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叙事意象     
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  narrating image
     The Aesthetics Function of People Tang Novels' Narrating Image
     唐人小说叙事意象的美学功能
短句来源
  narrative image
     In the Narrative Image of The Miscellaneous Color
     王蒙小说《杂色》的叙事意象
短句来源
     Lian xiang displayes an unique art which combines the dual apposition with the narrative image. Thus,it comes to the new level of the Chinese traditional narration.
     蒲松龄发挥他独特的艺术构思,在文章中融二元对立、叙事意象等多种手法为一体,取得了中国传统叙事所能达到的水平,《莲香》成为传统叙事艺术在文言短篇中的浓缩,值得我们今天短篇小说创作所借鉴。
短句来源
  narrative images
     The relatively fixed but freely changed narrative perspective, the linearly flowed but logically related narrative structures the narrative language going from specific aspect to abstract aspects the routine trival but rich in poetic flavor narrative images, all these make her particularity of "no particularity".
     本文认为:相对固定而又自由转换的叙事视角、线性流动且有逻辑联系的叙事结构、由具体化走向抽象化的叙事语言、日常琐碎而又富涵诗意的叙事意象,这四项构成了王安忆“不要独特性”的独特性。
短句来源
     There are four key points: the arrangement of point of view, there is narrative circular structure, interveined and leaping narrative space and time, the choice of narrative images.
     主要从四个方面展开:叙事视角的安排,有故事性的圆形结构,交错而跳跃的叙事时空,叙事意象的选择。
短句来源
  “叙事意象”译为未确定词的双语例句
     There are totally for sections as follows:Chapter I Trace back to the historical connection between imagery and narration, make a distinction between narrative imagery and characters, and give imagery narration a clear definition.
     第一章 追溯意象与叙事的历史关联,判别叙事意象与小说形象,进而对意象叙事作出清晰的理论界定。
短句来源
     Chapter II Study the type of narrative imagery in the tales of Tang dynasty (the imagery of nature N the imagery of society N the imagery of cuture), and analyse the typical imagery.
     第二章 具体考察唐人小说叙事意象的类型(自然意象、社会意象、文化意象),并择取典型意象详作诠解。
短句来源
     in addition, the narrative structure, time, perspective and narrative purpose got changed accordingly in the Tang dynasty fiction stereotype.
     另外,唐代小说还发生了叙事结构、叙事时间、叙事视角、叙事意象等叙事模式的变化。
短句来源

 

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      narrative images
    The scenarios present four thought-provoking narrative images of water systems in the year 2010.
          


    The Plum in the Golden Vase creates a unique mode different from the former novels. The order of narration and structure changes from single line to multi-lined narration. The time and space of narration changed from horizon to perpendicularity. The structure of artistic conception utilizes various narrative ways to create a large group of images. The narrative focuses on the transition from telling events to describing characters.

    《金瓶梅》创造了一种大不同于前的新的小说叙述模式范本 :叙事顺序与结构由单线纵向式演变为多线纵横交叉式。叙事的空间与时间展示由平面线性的跳跃式 ,演变为立体展放式。叙事意象结构在做纵向叙述的同时 ,更注重意象间的横向联系 ,在组合、穿插意象过程中 ,采用遮蔽、节略、象征、对映、借代等手法有意造成叙述者与作者在价值取向上的疏离和矛盾 ,从而出现一系列的象外之象 ,象外之意。叙事焦点则是由事向人再向人的本质的个性化的转换。

    As a case of < Eternal Regret Song >, the author analyzed the reasons of the theme ambiguity according to the thesis of narratology. The point views of narrative change between the omniscient one and the restrictive one, and the structure of narrative is balanced integrally but the former reality and the latter supernatural being are separated, and the tactics of narrative is fictitious, lyrical, and the image of narrative contains ambiguous meanings.

    运用当代叙事学理论探究《长恨歌》主题多义性生发的深层原因:叙事视点由全知到有限视角不断转换,叙事结构上现实世界与神仙世界的空间断裂而文本结构整体平衡,采取叙事虚构化、抒情化的叙事策略,叙事意象隐喻和转喻丰富多义,这些构成因素都使《长恨歌》主题相应发生转换,呈现出多义性。

    The function of aesthetics in Tang novels' narrating image is mainly reflected on the following aspects: focus on the narrating theme,linking-up of the narrating structure,and regulation and control of the narrating rhythm.While from another point of view,this kind of narrating style which implies culture and aesthetics shows the principal creative consciousness of the novelists in Tang Dynasty.

    唐人小说叙事意象的美学功能体现为其对叙事主题的凝聚,对叙事结构的贯通,以及对叙事节奏的调控,这一极具文化意味和美学意味的叙事方式,从另一角度呈现了唐代小说家“有意为小说”的主体创作意识。

     
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