In the middle and late of Qing Dynasty the foreign missionary artists, represented by Lang Shining, introduced the western painting which had the style of traditional realism into China, and then poured a new look into Chinese painting.
So this article expounds the chara cteristics of the teaching tactics of "traditional realism painting" and "modern expressionism", the relations between them, and how to achieve an interactive m ode between them in painting training.
The abstract consciousness represented in his works is self-consciousness based on the self-centered of modern arts, differing, in nature, from the abstract elements which is spontaneous in traditional realistic painting.
The painting exceeded the extreme prejudice between the modernism and tradition, regress toward western traditional figurative art boldly, and meanwhile, it combined all facts of modernism and traditional realistic art style, lead the naissance of new figurative art with more expressive force.
The following parts are involved in this paper:The first part, introduction, concentrates on the emergence and relationship between natural realism in arts, which highlights initation on nature and modernists, which posses the opposite idea to realism.
The paper discusses the psychology cause of his style change and points out the relationship of his early writing and medium-term writing and the difference between both his early and late traditional writing.
In such a development as physical imagesart, contemporary West realist painting embodies the features that return to the realist,the images, the classical forms and the reality themes, but this is not a return to theoriginal copy traditional realist painting. Art concepts changes bring thereconstruction of form language to contemporary Western realist painting and thusmake it to a certain extent different from the traditional Western realist painting.
Their methods of narration and artistic ways become from traditional true description to diversity and opening,which include not only the deepening of realistic writing methods but also synthetic adaptation and application of various modern expressive styles.
The basic skill of traditional draw realistically is sketch the root skill for person with ability of art and the footstone of potential for standing development.
Fiction is the essential characteristic of the drama.As a kind of ideology,it is a refutation of the traditional realistic drama;as a means of artistic strategy,it is superior to the traditional drama.The emphasis of the meaning of fiction lies in arousing the audience's imagination and creation. There is a tremendous difference in spiritual essence between the Chinese and the western drama、Fiction is not supposed to surpass the level of knowledge and acceptance of the audience.
Photography,inspired and facilitated by traditional realistic painting ,comes to challenge the latter during its existence and development.As such,modern painting has emerged in the course of artists' pursuit of how to seek a way out of and beyond the traditional realistic painting.
Light is important statue element and principal features in the west traditional painting.According to developing orbit of light in the west painting historically,I analyse origin,matnre and evolution of painting light and try find out its regularity and discuss appreciational value.