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散文现象
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  “散文现象”译为未确定词的双语例句
     The perplexities and breakth oughs ——Views on the phenomena of essays in the 1990's
     困惑与突围的风景——20世纪90年代散文现象浅论
短句来源
     Rectifiction from free utterance to conscious utterance of prese phenomenon in Yanan Era
     从自由言说到自觉言说的整合——“延安时期”散文现象浅论
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     A Talk on the Prose of the "17-year Period
     抒情机制的确立与抒情散文的兴盛——“十七年时期”散文现象浅论
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     An Interpretation to Chinese Prose in the 20th Century
     二十世纪中国散文现象解读
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     From the rise and fall of big prose to evaluate Yu's cultural prose, we can see clearly in market economy the truth that vulgarity is dressed up as elegance, elegance is made to dress up vulgarity and vulgarity ruins elegance, which is the usual relationship between vulgarity and elegance in literature history.
     从大散文现象的兴起至败落这一过程审视余秋雨文化散文现象,可以清楚地看到在市场化环境中,俗之妆扮为雅,雅对于俗的包装,以及俗对于雅的败坏这一文学史中常见的雅俗关系的再次体现。
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  相似匹配句对
     Phenomenon
     现象
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     The Preposterous Phenomena on Subjective Ideology in the Female Essay
     女性散文主体意识的悖谬现象
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     Pre-Qin Zhuzi prose is a special literary phenomenon.
     先秦诸子散文是特殊的文学现象
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     Slightly Talk about the Prose
     略论散文
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     R on T Phenomenon of The Older
     老年性R on T现象
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The essence of argument to the Warring States culture is decided by the war of the feudal princes and the contention among all schools of thoughts. Under this background, the poetry culture of Chun-qiu does not develop furtherly during the Warring States because of the different interests of schools. And it forms its own prose style, which reflects the characteristic of the time. The foundation of the prose style is a mixture of the authors' dispositions and the truth, and the variety of the prose style has...

The essence of argument to the Warring States culture is decided by the war of the feudal princes and the contention among all schools of thoughts. Under this background, the poetry culture of Chun-qiu does not develop furtherly during the Warring States because of the different interests of schools. And it forms its own prose style, which reflects the characteristic of the time. The foundation of the prose style is a mixture of the authors' dispositions and the truth, and the variety of the prose style has close relation with the writers' thought methods and their dispositions. Therefore, the literary expression is the show of consciousness and unconsciousness.

:战国文化的重辩特质是为诸侯之战及百家争鸣的社会生活所决定的 ,其多元成为必然。在这一背景之下 ,春秋的诗性文化没有得到光大 ,而形成文化的散文化趋向。同时 ,不自觉的散文发展轨迹 ,其风格的初建与作者的求真、思想方法及性情密切关连 ,于是有了战国特殊的散文现象

Both prose theorists and writers have different ways and means to define the genre. If the dissenting voices prevail, it becomes difficult to reach a definitive answer to the same question. Speaking of the literary scene of prose writing, most critics are confronted with the fundamental issues: where to start and how to go from there. It is essential to discuss the conception and mode of narrative in the evolution of prose writing. The selection of the conception of narrative is both the question of narrative...

Both prose theorists and writers have different ways and means to define the genre. If the dissenting voices prevail, it becomes difficult to reach a definitive answer to the same question. Speaking of the literary scene of prose writing, most critics are confronted with the fundamental issues: where to start and how to go from there. It is essential to discuss the conception and mode of narrative in the evolution of prose writing. The selection of the conception of narrative is both the question of narrative techniques and manifestation of prose writer′s creativity, aesthetic value and stylistics. Narrative evolution of contemporary prose in Taiwan has gone through three distinct stages: narrationdepiction, soliloquy, and shifting angles of narrator's vision. What prose writers in Taiwan are striving to create is constantly in search of a new conception and new mode of prose writing. What is at stake, however, is the crisis and confusion evolved from the literary boundary of the prose as a genre.

理论界和散文家本身对于散文观念定义与认知的困惑,使散文现象历来显得比较复杂。叙述观念与叙述方式是散文创作和变革中不可忽视的问题。叙述观点的选择,不仅是技巧层面的问题,它也是作家创作观念、审美能力以及艺术风格的外化体现。诉说———独白———叙述视角转换是台湾当代散文叙述方式演变的三个历程,它显示了台湾散文家对新的散文观念和新的书写模式的不断追求。然而,散文真正面临的危机仍然是来自文类的规范问题。

In the 1990's 'cultural prose is popular in Chinese prose field, with Yu Qiuyu as its representative. Yu's works from Cultural Painful Journey to Frosty Cold Long River is in a process of gradually negating prose and culture and his view degenerates from pompously talking about all human feelings to emphasizing the importance of perplexity to prose writing and to finally declaring not having any perplexity at all. From the rise and fall of big prose to evaluate Yu's cultural prose, we can see clearly in market...

In the 1990's 'cultural prose is popular in Chinese prose field, with Yu Qiuyu as its representative. Yu's works from Cultural Painful Journey to Frosty Cold Long River is in a process of gradually negating prose and culture and his view degenerates from pompously talking about all human feelings to emphasizing the importance of perplexity to prose writing and to finally declaring not having any perplexity at all. From the rise and fall of big prose to evaluate Yu's cultural prose, we can see clearly in market economy the truth that vulgarity is dressed up as elegance, elegance is made to dress up vulgarity and vulgarity ruins elegance, which is the usual relationship between vulgarity and elegance in literature history.

20世纪90年代,“文化散文”是中国散文界当红的散文品种,其代表人物是余秋雨。余秋雨的散文从《文化苦旅》到《霜冷长河》,是一个逐渐遗落“散文”和“文化”的过程,也是他的散文观从高谈阔论“人类整体感觉”下降为强调“困惑”对散文写作的重要性,到最终声言自己“谈不上什么困惑”的破产过程。从大散文现象的兴起至败落这一过程审视余秋雨文化散文现象,可以清楚地看到在市场化环境中,俗之妆扮为雅,雅对于俗的包装,以及俗对于雅的败坏这一文学史中常见的雅俗关系的再次体现。

 
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