助手标题  
全文文献 工具书 数字 学术定义 翻译助手 学术趋势 更多
查询帮助
意见反馈
   传统中国画 的翻译结果: 查询用时:0.275秒
图标索引 在分类学科中查询
所有学科
美术书法雕塑与摄影
更多类别查询

图标索引 历史查询
 

传统中国画
相关语句
  traditional chinese painting
     Omparative Study of Modern Chinese Painting Education and Traditional Chinese Painting Education
     现代中国画教育与传统中国画教育的比较研究
短句来源
     Since the beginning of the twentieth century, traditional Chinese painting encountered violent impingement, especially after 80’s, “traditional Chinese painting has already dead”, “west modernist painting is modernistic art, because of high frequency, new conception and many ploys”.
     自二十世纪以来,中国画屡受冲击,特别是 80 年代后,“传统中国画死了” 、“西方现代派频率高、观念新、手法多,才是现代性的艺术”。
短句来源
     The Inheritance and Development of Color Concept in Traditional Chinese Painting
     浅议传统中国画色彩观念的继承与发展
短句来源
     Because the college education of Chinese painting is to imitate the western education pattern basically with sketch as a basic course in art training and ignores the particularity of calligraphy as Chinese painting education,calligraphy loses its professional position in Chinese painting course offered,and the contemporary Chinese painting is made to contain less cultural intension and form significance than the traditional Chinese painting.
     当代学院中国画的教育基本上是照搬西方教育模式:以素描作为美术训练的基础课,而忽视书法作为中国画教育的特殊,从而排除了书法在中国画教学课程设置中的专业地位,使当代中国画相比于传统中国画缺少了许多文化内涵和形式意味。
短句来源
     The discussion of the importance of "spirit", adopting sayings of Confucius and Zhuangzi,Chapter 2, analysis of the cultural kernel and spirit of traditional Chinese painting, in order to compare with the spirit of contemporary Chinese painting;
     第2章,分析传统中国画的文化内核与精神,以与现当代中国画精神进行比较; 第3章,分析现当代文化语境的特点及中国画在现当代文化语境下的精神表现;
短句来源
更多       
  chinese traditional painting
     Since “Sea Genre”, the thinking of western painting made Chinese art involved in anunknown field, which also doubted the value of Chinese traditional painting and its exist way.
     自“海派”画家以来,对西洋绘画的思考与引入使得中国画步入了从未涉及的领域,也使得传统中国画的存在价值与存在方式遭到了前所未有的质疑。
短句来源
     "Zi" is the trace formed under the effect of water, in Chinese traditional painting, "zi" is also a technique of painting, which makes use of water to create special and abundant artistical effects on paper or thin silk.
     “渍”是在水的作用下形成的痕迹。 在传统中国画里,“渍”也是一种绘画手法,利用水的独特性能,在纸或绢上创造特别而丰富的艺术效果。
短句来源
     The first part simply tells the history survey of teacher to students Chinese traditional painting education from history. The second part reviews the development process of class teaching
     第三部分是全文的重点,从文化传统及美学哲学基础、教育制度、教育目的、课程设置、教学组织形式、教学方法、教材、教师素质、学生素质、师生关系十个方面,分别叙述现代中国画教育与传统中国画教育各自的特色,揭示两者的不同之处。
短句来源
  “传统中国画”译为未确定词的双语例句
     However, accepting and continuing to use the traditional China painting skill to express the spirit meaning at moment is not the best way, because the indetermination of the crowd and description of object variety, artists changed thought.
     然而,接受和继续使用传统中国画的技法语言来表达当下的精神意义时,因为所描绘对象生态上的变化,以及作为创作主体、创作客体和接受主体的人的精神思想的改变,因为学习掌握中国画的程式语言难度大,以及这一语言能否准确恰当而充分地表达当下人群精神世界的不确定。
短句来源
     Traditional Chinese paintings not only possess the ability of expressing feelings and representing vision, but also bear the weight of spirit of Chinese traditional culture.
     传统中国画的笔墨不仅具有传情达意的能力、表现客观物象的能力、而且还承载着中国传统文化的精神。
短句来源
     BETWEEN WESTERN WATERCOLOR PAINTINGS AND TRADITIONAL CHINESE PAINTINGS
     论西洋水彩画与传统中国画的互渗互融
短句来源
     On Modernization of Chinese Traditional Paintings
     浅析传统中国画的现代化
短句来源
     third,the differences between traditional and contemporary Chinese Painting and their appreciation;
     三、传统中国画与现代中国画的不同特点与欣赏;
短句来源
更多       
查询“传统中国画”译词为用户自定义的双语例句

    我想查看译文中含有:的双语例句
例句
没有找到相关例句


Entirety, the core of system, plays an important part in traditional Chinese painting of freehand

整体性是系统论的核心,在写意中国画中具有十分重要的地位.以系统论的观点剖析写意中国画,就会发现画幅中的墨迹,色彩等均是画面的构成元素,是画家的思维之链将元素串联,规定其特定的结构与关系,组合成显现画家思想轨迹的形态系统.任何背离系统的思想,忽视整体性的观念,都会导致画面的失调与艺术水准的下降.将现代化的系统理论与传统的中国画相结合,能使中国画产生新的飞跃.

As far as the techniques of employing light in Chinese paintings are concerned, Huang Binhong stresses harmony, transmitting light from the front rich implications, density and variety, while Li Keran, Huang's former pupil, prefers high light, transmitting light from the side, briefness, brightness and unity. In the arts of traditional Chinese paintings, much attention is devoted to the techniques of using painting brushes and Chinese ink skillfully. Although some consideration is said to have been given to...

As far as the techniques of employing light in Chinese paintings are concerned, Huang Binhong stresses harmony, transmitting light from the front rich implications, density and variety, while Li Keran, Huang's former pupil, prefers high light, transmitting light from the side, briefness, brightness and unity. In the arts of traditional Chinese paintings, much attention is devoted to the techniques of using painting brushes and Chinese ink skillfully. Although some consideration is said to have been given to how to make the best use of coloured light, little attention has been paid to the theoretical research on this field. However, the techniques of employing coloured light can produce the strong power of expression in painting, and blazing new trails in the arts of Chinese paintings cannot do without an extensive research on the techniques of using light and surface. Therefore, it is necessary to create the special techniques of using light as complementation to existing Chinese paintings techniques of using painting brushes and Chinese ink. And in this field, Huang and Li's theories and practice have actually paved a way for us to follow.

黄宾虹“用光”的特点,偏重和谐,采用正面散光,含蓄丰富,繁密多变;李可染师承宾虹,其“用光”特点,偏于强烈,多采侧逆光,简洁明朗,洗练、统一。传统中国画的技法,多用“笔”“墨”,虽有“用光”,但极少触及理论研究。事实上,“用光”在绘画上有着强大的表现力,中国画要有所创新,当拓展对光和面的技法研究,从而建立起中国画“用笔”“用墨”之外的第三技法系统。在这方面黄李二人则已从实践和理论上为我们开辟了一条可行之道

By comparing the theme of his works and characteristic style of his paintings around his old age,this paper is proved in this article that Qi Baishi's reform in his old age is the dissection and reconstruction of traditional Chinese painting and of self-images and inner feelings,and it implies the dissection and reconstruction of old systems.This artistic reform is the omen of social reform,and it coincides naturally with and distinguishes essentially from Modern western art.

文章通过对齐白石衰年变法前后作品题材、绘画风格的比较 ,剖析了其衰年变法的社会、心理原因 ,论证了齐白石衰年变法是对传统中国画的解构与重建 ,是对自我形象、内在思想感情的解构与重建 ,并隐含着对旧制度的解构与重建。这种艺术变革是社会变革的征兆 ,与西方现代主义艺术有着不谋的暗合和本质的区别

 
<< 更多相关文摘    
图标索引 相关查询

 


 
CNKI小工具
在英文学术搜索中查有关传统中国画的内容
在知识搜索中查有关传统中国画的内容
在数字搜索中查有关传统中国画的内容
在概念知识元中查有关传统中国画的内容
在学术趋势中查有关传统中国画的内容
 
 

CNKI主页设CNKI翻译助手为主页 | 收藏CNKI翻译助手 | 广告服务 | 英文学术搜索
版权图标  2008 CNKI-中国知网
京ICP证040431号 互联网出版许可证 新出网证(京)字008号
北京市公安局海淀分局 备案号:110 1081725
版权图标 2008中国知网(cnki) 中国学术期刊(光盘版)电子杂志社