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诗词
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  poems
    Look at Female Face Sticker Culture in the Tang Dynasty from Tang Poems and Verses
    从唐代诗词中看唐代女性脸部贴饰文化
短句来源
    The Relationship Between the Atmosphere of Ancient Poems and Scholar Paintings
    古诗词意境与文人画意境之关系
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  poem
    The Art of Calligraphy and Poem by Wang Dongman
    刚烈之风骨 阴柔之凄美——读《王东满诗词书法集》
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    Poem Appreciation and Painting Imagination
    诗词赏析与绘画情境想象
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    The artists create the images to expresse this kind of meaning, because objective things have meaning in Chinese culture and poem and calligraphy and BiMo have special meaning in paintings, the meaning with the image shape did not enough express, at that moment artists can descend the image shape to the express that complete spirit meaning.
    创作主体创造艺术形象表达这种精神含义时,因为客观物象在中国文化中的独特含义、笔墨超语言功能的意义以及诗词书法对绘画的介入,导致以形象造型来传达意义不够充分,当下文化语境下的创作主体可以此为切入点来完成此时此地的精神意义的表达。
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  poems and
    Look at Female Face Sticker Culture in the Tang Dynasty from Tang Poems and Verses
    从唐代诗词中看唐代女性脸部贴饰文化
短句来源
    The Relationship Between the Atmosphere of Ancient Poems and Scholar Paintings
    古诗词意境与文人画意境之关系
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  “诗词”译为未确定词的双语例句
    FIOWER TAIK AND WITTY
    “花言巧语”告诉你插花与诗词
短句来源
    He is not a professional calligrapher, but his calligraphic success has been generally accepted.
    在文化领域内,翁同龢的诗词、书画、收藏均有很深的造诣、影响,他并非一个专业书家,但是其书法成就已经为历史所公认。
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      poems
    For the first time, one of them describes events reflected not only in chronicles but also in bylinas (traditional Old Russian heroic poems).
          
    Polyneuropathy with osteosclerotic myeloma - POEMS syndrome
          
    A rare form of plasma cell dyscrasia characterized by associated polyneuropathy, organomegaly, endocrinopathy, M protein and skin changes has been termed the POEMS syndrome.
          
    Combined high-dose 7S-IgG and dexamethasone is effective in severe polyneuropathy of the POEMS syndrome
          
    Poor response to intravenous immunoglobulin therapy in patients with Castleman's disease and the POEMS syndrome
          
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      poem
    The dynamics of the interregional interaction of cortical areas was studied in adult test subjects who accomplished the tasks of listening to and memorizing a poem and of mental arithmetic.
          
    Ibn Al-'arabī's "Cinquain" (Tahmīs) on a Poem by Abū Madyan
          
    Such an examination of the relationship will certainly enrich the meanings of Gibran's poem, shed a new light on his ideas, and suggest an angle from which his philosophy is best viewed.
          
    Most interpretations of the first chapter of Lamentations recognize the existence of two different speakers who alternate speeches throughout the poem.
          
    One of the often overlooked elements in this standard reading of Lamentations 1, however, is the fact that, like the personified Jerusalem, the so-called narrator exists within the created world of the poem.
          
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      poems and
    The poems and dedications celebrate the tyrants at roughly the same time, sometimes in response to the same events.
          
    GILLINGHAM, The Poems and Psalms of the Hebrew Bible.
          
    Kreyenbroek, Khalil Jindy Rashow, God and Sheikh Adi are Perfect: Sacred Poems and Religious Narratives from the Yezid
          
    The fact that Li Bai uses the word bai 白 (white) frequently in his poems and that he often thinks of the legend of Ge You, goat rider, demonstrate that he is deeply influenced by the Qiang people and their culture.
          
    Their poems and those of several other students, which were written following newspaper-based instruction, are presented and discussed.
          
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    Chinese paintings are essentially for vividness and expressions. Compared with the realistic drawings of the west, Chinese paintings focus more on "expressions" and "emotions". Chinese paintings are not restricted to time or space. They can be drawn freely. They attach more importance to reasoning rather than form. Chinese paintings adopt the way in which poems express emotions, that is, evoking on the spot and granting feelings to substance. They combine the rhythm and abstract line of handwriting with imaginative...

    Chinese paintings are essentially for vividness and expressions. Compared with the realistic drawings of the west, Chinese paintings focus more on "expressions" and "emotions". Chinese paintings are not restricted to time or space. They can be drawn freely. They attach more importance to reasoning rather than form. Chinese paintings adopt the way in which poems express emotions, that is, evoking on the spot and granting feelings to substance. They combine the rhythm and abstract line of handwriting with imaginative pictures so that the art products come from life and yet stand higher above life. The thought intention and aesthetic value goes for beyond the objective form itself.

    中国画从本质上看都是写意的。相对于西方写实绘画,中国画更注重“神似”,注意“象外之象”。中国画不受时空限制,大胆取舍,任意剪载,自由表现,看重事物的“常理”而不拘于“常形”,追求情感的抒发,吸收诗词歌赋借景抒情、借物言志的表现手法,将书法用笔的节奏和抽象的线条美融入写意画中,使作品源于生活而又高于生活,其思想内涵和审美价值远远超出所描绘的客观形象本身。

    This paper starts with the appreciation of Mr Ke Zhuoxiang's picture album, picks out the revolutionaryhistorical culture composed of the famous Zunyi Meeting held during the Long March, the Battle of Lou Shan Pass andMao Zedong's poem relative to this. It also picks out the vivid pictures of the culture of North Guizhou represented byZheng, Mo, Li during more than one hundred years of Qing Dynasty. This paper comments on Mr Ke's life and feeling fordozens of years in North Guizhou, where the two kinds of culture...

    This paper starts with the appreciation of Mr Ke Zhuoxiang's picture album, picks out the revolutionaryhistorical culture composed of the famous Zunyi Meeting held during the Long March, the Battle of Lou Shan Pass andMao Zedong's poem relative to this. It also picks out the vivid pictures of the culture of North Guizhou represented byZheng, Mo, Li during more than one hundred years of Qing Dynasty. This paper comments on Mr Ke's life and feeling fordozens of years in North Guizhou, where the two kinds of culture blend well. And it comments on his creative expressionwith deep feeling, trys to inquire into the joint relationsip between culture and author, culture and drawing, culture andhistory.

    本文从柯卓香先生的画册赏析入手,从中抽取出的长征路经遵义时召开的举世闻名的遵义会议,娄山关战役及毛泽东的有关诗词所构成的革命历史文化和有清一百多年间由郑、莫、黎为代表的黔北文化在画册中的生动画面,评述柯先生在这两种文化交汇的黔北几十年的生活、感受并饱含深情地,富有创意的表现,来探讨文化与作者、文化与绘画、文化与历史的种种连带,伴生的关系。

    Seal cutting art,as an important part of Chinese traditional culture,embodies poem,calligraphy,painting,and carving as a whole. It integrates unique aesthetic meaning within a tiny area,and holds a firm stand in the art world. This paper is a research on its unique expressions from the views of appreciation and development.

    篆刻艺术,作为中华民族传统文化重要组成部分,它融诗词、书法、绘画、雕刻于一炉,方寸之间却有着自己独特的审美意蕴,并以极强的民族性立足于世界文化艺术之林。本文从赏析视角对其独特样式语言的研究进行了阐述。

     
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