     论中国现代派诗歌意象艺术
短句来源
     It illustrates from three aspects: study of image poetry, study of image art development, and study of image art comparison.
     论文从意象诗学论、意象艺术发展论、意象艺术比较论三个方面展开论述,依诗学论作为研究的理论基点,将发展论作为具体研究意象文本与总结现代意象艺术嬗变规律的主要内容,从比较论透视中国现代诗歌意象艺术的现代性与民族性特征,初步形成一个中国现代诗歌意象艺术研究的体系。
短句来源
     Regard image tradition of classical poem as consult, in longitudinal to perspect very poem image national characteristic and modern quality of art more compare , have done more overall perspectivity to image art of He Qifang's early poem.
     以古典诗歌意象传统为参照,在与古典诗歌意象艺术的比较中透视何其芳诗歌意象艺术的民族特征和现代品质。
短句来源
     The image of Ai Qing's poems during 1930s have achieved the merging and creative development of modern Chinese poetry image art after the May 4(th) movement.
     艾青1930年代的诗歌意象实现了“五四”以来中国现代诗歌意象艺术的多方融合与创造性的发展。
短句来源
     Regards China's classical poem image art as consult, appraises image art of He Qifang's poem in the course of development of modern poem.
     以中国古典诗歌意象艺术为参照,在现代诗歌发展的历程中评价何其芳诗歌的意象艺术
短句来源
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  “意象艺术”译为未确定词的双语例句
     Image: the Basic Sign of the Artistic Language
     意象:艺术语言的基本符号
短句来源
     Based on the terminologies of the comparative poetics,the paper examines the "stylistic conversion"in the image-making of Modern Chinese Poetry:the subjectivism in creation,leading to the conclusion that the modern Chinese poetic arts are oriented towards the western poetics.
     本文采取“整体描述”的方式,在中西诗学传统的理论背景上,考察了中国现代诗歌意象形态上的“风格化转变”:主体化艺术取向,并通过对中国现代诗歌主体意象的主要营建样式(原创、变异和譬喻)的详尽归纳与分析,呈现出了中国现代诗歌意象艺术朝向西方诗学的“异质化”特征
短句来源
     Subjectivism:A Study on the Modern Chinese Poetry
     主体化:异质诗学文化中的中国现代诗歌意象艺术
短句来源
     It also summarizes the artistic features of image in the 1920s.
     并总结了20年代意象艺术的特征。
短句来源
     The imagery exploration of Nine Leaves School is also reflected in modern characteristics of imagery thought: extended and condensed characteristics.
     九叶诗人的意象艺术探索还体现为意象思维的现代性特征:意象的扩展式与意象的凝结式思维特征。
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The architecture is a kind of the imagery art.The development of the art ofarchitecture should be the procyss for getting chief intention from many sides and re construction and renew of the many imaginations.Though the traditional architecture imageryis one of the accordance of the modern architectural creation, we should find out a new wayfrom the single train of thought and mould system,to go forward to a vast world of manyimaginations.

建筑是一种意象艺术.建筑艺术的发展应是多向取意、多元意象重构与更生的过程。虽然传统建筑意象是现代建筑创作的依据之一,但须从其单一思路与模式体系中走出来,跨入新时代多元意象的广阔天地。

The logical models of psychology about the behavior ofatristic creation andsppreciation are proposed,and the general system of psychology in art is constructed. The following fundamental theoretical views are discussed:Ⅰ) Imagery is the kernal of thepsychological activities in art;Ⅱ)Imagry is formed through the process of dynamiccognitive reflection; Ⅲ) Imagery is the key in the understanding between the artists andthe connoisseurs; Ⅳ)Imagery is the basis of the social function of art.Furthermore,the theoretical...

The logical models of psychology about the behavior ofatristic creation andsppreciation are proposed,and the general system of psychology in art is constructed. The following fundamental theoretical views are discussed:Ⅰ) Imagery is the kernal of thepsychological activities in art;Ⅱ)Imagry is formed through the process of dynamiccognitive reflection; Ⅲ) Imagery is the key in the understanding between the artists andthe connoisseurs; Ⅳ)Imagery is the basis of the social function of art.Furthermore,the theoretical framework of the imagery psychology is outlined.

提出了艺术创作和艺术欣赏的行为心理模型,构建了一般艺术心理学体系;论述了“意象是艺术心理活动的核心”,“意象在能动的认识反映过程中形成”,“意象是艺术家与鉴赏者之间心灵沟通的‘灵犀’”,“意象是艺术社会功能的基础”等一系列基本理论观点,并进一步勾勒了意象艺术心理学的理论框架.

Based on the terminologies of the comparative poetics,the paper examines the "stylistic conversion"in the image-making of Modern Chinese Poetry:the subjectivism in creation,leading to the conclusion that the modern Chinese poetic arts are oriented towards the western poetics.

本文采取“整体描述”的方式,在中西诗学传统的理论背景上,考察了中国现代诗歌意象形态上的“风格化转变”:主体化艺术取向,并通过对中国现代诗歌主体意象的主要营建样式(原创、变异和譬喻)的详尽归纳与分析,呈现出了中国现代诗歌意象艺术朝向西方诗学的“异质化”特征

 
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