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女性塑造
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  “女性塑造”译为未确定词的双语例句
     WOMEN IMAGE AND PORTRAYAL BY KAWABATA YASUNARI
     川端康成笔下的女性与女性塑造
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     Strategies of constructing the female images in the Late Ming Dynasty are first addressed from two aspects such as style/generification and individualization.
     首先从类型化、个性化两方面探讨了晚明传奇女性塑造手法,既而剖析了女性形象性格的阴柔与刚烈特色,并对女性形象唱词、女性动作背后的心理及塑造女性形象之修辞特色作出分析。 其四,着力对晚明传奇女性加以分类研究。
短句来源
     In women portrayal he not only continued to use those traditional techniques employed in classical literature but learned the form of expression from the modrn school so that his portrayal of women are closely connected to nature and his feelings.
     在女性形象塑造中 ,川端既秉承了日本古代文学的传统手法 ,又借鉴了现代派表现方式 ,即他将女性塑造与自然、与感觉密切结合在一起
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  相似匹配句对
     Characterization of Female Figures by SHENG Congwen
     浅谈沈从文笔下的女性形象塑造
短句来源
     Female Portraits in Eugene O'Neill's Early Plays
     尤金·奥尼尔早期的女性形象塑造
短句来源
     modifies female.
     修饰女性
短句来源
     Metropolis ·Female
     都市·女性
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     The Molding of New-type Personality
     新式人格的塑造
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Tirra Lirra by the River is a well-known feminist novel focusing on the minserable fate of traditional Australian women. Nora Roche, the main character of the novel, represents women's marginalised and submissive roles in the patriarchal society. By analysing Nora's failure to find her true identity, the author of this article puts forward several criteria for judging whether a woman has succeeded in achieving a complete self or not, and pinpoints that if a woman cannot get rid of the influence of the patriarchal...

Tirra Lirra by the River is a well-known feminist novel focusing on the minserable fate of traditional Australian women. Nora Roche, the main character of the novel, represents women's marginalised and submissive roles in the patriarchal society. By analysing Nora's failure to find her true identity, the author of this article puts forward several criteria for judging whether a woman has succeeded in achieving a complete self or not, and pinpoints that if a woman cannot get rid of the influence of the patriarchal society,she will never find her true identity.

本文以澳大利亚小说《河边云雀叫得欢》中的女主角为例 ,分析了父权制社会对女性塑造自我的消极作用 ,提出了判断女性能否成功塑造自我的几个标准 :是否有自信心 ,是否感到受压抑 ,是否能摆脱夫权在经济上对女性的控制 ,是否能摆脱男性本位文化的影响。指出如果女性无法摆脱父权制社会对其的影响 ,她将不可能拥有一个完整的自我

Kawabata Yasunari had the greatest esteem for the women portrayal in the Japanese classical literature, and in his life long journey women were of special significance to him. Therefore hetook great pains to describe women and praise women. Women described by him fall into two types. The first type are holy and pure maidens described by him with all his love and passion; and the second type are mature women whom he described with rather complicatd feelings. In women portrayal he not only continued to use...

Kawabata Yasunari had the greatest esteem for the women portrayal in the Japanese classical literature, and in his life long journey women were of special significance to him. Therefore hetook great pains to describe women and praise women. Women described by him fall into two types. The first type are holy and pure maidens described by him with all his love and passion; and the second type are mature women whom he described with rather complicatd feelings. In women portrayal he not only continued to use those traditional techniques employed in classical literature but learned the form of expression from the modrn school so that his portrayal of women are closely connected to nature and his feelings.

川端康成对日本古典文学中描写女性的传统推崇备至 ,在其人生旅途中女性又予于他特殊的意义 ,因此 ,他极力地描写女性、赞美女性。川端笔下的女性大致可分两类 ,一类是他倾注了全部爱怜的感情 ,塑造出来的美丽圣洁的少女形象 ;另一类是他带着复杂的感情 ,创造的成熟女性形象。在女性形象塑造中 ,川端既秉承了日本古代文学的传统手法 ,又借鉴了现代派表现方式 ,即他将女性塑造与自然、与感觉密切结合在一起

Love poems written in southern dynasties,embody striking characteristics of male centered culture not only in the description of ideal females,but also in the reflection the of shortage and distortion of love.

南朝文人情诗 ,不论在对理想女性的塑造上 ,还是从诗作所反映的爱情的匮乏与异化上 ,都表现了鲜明的男权文化特色。

 
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