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元文学
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  “元文学”译为未确定词的双语例句
     On the Literature and Art of the Song & Yuan Dynasties and the Formation of Belief in Guan Yu
     宋元文学艺术与关羽信仰的形成
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     On Meta Literary Tendency of Modern Chinese Poetry
     现代汉诗的元文学倾向
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     On Disciplinary Location of Meta-literaturwissenshaft (Science of Literature)
     关于元文学学的学科定位问题
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     The lack of attention on the meaning of“People”in New Period Literature broke up the whole appearance of it.
     上篇主要考察新时期文学实场的生成与三元文学体制的形成,共分三章。
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     Meta\|literaturwissenshaft is a level of interpretation and value illumination for literary theory.
     元文学学是对文学理论的解释性层次和价值说明。
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     Changshu Literature in the Period of the Song and Yuan Dynasties
     宋时期的常熟文学
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     Rich, Pluralistic School of Shanghai Literature
     多博采的海派文学
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     What is Literature For?
     文学何为
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     Fifth, Literature.
     (五)文学
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     Yuan is nothing but wu 无 nonexistence.
     是无。
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From the perspective of development of the world literature. the contemporary Chinese realistic literature has got a favorable chance of development with great potentials. We must not overlook the trend of realism. In fact. since the beginning of the New-Period. realistic literature has been making continuous progress and bringing new ideas. Playing a major role in contemporary literary arena. rcalism is all indispensable school constituting pluralistic world of literature. only by constantly taking in the new...

From the perspective of development of the world literature. the contemporary Chinese realistic literature has got a favorable chance of development with great potentials. We must not overlook the trend of realism. In fact. since the beginning of the New-Period. realistic literature has been making continuous progress and bringing new ideas. Playing a major role in contemporary literary arena. rcalism is all indispensable school constituting pluralistic world of literature. only by constantly taking in the new can realistie literature make further progress. As for the new phenomena that appear in present realistic literature, we should not rashly give them theoretical assessment seemingly fashionable. nor place restrictions from the point of view of traditional principles.

从世界文学发展这个背景审视当代中国现实主义文学的发展,可以说它已获得发展的极好机遇,并具有巨大的潜力。在关注文学现象时,不应该忽略现实主义的发展动向。实际上,自新时期以来,现实主义文学一直在以其开拓和创新,在当代文坛上占有重要地位,是构成多元文学格局不可缺少的主要流派。现实主义只有不断吸纳新质,才能向前发展。对于目前现实主义发展的一些新现象,不宜轻易作貌似新潮的理论定位,同时也不应以传统原则方法限制现实主义的新发展。

Dai Biaoyuan, a famous poet and theorist on poetry in the early years of the Yuan Dynasty, played an important part in the transformation of style of literature in the Song and Yuan Dynasties. His theory on poetry was widespread and had profound influence. He advocated “ following Tang ”, trying to get rid of the influence of the Song poetry on the Yuan poetry. He did not agree with and criticised Fang Hui who was for restoring the Jiangsi style of poetry, He regarded “ spirit” as the supreme level of poetry,...

Dai Biaoyuan, a famous poet and theorist on poetry in the early years of the Yuan Dynasty, played an important part in the transformation of style of literature in the Song and Yuan Dynasties. His theory on poetry was widespread and had profound influence. He advocated “ following Tang ”, trying to get rid of the influence of the Song poetry on the Yuan poetry. He did not agree with and criticised Fang Hui who was for restoring the Jiangsi style of poetry, He regarded “ spirit” as the supreme level of poetry, and took Tang poetry as a model.He expressed his own thoughts and theories with vivid metaphors rather than repeat in theory on poetry what his forerunners had said. 

戴表元是元代初期的著名诗人与诗论家,在宋元文学转型中起了重要作用。他的诗论有广泛而深远的影响。戴表元提倡“宗唐”,力求摆脱宋诗对元诗的笼罩。对于方回的复兴江西诗风,戴表元是大不以为然、予以批驳的。他以“神”为诗的最高境界,并以唐诗为其典范。在诗学理论上,他不是重复前人的说法,而是以一些生动形象的妙喻来表述具有自己独特体验的诗学命题。

The meta tendency of modern Chinese poetry has gradually appeared since the late 1980s.That is,the seek for poem for poem's sake which has unwittingly dissolved in the reconsideration about writing itself,writing skills and language,thus made poetry become “text within text”.To further probe the inner motive,characteristic,expression forms and its potential significance of this meta literary tendency,we can understand the developing situation of modern poetry better.

80年代后期以来 ,中国诗歌元文学倾向渐渐显现 :对诗之为诗的本体性追索 ,悄悄溶解于对写作自身、操作技巧和语言的重新考量 ,一些诗歌成了“文本中的文本”。对这种元文学倾向的内在动因、特征、表现形式及其潜在意义进行探讨 ,可以更好地认识当代诗歌的发展状况

 
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