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戏曲本体
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  “戏曲本体”译为未确定词的双语例句
     The study of Chinese traditional opera's ousia is a quite weak link in the 20th century's opera study in China.
     戏曲本体研究是20世纪中国戏曲研究中相当薄弱的一个环节。
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     An Introduction to Study of Chinese Traditional Opera's Ousia
     戏曲本体研究引论
短句来源
     Studying the opera ousia , is not only the need of returning to the opera itself and understanding the opera thoroughly , but also the demand of grasping artistic laws of opera and enlightening the opera art practice.
     研究戏曲本体,不仅是回归戏曲自身、深入理解戏曲的需要,也是掌握戏曲艺术规律、启示戏曲艺术实践的需要。
短句来源
     Clarifying the range, objects, connotations, nature, purpose and methods of opera ousia study is the basic premise of probing into the ousia of Chinese traditional opera.
     厘清戏曲本体研究的范围、对象、内涵、性质、目的和方法,是确立合理的对话基础、推进戏曲本体探讨的基本前提。
短句来源
     As the main questions of opera ousia study, these questions are always looking forward to people's answers.
     这些作为戏曲本体研究的主要问题,一直期待着人们作出回答。
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  相似匹配句对
     An Introduction to Study of Chinese Traditional Opera's Ousia
     戏曲本体研究引论
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     On the Formation and Confirmation of the Subject Matter of the Opera in the Ming Dynasty
     论明代戏曲本体观念的演变和确立
短句来源
     A Recollection of the Traditional Opera
     戏曲往事
短句来源
     The Ontology Revision
     本体修正
短句来源
     Noumenon of Energy
     能量本体
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Wu Qu'an is undoubtedly one of the most remarkable masters in 20th-century Chinese drama studies. In terms of research history, Wu proves to be of particular meaning to Chinese drama studies in three aspects: his lifelong devotion to traditional Chinese opera studies, which guided later research, his inheritance of the traditional academic standpoint and thinking mode, which still enlightens people of today, and his self-undertaking to cultivate later generations, who became his preachers and successors of Chinese...

Wu Qu'an is undoubtedly one of the most remarkable masters in 20th-century Chinese drama studies. In terms of research history, Wu proves to be of particular meaning to Chinese drama studies in three aspects: his lifelong devotion to traditional Chinese opera studies, which guided later research, his inheritance of the traditional academic standpoint and thinking mode, which still enlightens people of today, and his self-undertaking to cultivate later generations, who became his preachers and successors of Chinese drama studies.

在加世纪中国戏剧研究中,吴瞿安先生无疑是最值得瞩目的学术大家之一。从学术史的角度来看,吴瞿安先生对于20世纪中国戏剧研究的独特意义主要表现在三个方面:终生专注于戏曲本体研究,对后来有示范导路之功;秉承传统的学术立场和思维方式,在今日启人思维;以栽培后进为己任,为20世纪中国戏剧的研究培养了大批曲学的布道者和接班人。

Based on an examination of the studies conducted in the 20th century on classic dramaturgy, the paper holds that these studies are defective in that they are not constructive in explaining the ethnicity and comprehensiveness of classical Chinese dramaturgy. The paper goes on to propose that a new research system based on a combination of the Chinese tradition and modern methodology be established and that future dramaturgical studies include drama production, creation and acting.

通过对20世纪以来中国古典戏曲理论研究专著的回顾,认为目前现有的研究成果在把握古典戏曲理论的民族性和全面性等方面还比较薄弱。由此本文提出建立当代中国古典戏曲理论研究的新体系,它既要立足于本民族的理论传统,又要具有先进性,能够系统、全面地容纳古典曲论的内容。因此,古典戏曲理论研究至少应该包括戏曲本体、创作、表演等三个层面的理论内涵。

There are roughly twenty categories in theories of China's traditional opera,such as the appreciation of beauty on the essence of traditional opera,on the literary creation,on the acceptation,on the performance and on the integrated elements of traditional opera.Through the studies on the classifications,we find that they are intricate and mingled each other.The classifications are closely linked to the development of traditional opera.The traditional opera insists on its characteristics and specialties while...

There are roughly twenty categories in theories of China's traditional opera,such as the appreciation of beauty on the essence of traditional opera,on the literary creation,on the acceptation,on the performance and on the integrated elements of traditional opera.Through the studies on the classifications,we find that they are intricate and mingled each other.The classifications are closely linked to the development of traditional opera.The traditional opera insists on its characteristics and specialties while it accepts influence from theories of other forms of art.The systemic classification,which apperaed since the middle Ming Dynasty, accords with the objective laws of theory of traditional opera.

中国古典戏曲理论里的分类现象从戏曲本体、戏曲创作、戏曲接受、戏曲表演、戏曲多维综合审美等角度,大致可以归纳为五大项二十小类。戏曲本质存在不同审美定位,使得分类现象之间错综复杂,互相交融。分类现象和戏曲发展息息相关,戏曲美学理论受到其他诸种艺术理论的影响的同时,积极构建体现自身本体特征的分类并积极反作用于其他艺术理论。自觉的成系统的分类批评出现在明中后叶,合乎戏曲理论发展的客观规律。

 
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