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闺阁文学    
相关语句
  boudoir literature
    Vacillate Between “Rebel Against Orthodoxy” And “Devotion To Orthodoxy” ——A Study of the “Boudoir Literature” of the Twenties and Thirties
    踯躅于“叛道”与“守道”之间——试论二三十年代闺阁文学
短句来源
    The Overlapping of Boudoir Literature and Brothel Literature: Reconsidering the Women Images in the Yuan Opera
    在闺阁文学和青楼文学的交叉坐标上──元杂剧妇女形象新论
短句来源
  boudoir literature
    Vacillate Between “Rebel Against Orthodoxy” And “Devotion To Orthodoxy” ——A Study of the “Boudoir Literature” of the Twenties and Thirties
    踯躅于“叛道”与“守道”之间——试论二三十年代闺阁文学
短句来源
    The Overlapping of Boudoir Literature and Brothel Literature: Reconsidering the Women Images in the Yuan Opera
    在闺阁文学和青楼文学的交叉坐标上──元杂剧妇女形象新论
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Boudoir Literature”, which rises in the Twenties and Thirties and is represented by such woman writers as Bing Xin, Lu Yin, Su Xue lin, Ling Shu hua and Lin Hui yin, is known for its depiction of the family life as well as the psychological experiences of the middle aged and young females of the upper class. Set against the historical background of the May 4 th Movement and troubled by the inner conflict of vacillation between “rebel against orthodoxy” and “devotion to orthodoxy” on the part of these...

Boudoir Literature”, which rises in the Twenties and Thirties and is represented by such woman writers as Bing Xin, Lu Yin, Su Xue lin, Ling Shu hua and Lin Hui yin, is known for its depiction of the family life as well as the psychological experiences of the middle aged and young females of the upper class. Set against the historical background of the May 4 th Movement and troubled by the inner conflict of vacillation between “rebel against orthodoxy” and “devotion to orthodoxy” on the part of these woman writers, “Boudoir literature” has the fatal weakness of transposing the places of “man” and “woman”. Under the pens of “Boudoir Literature” writers, female characters are portrayed to the aesthetic standards of the male readers and their fate decided by the “sense of self appreciation”. Not without unique artistic features and colourful in its mini world of fine creation, “Boudoir Literature”, as a literary genre, unfortunately, has never been granted a place in the mainstream literature.

本文针对二三十年代女作家冰心、庐隐、苏雪林、凌叔华、林徽因等反映上层社会中青年女性家庭生活及其心理变化的 “闺阁文学”, 揭示它们在 “五四”历史背景下, 由于作者自身的 “叛道”与 “守道”的两重人格的冲突, 使闺阁文学发生了 “人”与 “女人”的错位, 导致了按男性审美标准塑造女性角色, 以 “自赏意识”审视女主人公命运的特点; 虽然它们以其独特的艺术风范, 让读者洞见其所展示的 “世态的一角, 高门巨族的精魂”, 但毕竟只能凭栏唱晚, 成为时代主旋律的不谐和音

:This paper discusses mainly the women images of the Yuan Opera in the perspectives of Confucian culture and pop culture. A number of the women images in the Yuan Opera are the outcome of the overlapping of the traditional literature, which is set in the boudoir, and the literature, which is set in the brothel. They are dazzlingly brilliant women images of traditional virtues, while they sometimes break the convention. Of course, due to the influence of the brothel literature, these women images of the Yuan...

:This paper discusses mainly the women images of the Yuan Opera in the perspectives of Confucian culture and pop culture. A number of the women images in the Yuan Opera are the outcome of the overlapping of the traditional literature, which is set in the boudoir, and the literature, which is set in the brothel. They are dazzlingly brilliant women images of traditional virtues, while they sometimes break the convention. Of course, due to the influence of the brothel literature, these women images of the Yuan Opera are sometimes distorted and vulgarized.

该文主要从儒家文化和市井文化的角度来论述元杂剧的妇女形象。元杂剧的部分妇女形象是传统闺阁文学和元代青楼文学交叉坐标上的产物,是既有传统妇女美德、又突破传统妇女某些思想局限的光彩照人的妇女形象。当然,由于青楼文学的影响,元杂剧的部分妇女形象也有失真、庸俗的一面。

Since the beginning of the 21st century,with the popularizing of network and with the rising of popular culture,more and more female writers begin to use words to describe their living frustration and their feelings.A lot of female literature works which describe love,marriage,aesthetic style and fashion trends emerge.Because there is a certain gap between these literature works and main trend words,the works are not paid attention to by theoretical circle.This paper names these literature works as "post-boudoir...

Since the beginning of the 21st century,with the popularizing of network and with the rising of popular culture,more and more female writers begin to use words to describe their living frustration and their feelings.A lot of female literature works which describe love,marriage,aesthetic style and fashion trends emerge.Because there is a certain gap between these literature works and main trend words,the works are not paid attention to by theoretical circle.This paper names these literature works as "post-boudoir literature" and analyzes their value and characteristics in order to rationally evaluate this living literature phenomenon.

本世纪以来,随着互联网的普及和大众文化的兴起,越来越多的女性开始借助文字来书写自身的生活遭际与点滴感受,于是诞生了一大批以描写女性爱情婚姻为题材,具唯美风格和时尚化倾向的女性文学作品。由于其与主流话语存在一定距离,故长期以来未受到理论界的重视。对此类文学作品给以“后闺阁文学”的命名,并对其特点和价值的分析,有助于给当下这一鲜活的文学现象以合理的定位。

 
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