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   戏剧精神 的翻译结果: 查询用时:0.01秒
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戏剧精神
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  “戏剧精神”译为未确定词的双语例句
     Rebellion and Restoration of Drarna Spirit——On the Primitive Drama and Modern Drama
     戏剧精神的反叛与复归——关于原始戏剧与现代派戏剧的思考
短句来源
     Modernity of Spiritual Connotation in the Dramas of Cao Yu and Ibsen
     曹禺和易卜生戏剧精神内涵的现代性表现
短句来源
     The Spirit of Dionysus and the dream of Apollo——the exploration of Li Jianwu's dramatic spirit
     酒神精神与日神梦幻——李健吾戏剧精神探魅
短句来源
     Wizardly Dancer——The Spiritual Origin Of Classicality Drama Of India
     神奇的舞者——印度古典戏剧精神寻源
短句来源
     This dissertation makes this "historical event" a case,to analyze the pattern how the West theatre of modernism was inspired by and developed from the theater of the East,and try to argues that the spirit that the modernism theatre found in Bali or East,is also the spirit they try to revive in West classical theatre.
     本文尝试以此为个案,采用影响研究与平行研究互证,评述与分析相互观照的方法,分析西方现代派戏剧如何从东方戏剧中汲取养料,同时复活西方古典戏剧精神,创建西方现代戏剧的过程与意义。
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  相似匹配句对
     The Spirit of Seeking Source of Chinese Traditional Culture of Drama in Early Yuan Dynasty
     元代前期戏剧的文化寻根精神
短句来源
     The Comic Spirit of the Ancient Chinese Dramas
     中国古代戏剧之喜剧精神
短句来源
     The Creating Theatre
     戏剧“毛孩”
短句来源
     THE MENTAL CHAIN
     精神枷锁
短句来源
     Spirit Space
     精神的空间
短句来源
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  the spirit of drama
The root of all these problems lies in the withering of the spirit of drama, or the loss of drama's soul.
      


The article purports the relationship between modern drama and primitive drama, pointing out that the restoration of primitive drama is the core of modern drama. It is the rebellion that realizes the restoration of primitive drama.

本文从对象征性、巫仪性诸方面的论述中。阐明了现代派戏剧与原始戏剧的密不可分的关系,从而说明了对原始戏剧精神的复归,乃是现代派戏剧的核心意识,它在对传统反叛的同时所走过的就是一条对原始戏剧精神的复归之路。

This paper studies two eartier and later periods of Modem Tragedy and desciibes continuation and shifting of conception of modem tragedy. It thinks the discuss on modem tragedy, not only has a significance for building tragedy standard-type, but also has a great impacts on traditional drama pattery and sprite,especially on traditional life concept and "circle consciousness" of drama stmcture.

对近代关于悲剧阐释的前后两期进行了研究.论述了近代悲剧观念的延续和变迁.认为近代对悲剧观的探讨,不但对于悲剧规范一类型的建立有意义.还对传统的戏剧模式和戏剧精神,特别是传统人生观念和戏剧结构的“圆形意识”构成了巨大的冲击.

In modem times, the interpretations of tragedy were evidently separated into the earlier and the later period. In the earlier period, LIANG Ting-nan and HUANG Qi-tai were major representatives ; Too Hua Shan and Xi Xiang Ji appeared as the investigative object; the poetic imaginative ends of the tragic dramas were the focus of investigation. In the later period, ZHANG Zhi-you suggested that the tragedy should benefit and have a strong influence on society, and dramatists should create heroic tragedies as quickly...

In modem times, the interpretations of tragedy were evidently separated into the earlier and the later period. In the earlier period, LIANG Ting-nan and HUANG Qi-tai were major representatives ; Too Hua Shan and Xi Xiang Ji appeared as the investigative object; the poetic imaginative ends of the tragic dramas were the focus of investigation. In the later period, ZHANG Zhi-you suggested that the tragedy should benefit and have a strong influence on society, and dramatists should create heroic tragedies as quickly as possible because of our country lacking of tragedies, while WANG Guo-wei absorbed Schopenhauer's philosophic pessimism and pursued life's value.

近代关于悲剧的阐释,明显地分前后两期。前期以梁廷柟、黄启太为代表,他们以《桃花扇》、《西厢记》为研究对象,对悲剧探讨的聚焦点主要集中在戏剧结局的诗意联想之中。后期一是以蒋智由为代表,主要从中外戏剧的比较中,倡言悲剧有益于社会的强大感染力,认为我国戏剧界的最大缺憾在于缺少震撼人心的悲剧,提倡创作“陶写英雄之力”的悲剧,以传达民族蒙难时期悲壮的美感;另一代表是王国维,他在引进西方悲剧观念时,汲取了叔本华哲学思想中的悲观主义,体现出了对人生乃至生命价值的近代思考。近代对悲剧观的探讨,不但对于悲剧规范——类型的建立有意义,还对传统的戏剧模式和戏剧精神,特别是传统人生观念和戏剧结构的“圆形意识”构成了巨大的冲击。

 
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