非线性叙事 non linear narrative(1) non-linear narrative(1) 目前没有对本词条修改信息

non linear narrative     In the writing of Slaughterhouse Five, Vonnegut makes a bold artistic innovation. He has deconstructed the linear narrative pattern of the traditional fiction and at the same time put forward a non linear narrative pattern which combines history with imagination, reality with fantasy, and the diachronic with the synchronic, makes the author the interpreter of the novel text, and thus reconstructed a postmodernist novel world.     冯内古特在小说《五号屠场》的创作中,进行了大胆的艺术创新,解构了传统小说线性叙事模式,同时提出了一种非线性叙事模式,使历史与想像结合,现实与幻想结合、历时与共时结合,使作者成为小说文本的解释者,从而重建了一个后现代主义小说世界。 短句来源   “非线性叙事”译为未确定词的双语例句     On Metafictional Narrative Strategies of Horizontal Narrative Discourse and "Fragment" Narration in Zuckerman Trilogy     “佐克曼三部曲”的元小说叙事策略：碎片叙事及非线性叙事话语研究 短句来源     Chapter Three: This part will focus on the writer's magical realist techniques such asnon—linear narration, magical images, exaggerations, prophecies and hybrid text, whichare used to represent his postcolonial positions of “the third space” embodied through hisattempts to rewrite Indian history and to present the hybridity of India's identity.     第三章:集中阐述作家如何通过非线性叙事、魔幻意象、夸张、预言以及文本的混杂性等典型的魔幻现实主义手法来反映他在重写印度历史以及揭示印度民族身份的混杂性时所体现出来的“第三度”空间的后殖民立场。 短句来源     Part four is the conclusion: as a typical metafictional work, engendered in the postmodern society, Zuckerman Trilogy exploits a kind of innovative discourse and deepens the theme of the writer’s“spiritual search”in alienated postmodern society.     最后一部分是结论。 《佐克曼三部曲》作为一部典型的由后现代社会孕育而生的元小说作品,以其革新的非线性叙事话语巧妙地深化了后现代社会中人的精神成长与探索的主题,更进一步体现了元小说独特的文学审美观。 短句来源 查询“非线性叙事”译词为用户自定义的双语例句     我想查看译文中含有：的双语例句

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Vonnegut thinks that the traditional novel that follows the causal hypothesis and the ossified notions of time and contents is not suitable to represent the illogical subject—the Dresden destruction. He needs a novel form that can provide the readers with a narration that they can understand but does not seem to explain the events with reason. He specially needs a novel form that regards duration as the fourth dimension. In the writing of Slaughterhouse Five, Vonnegut makes a bold artistic innovation. He ha...             冯内古特认为,传统小说遵循因果假设和僵化的时间与内容概念的表现手法,不适用于表现德累斯顿毁灭这样一个非逻辑性的题材。他需要一种既给读者提供可以理解的叙述,又不显得是以理性解释事件的小说形式。他尤其需要一种将持续时间视为第四维的小说形式。冯内古特在小说《五号屠场》的创作中,进行了大胆的艺术创新,解构了传统小说线性叙事模式,同时提出了一种非线性叙事模式,使历史与想像结合,现实与幻想结合、历时与共时结合,使作者成为小说文本的解释者,从而重建了一个后现代主义小说世界。 文摘来源

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