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民间年画
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  new year folk picture
     Conparisons and Contrasts Between Painting of Man-of-letters and New Year Folk Picture
     文人画与民间年画的若干比照
短句来源
  folk new year pictures
     With the long history of evolution, the folk New Year pictures of different times and areas has their own characteristics of contents and styles, and reflects people's good wishes for good luck and happy life.
     民间年画经过漫长的历史演变,不同时代不同地域民间年画的题材内容、风格特征都各具特色,反映着人们世世代代祈福消灾、向往幸福生活的美好愿望。
短句来源
     Today, a high-speed developing era of science and hi-tech, with the development of internationalization of modern design, the folk New Year pictures makes great progress by using modern design language, which has very important and realistic effect ions to the modern design of poster.
     在科学技术高速发展的今天,随着现代设计国际化的发展,民间年画运用现代设计语言不断发展创新,在现代招贴设计当中的应用,具有重要的现实意义。
短句来源
  chinese new year poster
     Chinese New Year Poster and Modern Poster Design
     谈民间年画与现代招贴设计
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  “民间年画”译为未确定词的双语例句
     On the Witchcraft Culture in Spring Festival Pictures
     看民间年画中的巫文化
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     Artistic Form and Essence Idea of Folk Festival Painting
     民间年画的艺术形态及本元思想
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     About Characteristics of Folk's Festival Painting in Gaomi
     高密民间年画特色谈
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     On the Styles and the Space Display of Wu Qiang Folk New Year Picture of China
     论中国武强民间年画的体裁和空间展示
短句来源
     The history of new year pictures of YANG JIA BU is long, it's style is special, YANG JIA BU is one of the cities on new year pictures, it not only produced the very big influence to the development of Shantung's new year pictures, but also have certain influence to the development of civil year pictures, such as JIANGSU, ANHUI, HEBEI and northeast…etc.
     潍坊杨家埠木版年画,历史悠久,风格独特,产地杨家埠是全国三大画市之一,它不仅对山东民间年画的发展产生过很大的影响,而且对江苏、安徽、河北、东北等地的民间年画发展也有一定的影响。
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    the wide distribution of new-year wood block, prints in our country has their varied styles due to different natural conditions and customs. The investigations in the traditional wood block print producing areas such as Shandong Province, Zhouxuanzhen of Henan Province, Wu Qiang of Hebei Province, Fengxiang of Shaanxi and Hunan Province can prove this.

    我国民间木板年画,分布范围甚广,因自然条件、风俗习惯、人文景观不同,风格特色各异,对山东杨家埠、河南朱仙镇、河北武强、陕西凤翔、湖南滩头、四川锦竹等传统民间年画产区作一些考察不难发现,不同的地域观念和地域感情对年画艺术风格形式的影响。

    Painting of man-of-letters and New Year folk picture are two wonderful flowers in traditional Chinese painting. Between them, however, there are differences not only in political inclination, ideological connotation and motive of creation but also in aesthetic orientation, aesthetic pursuit and artistic treatment. Undoubtedly, comparisons made between them will be significant to the present painting.

    文人画与民间年画是中国绘画中的两朵奇葩,无论是政治倾向、思想内涵、创作目的,还是审美取向、审美追求、艺术处理上,都存在着差异,将两者进行认真比较,无疑对今天的绘画会产生一定的影响。

    The immaterial culture of Chinese fork arts is a very important part of the national cultural heritage. A national culture does not take its complete shape until both the immaterial part and material part are perfectly combined together into one unit. China has a long history and rich resources in fork arts, and in the civilian storage there exist many colorful folk arts, one of which is the brilliant traditional new-year picture. In the late Qing Dynasty, the New-Year Picture was improved due to the great social...

    The immaterial culture of Chinese fork arts is a very important part of the national cultural heritage. A national culture does not take its complete shape until both the immaterial part and material part are perfectly combined together into one unit. China has a long history and rich resources in fork arts, and in the civilian storage there exist many colorful folk arts, one of which is the brilliant traditional new-year picture. In the late Qing Dynasty, the New-Year Picture was improved due to the great social reform. A study of the traditional New-Year Picture and the improved New-Year Picture in this period can provide useful information for the research of Chinese cultural heritage.

    民间艺术中的非物质文化也是文化遗产中的一个重要组成部分。物质形态的文化和非物质形态的文化只有在一个统一体中,才能构成一种真正的文化。中国丰富的民间美术资源和悠久的传统,存在于民间。其中,传统年画是民间美术里最为精彩的一部分。清末民初,社会发生了大的变革,民间年画发生了自身的改良。对中国传统民间年画以及清末民初改良年画的分析研究,以期对中国文化遗产的相关研究课题能有所助益。

     
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