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   宫廷戏曲 的翻译结果: 查询用时:0.008秒
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宫廷戏曲
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  palace opera
     From the Jiaofang Office,to the Nanfu Agency,and to the Shengpingshu Administration ——An Introduction to the Three Managerial Periods of the Palace Opera in the Qing Dynasty
     从教坊、南府到升平署——清代宫廷戏曲管理的三个时期
短句来源
  palace drama
     National development appear declining trend in this periods,palace drama is it show a tendency to glide too to develop.
     而升平署时期则始于道光七年改制直至清末,这一时期国家发展呈现颓势,宫廷戏曲发展也呈下滑趋势。
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  “宫廷戏曲”译为未确定词的双语例句
     As a whole,Nanfu and Shengpingshu two organization these bear palace mission that exchange inside and outside the culture in Qing Dynasty management,palace of drama,have played the powerful impetus to the high development of the drama of Qing Dynasty.
     从总体上看,南府和升平署这两个机构在清代宫廷戏曲的管理中肩负着宫廷文化内外交流的使命,对清代戏曲的发展起过强有力的推动作用。
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  相似匹配句对
     The Story In Palace
     宫廷潋滟
短句来源
     A Recollection of the Traditional Opera
     戏曲往事
短句来源
     Buddhism and the Chinese Drama
     佛教和中国戏曲
短句来源
     From the Jiaofang Office,to the Nanfu Agency,and to the Shengpingshu Administration ——An Introduction to the Three Managerial Periods of the Palace Opera in the Qing Dynasty
     从教坊、南府到升平署——清代宫廷戏曲管理的三个时期
短句来源
     Folk actors and dramatists adapted the novel into various dramas,which performed on the stage of royal court,city and country.
     剧作者将其改编成各种戏曲,在宫廷、城市和乡村的舞台上频繁演出。
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This text refutes what is argued in Professor Yao Shuyi 's paper Studies on Peking Dramatic Circles in the Era Qianlong,pointing out its confinement in palace actors and folk actors' statistics with some related problems being put forward; but it misunderstands too much, which might perplex the readers.

笔者认为幺书仪先生《〈乾隆时期北京剧坛研究〉正误》一文“正误”只针对该书宫廷戏曲演员和民间京腔演员之表格统计 ,以及使用南府相关资料等三小部分 ,但误解甚多 ,本文对此提出驳议。

The opera management is divided into three period,Jiaofang,Nanfu and Shengpingshu in Qing Dynasty.Jiaofang period is in the early Qing Dynasty,the performances is not very much,management is extremely simple;Nanfu period is from Kang Xi to the seven year of Dao guang,it is long,It's happend to the time of the opera of Qing Dynasty from liminary to prosperous,it's member numerous and the source was complicated,gigantic and vigorous,have made the thinking in order for the development this period of drama;Shengpingshu...

The opera management is divided into three period,Jiaofang,Nanfu and Shengpingshu in Qing Dynasty.Jiaofang period is in the early Qing Dynasty,the performances is not very much,management is extremely simple;Nanfu period is from Kang Xi to the seven year of Dao guang,it is long,It's happend to the time of the opera of Qing Dynasty from liminary to prosperous,it's member numerous and the source was complicated,gigantic and vigorous,have made the thinking in order for the development this period of drama;Shengpingshu period start on Dao Guang reform system until the latter stage of Qing Dynasty in seven years.National development appear declining trend in this periods,palace drama is it show a tendency to glide too to develop.As a whole,Nanfu and Shengpingshu two organization these bear palace mission that exchange inside and outside the culture in Qing Dynasty management,palace of drama,have played the powerful impetus to the high development of the drama of Qing Dynasty.

清代戏曲管理分三个时期,即教坊司、南府和升平署。其中教坊司时期在清初,戏曲演出活动不多,戏曲管理极为简单;南府时期则从康熙年间初创至道光七年改制,时间长,又适逢清代戏曲从初步兴旺到极度繁荣的阶段,机构成员众多且来源复杂,声势浩大,为戏曲在这一时期的发展壮大理顺了思路;而升平署时期则始于道光七年改制直至清末,这一时期国家发展呈现颓势,宫廷戏曲发展也呈下滑趋势。从总体上看,南府和升平署这两个机构在清代宫廷戏曲的管理中肩负着宫廷文化内外交流的使命,对清代戏曲的发展起过强有力的推动作用。

 
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