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隐逸精神
相关语句
  spirit of seclusion
     Spirit of Seclusion in the Art of the Chinese Classical Landscape Architecture
     传统园林艺术中文人园的隐逸精神
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  “隐逸精神”译为未确定词的双语例句
     meanwhile, it has a far-range effect on recluse culture of Ming and Qing Dynasty.
     在明清文人形而下的模仿中,元代隐逸文化的消极方面不断显现,隐逸精神逐渐沦丧,隐逸文化也随之消亡。
短句来源
     This thesis probes mainly into the cultural functions of reclusion poetry from the point of the study of function.
     中国隐逸诗承载着其自身的文化功能:诗人运用隐逸诗,可以叙述自身“安贫乐道”、“不仕王侯”的隐逸精神,具有道德教化的功能;
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  相似匹配句对
     Distinct Essence Cruxs of a Matter in Hermit’s Literature
     隐逸文学中的不同精神内核
短句来源
     Spirit Space
     精神的空间
短句来源
     SPIRIT OF MAIN STADIUM
     主场的精神
短句来源
     Spirit of Seclusion in the Art of the Chinese Classical Landscape Architecture
     传统园林艺术中文人园的隐逸精神
短句来源
     The Book of Master Zhuang and Recluse
     《庄子》与隐逸
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The scholars in Yuan Dynasty were suppressed in politics,they felt they were falling down and had antagonism with the ruler,so they became nihility and unconcerned,funny and cynical.They avoided and dallied with the affairs of human life.Some of them hid in the mountain forest,and some of them walked into the town.But these were the surface of things,they were contradictory in their hearts of hearts.

元代文人由于政治上受压制 ,故多沉沦感和与统治者的对立感。一变而为虚无冷漠、滑稽谑浪 ,并因之而产生两种生活态度 ;避世与玩世 ,前者遁入山林 ,后者步入市井。但元代文人所崇尚的隐逸精神浪子风流只是表面现象 ,他们的内心其实是矛盾的。

This article mainly probes into the development process of the picturesque landscape art from the aesthetic point of view of art and literature. By describing the originality and development of the spirit of reclusion and the aesthetics in the traditional culture of the ancient literati, it expounded the conception change in traditional landscape art, from the negative attitude "reclusion in garden" to the positive one "entertainment from gardens". The study tries to obtain inspiration from traditional artistic...

This article mainly probes into the development process of the picturesque landscape art from the aesthetic point of view of art and literature. By describing the originality and development of the spirit of reclusion and the aesthetics in the traditional culture of the ancient literati, it expounded the conception change in traditional landscape art, from the negative attitude "reclusion in garden" to the positive one "entertainment from gardens". The study tries to obtain inspiration from traditional artistic landscape conception to improve the development of modern landscape architecture.

从文学艺术审美的角度,探寻如诗如画的园林艺术发展历程,通过论述传统文化中文人士大夫所特有的隐逸精神的发展与审美情趣,指出古典园林艺术中,如何从消极避世的“隐于园”的观念,向积极看待人生的“娱于园”的观念转变的,以及古典园林意境对于现代园林发展的启发。

Yi” is a very important category in Chinese traditional aesthetics. Originally it referred to one type of attitudes and spirits of subjects. Later on it became an aesthetical category. As “Yi” being used for labeling subjects, it referred to one who is a hermit, or one with retired spirit. After “Yi” became a category of aesthetics, it was used to comment on Chinese traditional arts. The theory about “Yi” was built up with the development of Chinese traditional arts.

“逸”是中国传统美学中一个很重要的范畴。它最初是作为主体的一种生活态度和精神境界而存在的,后逐渐发展成为一个审美范畴,这是一个从评人之“逸”发展成为评艺之“逸”的历程。作为评人之“逸”主要用于对隐逸之士或具有隐逸精神的主体的品评,作为评艺之“逸”则主要用于对山水艺术(山水田园诗、山水画、园林山水)的品评。随着山水艺术的不断发展成熟,人们对“逸”的理性分析也逐渐成熟。

 
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