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      启蒙叙事     
相关语句
  enlightening narration
     On the Enlightening Narration of Chinese Modern Literature
     论中国现代文学的启蒙叙事
短句来源
  enlighten narrative
     By presenting the process of the reform of funeral and interment minutely which was carried on in a village of central China and considering stretchy, this paper tried to explore the relation between the reform and wider social changes, moreover, it is expect that this cross-subject's research can make a superficial reflection of "Enlighten Narrative" which was used widely in the history writing.
     文章通过对一个中国中部村庄殡葬改革历程的细腻呈现和延伸思考,试图探究这样一场改革同更大和更广范围内的社会变迁之间的关系,并期望能够通过跨学科的研究达致一种对史学领域中既有的历史书写方式——“启蒙叙事”的粗浅反思。
短句来源
     By the utilization of cross-subject's mean------which pay attention to the responseof country people , analysis and excavate behavioral logic of every side, take note to the group of grass-root unit, the appear of variety, meticulousness, complexity and contingency of history, it also reflected on the "Enlighten Narrative" which has thick colour of teleology and linearity.
     而通过跨学科研究方法的运用——村民反映的关注和呈现,各方行事逻辑的分析和挖掘,基层社会群体地位的关照,历史的丰富、细致、复杂和偶然性的展现,文章也反思了目的论、线性化的“启蒙叙事”。
短句来源
  “启蒙叙事”译为未确定词的双语例句
     Immigration Culture and Cultural Modernization (Essays)
     启蒙叙事下美国文化的民族性和现代性
短句来源
     An Enlightened Narrative of Literary Critique
     文学评论的启蒙叙事——《摩罗诗力说》综论
短句来源
     Enlightening Narratives and Discourses of Modernity Within Modernist Poetry in the 1940s
     40年代现代主义诗歌的启蒙叙事和现代性话语
短句来源
     With his ideas of novel creation that writing according to the fact, Yeshengtao tried to represent the common people's daily life and search for the meaning of life, in order to undertake social sense of responsibility, the character of his novel creation was that combining narrative of the initiation with narrative of the daily life.
     叶圣陶坚持“如实地写”人生的创作理念,一定程度上聚焦于日常生活及其中的普通人事,在凡俗人生中寻求人生意义,宣扬理想精神,主动承担一种社会责任感和使命感,其创作是启蒙叙事和日常生活叙事的调和。
短句来源
     Among the imaginations about the countryside provided by the contemporary literature, the most representative ones are the enlightenment poetic recountby Lu Xun, Mao Dun and Shen Congwen.
     在现代文学为我们提供的乡村想象中,最具代表性的莫过于以鲁迅、茅盾为代表的启蒙叙事和以沈从文为代表的诗性叙事。
短句来源
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  相似匹配句对
     On the Enlightening Narration of Chinese Modern Literature
     论中国现代文学的启蒙叙事
短句来源
     Sex Narrative Novel in May 4th Movement and Sex Enlightenment
     五四性爱叙事小说与性启蒙
短句来源
     Paradoxical Narration
     悖论叙事
短句来源
     Narrative of the Country
     乡土叙事
短句来源
     Transcending Enlightenment
     超越启蒙
短句来源
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         Among the imaginations about the countryside provided by the contemporary literature, the most representative ones are the enlightenment poetic recountby Lu Xun, Mao Dun and Shen Congwen. The country which is used as the modern word "he" meets two kinds of imagination demand. It is the symbol of the ignorant, decline, backward, and something that boycotts the western civilization and comforts the modern people's emotion demand. To a large extent, the rural image is decided by the motivation and purpose of a...
            在现代文学为我们提供的乡村想象中,最具代表性的莫过于以鲁迅、茅盾为代表的启蒙叙事和以沈从文为代表的诗性叙事。乡村作为现代性话语中的“他者”,满足着两种想象的需要:它既是愚昧、衰败、落后的象征,也是抵制西方文明负值、慰籍现代人情感需要的“桃花源”。乡村的形象在很大程度上取决于叙述者出于何种叙述动机以及为了达到什么样的叙述目的,因此乡村的全部复杂性在得到部分揭示的同时也显得扑朔迷离。路翎1946年发表的《嘉陵江畔的传奇》以其热气弥漫的乡村体验为基础,以他一贯向生活奋力地突击的写法展示出半殖民地半封建社会里一幅更为芜杂、黑暗、强悍的乡村图景,为我们提供了不同于启蒙叙事和诗性叙事的另一种乡村想象。
文摘来源
         As an odd clan,ZHANG Ai-ling had permanently and independently erected state that opposite to the rudiment in 'May 4th Movement' and rescuing narration in 1940s.With her pen,literature had never been endowed to encourage,instruct and change human life.Even if in the early of 1940s,' May 4th' writers' rudiment had been condensed into intense consciousness of politics and war,yet her attitude adopted still lay with an attitude of avoidance.In her works,deprived of revolution and war,what was regularly emerged...
            作为文学史上的一个异数,一直以来,张爱玲以一种与“五四”启蒙叙事以及四十年代救亡叙事截然对立的姿态独立于世。在她的笔下,文学从来没有被赋予鼓励人生,指导人生,改造人生的启蒙重任。尽管在四十年代的前几年,“五四”作家的启蒙意识已被浓缩为强烈的政治意识与战争意识,但张爱玲对这一切采取的依然是一种回避的态度。她的作品中,没有革命也没战争,有的只是世俗生活的琐碎与无奈,而苍凉美感的确立,无疑又是张爱玲对新文学理想主义与英雄主义审美基调的另一背弃。
文摘来源
         There is an immanent ideology of "structure" in the late and middle new period of Chinese fiction.It abandons the integration of man's rationalization and that of poeticalization of conception by means of deconstructing the enlightening narration.The process and scenes of human existence are absorbed into,and man's concreteness and complicatedness are dominated by,"structure",which cannot be grasped and controlled individually,thus becoming the products of discourse,power and social process in the late and ...
            新时期中后期小说在解构性写作姿态的背后潜藏着无所不在的“结构”意识形态。它以对启蒙叙事的消解,放弃了对人的理性化和感性诗意化的整合。人的生存过程和场景被纳入“结构”中,人的具体性、复杂性被个体无法把握的“结构”所控制,成为话语、权力和社会过程的产物。
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