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   古代戏曲理论 的翻译结果: 查询用时:0.201秒
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古代戏曲理论
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  “古代戏曲理论”译为未确定词的双语例句
     the other is of the "aesthetic state (Jingjie or Yijing)". This paper gives an overall analysis of the features and relations of "Wei (taste)" and "Qu (interesting)" theory in Chinese traditional opera criticism, explains the continuous development, and illustrates main concept of Chinese traditional opera aesthetics.
     本文初次从通论角度对中国古代戏曲理论批评中的"味"论及其主要特点,做了一个总体性的论述,旨在分析戏曲理论批评著作中的"味"及"趣"之概念的审美内涵,分析戏曲"趣味"论与其"境界(意境)"论的关系,由此说明中国古代戏曲理论批评家关于戏曲"美感"论的主要观念。
短句来源
     On the Concept of Performers′Cultivation by“Combing Their Inner World with the Outside”in Ancient Chinese Opera Theories
     论中国古代戏曲理论“内外结合”的演员修养观
短句来源
     Li Yu's dramatic reception theory combined other people's theoretical achievement with his own experience and view,and promoted the progress of chinese ancient dramatic theory.
     李渔戏曲接受观融汇了前人理论探讨的成果 ,凝聚了自己的实践经验和理论见解 ,对中国古代戏曲理论是积极的开拓与发展。
短句来源
     Theory of Bense by Xu - wei has an important position in the critical history of Chinese classical drama, and it was composed of the popularity and truth.
     徐渭的本色论在中国古代戏曲理论史上有重要地位,其主要内容是“俗”和“真”。
短句来源
     His dramatic theory was a comprehensive expression of the rich practice experience himself and the drama theory of Chinese ancient, could reveal the universal dialectic of the drama about the writing, the structure, the subject, the words of song, the creating, the spoken parts in the drama, the directing and the performing, interpreted his original view minutely, embodied his dramatic theory with the quality of the artistic philosophy and the creative value of the aesthetics, had a positive significance in promoting the progression of the ancient drama.
     他的戏曲理论集自己丰富的戏曲实践经验和古代戏曲理论之大成,能够从作法、结构、题材、曲文、填词、宾白、导演、搬演等方面揭示戏曲的普遍辩证规律,详细阐明自己的独到见解,充分体现了他的戏曲理论具有艺术哲学性质和美学创造价值,对促进古代戏曲的健康发展有着积极意义。
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  相似匹配句对
     The Narrative Time and Space in Traditional Chinese Drama
     中国古代戏曲的叙事时空
短句来源
     The Study on Anthologies of Traditional Opera in Ancient China
     中国古代戏曲选本研究
短句来源
     Discuss the Theory of the Ancient Opera Character
     古代戏曲脚色理论述略
短句来源
     On the Theory of China Ancient Opera Appearance-spirit
     试论中国古代戏曲形神理论
短句来源
     Expression-spirit Theory of Chinese Ancient Opera
     中国古代戏曲中的形神理论
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Li Yu viewed the dramatic reception in the light of the dramatic creation,performance and direction and established the dramatic reception theory. Regarding the audience for his creation as a central position was the theoretical kernel of his dramatic reception theory,stressed the dramatic popularization was the pursuit of the art of his dramatic reception theory,and putting the entertainment on the first of all ways was utilitarianism of his dramatic reception theory. Li Yu's dramatic reception theory combined...

Li Yu viewed the dramatic reception in the light of the dramatic creation,performance and direction and established the dramatic reception theory. Regarding the audience for his creation as a central position was the theoretical kernel of his dramatic reception theory,stressed the dramatic popularization was the pursuit of the art of his dramatic reception theory,and putting the entertainment on the first of all ways was utilitarianism of his dramatic reception theory. Li Yu's dramatic reception theory combined other people's theoretical achievement with his own experience and view,and promoted the progress of chinese ancient dramatic theory.

李渔从戏曲创作、导演、表演三方面观照戏曲接受问题 ,建构起他的戏曲接受观。观众本位是其戏曲接受观的理论核心 ,崇尚通俗是其戏曲接受观的艺术追求 ,娱乐至上是其戏曲接受观的功利取向。李渔戏曲接受观融汇了前人理论探讨的成果 ,凝聚了自己的实践经验和理论见解 ,对中国古代戏曲理论是积极的开拓与发展。

Theory of Bense by Xu - wei has an important position in the critical history of Chinese classical drama, and it was composed of the popularity and truth. Xu - wei' s literary ideas are expressed in his practical sphere and theories. Xuwei' s theory of Bense is originated from his career and thoughts, and is influenced by the Taoism and his vivid personality. Then he finds a new drama aesthetic concept. Based on liberation of spirits, focusing on popularity and nature, for the purpose of expressing true feelings...

Theory of Bense by Xu - wei has an important position in the critical history of Chinese classical drama, and it was composed of the popularity and truth. Xu - wei' s literary ideas are expressed in his practical sphere and theories. Xuwei' s theory of Bense is originated from his career and thoughts, and is influenced by the Taoism and his vivid personality. Then he finds a new drama aesthetic concept. Based on liberation of spirits, focusing on popularity and nature, for the purpose of expressing true feelings and true character, Xu -wei puts forward the theory of Bense.

徐渭的本色论在中国古代戏曲理论史上有重要地位,其主要内容是“俗”和“真”。徐渭的禀赋遭遇和人格思想决定了他的文学思想,道家思想的影响和鲜明的个性意识使他确立了新的戏曲美学标准。提出了以心灵觉醒为基础,以通俗自然为核心,以摹写真情、真性为目的的本色论。在他的杂剧《四声猿》,理论著作《南词叙录》、《西厢序》等中都有确实的体现。

Liyu paid attention to opera itself, ignoring neither script nor dialogue. His idea enriched and improved Chinese opera theory. Chinese opera came to its peak in Qing dynasty under the guidance of the theory, and founded the base for the appearance of two important opera schools. It is still important today.

李渔的戏曲观是以戏为本 ,曲白并重 ,讲究当行本色。作为其戏曲理论的核心 ,丰富完善了中国古代戏曲理论体系 ;在此理论指导下的创作实践促进了清代戏曲的繁荣与鼎盛 ,为“南洪北孔”的出现奠定了基础。其流风余韵 ,延及当今

 
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