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女性本体
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  female noumenon
     Coupled with an outline of the historical tradition of modern female literature and the main features of novel schools, this paper attempts to probe into several traits common to female novels of the 1930s, i.e. the patterns of socio-politics, of the return to female noumenon, and of the stylistic creativity in novels.
     文章试图在兼顾现代女性文学历史传统以及小说流派性主体性的同时 ,侧重于梳理 2 0世纪 3 0年代这个特定的历史阶段女性小说所具有的几个普遍性特征 ,即社会政治化形态 ,回归女性本体形态和小说文体的创新性形态。
短句来源
  feminine noumenon
     Connotation evolution of humanity in their works almost experiences the period from the oppression of humanity naturality via self seeking and self regression to the subimation of inhrent quality,their vision is the regression from outer world to feminine noumenon.
     纵观这些女性文学作品中人性的内涵的衍化,大致经历了从人性中自然性的压抑到寻找自我、回归自然到自我本性的升华,其视线是从外部世界回归到女性本体
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  “女性本体”译为未确定词的双语例句
     She contains triple realms: Beauty's cultural archetype is wizard, comparing Beauty to king or gentleman has be come the radition of symbolic art of a long development, Beauty reprenstnts the female sex themselves again and becomes a bequtiful object that is observed.
     她包含三重境界:“美人”意象的文化原型是巫觋,以“美人”喻君或君子构成源远流长的象征艺术传统,“美人”回归女性本体,成为审美观照的美的对象。
短句来源
     This pursuit and reflection to female self-position and self-characteristic is the main connotation of female consciousness in Zhang Ailing's works.
     这种对女性本体地位和女性本体特征的寻求和自省,是张爱玲作品中女性意识的主要内涵。
短句来源
  相似匹配句对
     Metropolis ·Female
     都市·女性
短句来源
     modifies female.
     修饰女性
短句来源
     Noumenon of Energy
     能量本体
短句来源
     The Ontology Revision
     本体修正
短句来源
     The Aesthetic Posture of Gender Antagonism——Discussing the Nominal Character of Feminine Poetics
     性别对抗的审美姿态——论八十年代女性诗学的本体特征
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Love is an indispensable element of human life.From the 20th century feminine literature,we can see the zigzag road that Chinese women had gone through searching for ideal love.They exposed themselves to the ardent desire of love and also had rational thoughts on what the criteria of sexual love should be,exploring in depth the significance of love and gradually getting closer to their happiness——love between two sexes that embodies equality,harmony and domocracy.However,this ideal love can only be attainable...

Love is an indispensable element of human life.From the 20th century feminine literature,we can see the zigzag road that Chinese women had gone through searching for ideal love.They exposed themselves to the ardent desire of love and also had rational thoughts on what the criteria of sexual love should be,exploring in depth the significance of love and gradually getting closer to their happiness——love between two sexes that embodies equality,harmony and domocracy.However,this ideal love can only be attainable with the efforts of all the members of the society.

爱是伴随人生的一种必要的生存状态。从 2 0世纪中国女性文学中我们可以发现中国女性追寻理想爱情的艰难历程。她们从情爱欲望的觉醒告白到性爱标准的理性思考 ,从女性生存困境的拷问到女性本体深层意识的探寻 ,虽然她们的探索至今与理想目标尚有距离 ,但是她们毕竟是在一步步地逼近幸福的彼岸———平等、和谐、民主的两性之爱。

Beauty is an archetypal image that appeared the most frequently in the literatural history of ancient chins. She contains triple realms: Beauty's cultural archetype is wizard, comparing Beauty to king or gentleman has be come the radition of symbolic art of a long development, Beauty reprenstnts the female sex themselves again and becomes a bequtiful object that is observed.these make beauty form an archetypal inage with artistin charm in ancient literature.

“美人”(或“佳人”)是中国古代文学中出现最频繁的原型意象之一。她包含三重境界:“美人”意象的文化原型是巫觋,以“美人”喻君或君子构成源远流长的象征艺术传统,“美人”回归女性本体,成为审美观照的美的对象。这三重境界使“美人”成为古代最具魅力和艺术表现力的意象。

Chinese feminine witers of the contemporary era,such as Zhang jie,Can- xue and Wang- anyi in 1980s,Chen ran and Lin- bai in 1990s,show every special side of feminine humanity out of their own experience.Connotation evolution of humanity in their works almost experiences the period from the oppression of humanity naturality via self seeking and self regression to the subimation of inhrent quality,their vision is the regression from outer world to feminine noumenon.Feminine literature together with feminine writers...

Chinese feminine witers of the contemporary era,such as Zhang jie,Can- xue and Wang- anyi in 1980s,Chen ran and Lin- bai in 1990s,show every special side of feminine humanity out of their own experience.Connotation evolution of humanity in their works almost experiences the period from the oppression of humanity naturality via self seeking and self regression to the subimation of inhrent quality,their vision is the regression from outer world to feminine noumenon.Feminine literature together with feminine writers gradually grows up during the hard seeking process,which is also a period from nonbeing to being and from loss to regression of feminine conciousness.

中国当代女性作家,从 70年代末 80年代的张洁、残雪、王安忆到 90年代的陈染、林白等等,她们从自我经验出发,发展了女性所特有的人性各个侧面。纵观这些女性文学作品中人性的内涵的衍化,大致经历了从人性中自然性的压抑到寻找自我、回归自然到自我本性的升华,其视线是从外部世界回归到女性本体。在这一艰难的找寻过程中,女性文学逐渐成长,女性作家也一步步成熟起来。这一过程也是她们的女性意识从无到有,从失落到回归的过程。

 
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