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女性原罪
相关语句
  相似匹配句对
     ORIGINAL SIN
     原罪
短句来源
     Metropolis ·Female
     都市·女性
短句来源
     modifies female.
     修饰女性
短句来源
     On the Yuan-zui Consciousness of Female Image of Modern Literature
     论现当代文学女性形象的原罪意识
短句来源
     Spiritual Adventure through Texts — Unscrambling the Original Sin in Modern Womens Writings
     穿越文本的精神历险——当代女性写作的原罪解读
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In his early plays Cao Yu portrayed a series of female images such as Zhou Fanyi, Chen Bailu, Hua Jinzi,Rui Jue, Su Fang and Others, most of whom are considered to be glorious and respetable in the history of moderm Chineseliterature. These are heroines who, coming between traditional and moderm, are beautiful in appearance and nice indispostion, just like "canary birds" but in an awkward position. In the allegorical depiction of the foregoing heroines iscontained the playwright's metaphysical thinking, deep...

In his early plays Cao Yu portrayed a series of female images such as Zhou Fanyi, Chen Bailu, Hua Jinzi,Rui Jue, Su Fang and Others, most of whom are considered to be glorious and respetable in the history of moderm Chineseliterature. These are heroines who, coming between traditional and moderm, are beautiful in appearance and nice indispostion, just like "canary birds" but in an awkward position. In the allegorical depiction of the foregoing heroines iscontained the playwright's metaphysical thinking, deep and hard, on the female's fate in life and the form of individual'sexistence, both of which are characterized by the clash between the female's consciousness of Original sin and man's naturalinstinct; and also contained the representation of the Playwright's deep, strog and religion-like sense of two fate, andof his humane thoughts and feelings being derived from his aesthetic concern with the fate of the whole mankind, a concernquite different from that of other whiers', which makes Cao Yu's Plays more profound, lasting and abundant inimplication.

曹禺在前期剧作中,塑造出了周蘩漪、陈白露、花金子、瑞珏和愫方等现代文学史上光彩照人的女性系列形象。在这些介于传统与现代之间、气禀美丽的女主人公“金丝鸟”般处境尴尬的命运寓言里,寄寓着作者对女性原罪意识和人的自然本性相冲突的女性人生命运及个体存在方式的形而上思索,升腾着作者迥异于其他作家的强烈深刻、宗教般的悲剧命运感以及对整个人类命运进行审美关注的人文情怀,从而使得曹禺的戏剧蕴含更为深远、丰实。

In the enemy- occupied areas in 1940,the creation of novels was in awkard position.However,Zhang Ai- ling found another way of writing novels.Her novels show the clear tendency of popularization by writing about the old noble families' experiences and fate in metropolis and the love of the young and the female cousciousness of original sin in love.

40年代沦陷区小说创作处于尴尬局面。张爱玲另辟蹊径,着重从表现旧贵族世家在大都会的遭际和命运,青年男女的婚恋和婚恋中的女性的原罪意识等方面入手,呈现出鲜明的凡俗化倾向。

In the novels by Zhang Ai Ling, male subject consliousness, though in a state of dominant absenle, is at any time present receszively in deep consciousness of every woman. In the times when the new replaces the old, Zhang Ai ling describes not only women's. unconscious antagonism of male subject consciousness, but also the conspiracy of female original sin consiousness and male subject consciousness to oppress themselves.

张爱玲小说中,男性主体意识处于显性缺席状态,但无时不刻地隐性出席在每一位女性的深层意识里,在新旧交替时代,张爱玲既写出了女性对男性主体意识不自觉地对抗,也写出了女性“原罪意识”与男性主体意识同谋压迫女性自身。

 
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