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By comparing the diversity of theme and image prototypes between Chinese poetry and English poetry, this paper attempts to examine how the same subjects and images of poems are given different cultural connotations by the poets from different countries. It also gives further explanation of the relationship between national cultures and the poetic creation for the purpose of getting some idea of aesthetic temperament and interest of poetry creation...

By comparing the diversity of theme and image prototypes between Chinese poetry and English poetry, this paper attempts to examine how the same subjects and images of poems are given different cultural connotations by the poets from different countries. It also gives further explanation of the relationship between national cultures and the poetic creation for the purpose of getting some idea of aesthetic temperament and interest of poetry creation from cultural perspective.

通过解读中英诗歌主题原型与意象原型的异同,探讨同一母题或意象原型在不同民族的诗人那里是如何被赋予不同的文化含义,从而进一步明晰民族文化与诗歌创作的关系,以期从文化视野中进一步领略诗歌创作的审美情趣。

Nathaniel Hawthornes The Scarlet Letter has drawn worldwide attention ever since its publication in 1850.This is due to its abundant implications and subtle expressive techniques. The image of forest/wilderness has been endowed with binary meanings of good and evil. This paper intends to probe into the archetype of wilderness in terms of the social history and cultural tradition in the years of American colonial periods and analyze the influences exerted by religious thoughts.

纳撒尼尔·霍桑于 1 850年出版的长篇小说《红字》以其丰富的隐义和微妙的表现手法引起了一个多世纪的关注与评论。小说中反复出现的“森林与荒野”意象被作者赋予了善恶对立的二元意义。本文试图在分析这一意象象征意义的基础上 ,从美国殖民地时期的社会历史和文化传统两方面挖掘其“荒野”意象的原型 ,并分析宗教意识对它的深刻影响。

Karl Jung posits that the collective unconscious is the source spring of all literary and artistic creations and the archetype forms a major component of the unconscious. The novella Spotted-Dog Cliff by the Russian novelist Attmatov is rich in such archetypal images, models, and motifs and is thus aesthetically significant for all cultures.

荣格认为文艺创作的根源和动机来自超个人的集体无意识,而集体无意识的主要内容是“原型”,这也是一部作品具有永久性艺术魅力的原因所在。吉尔吉斯斯坦作家艾特玛托夫的中篇小说《花狗崖》正是一部这样的作品,其中充满了神话原型、原型模式、原型意象、原型母题,因此它具有了跨文化区域跨时代的审美价值。

 
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