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文学责任
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     Responsibility
     责任
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     Responsibilities Return to Corporations
     公司责任
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     Beijing Literature
     京味文学
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     What is Literature For?
     文学何为
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     Contingency, Liberty and Responsibility: The Existentialism in Sartres Literary writings
     偶然性、自由和责任:萨特文学创作中的存在主义思想
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The Period from the last reign of the Tang Dynasty to the Five Dynasties may be described an interim period of gradually advancing valleys between the two literary peaks of the Tang and the Song Dynasties.This period also presents superfine scenes as is peculiar to troubled times.The critical remarks on poetry,which advocate “enlightening via education”,were daily losing their ground in the sentimental attachment to the poetic tradition of the Tang Dynasty;the artistic ideal of upholding “clear words and beautiful...

The Period from the last reign of the Tang Dynasty to the Five Dynasties may be described an interim period of gradually advancing valleys between the two literary peaks of the Tang and the Song Dynasties.This period also presents superfine scenes as is peculiar to troubled times.The critical remarks on poetry,which advocate “enlightening via education”,were daily losing their ground in the sentimental attachment to the poetic tradition of the Tang Dynasty;the artistic ideal of upholding “clear words and beautiful sentences” could get nowhere because the writers' ability and skill fell short of their wishes,while Jia Dao,a poet of the mid Tang Dynasty who took great pains to choose words when composing his poems,became a universal image being worshipped by most of poets of the troubled times.The literary thoughts in th Five Dynasties mainly represented in poetry,may be seen as bridges and ties of the transition from the Tang Dynasty to the Song Dynasty.Although Ci in the Five Dynasties attracts wide attention,it has in fact “a style of its own”,not belonging to the category of “essay”.

唐末五代是唐、宋两大文学高峰之间低谷渐进的过渡期 ,该时期文学思潮的衍变也呈现着乱世特有的奇异景象。“教化”诗说在对唐诗传统的眷恋中日益失落 ,崇尚“清词丽句”的艺术理想也因作家力不从心而流于无奈 ,同时 ,中唐苦吟诗人贾岛却受到乱世诗人最普遍的顶礼膜拜。五代文学思潮以诗为主体 ,成为由唐到宋过渡的桥梁和纽带。五代词虽深受瞩目 ,实则“别是一家” ,不在“文章”范畴之内 ,王衍、孟昶及南唐二主更不应负担太多文学的责任

>=In the reality of current consuming society, it is an undisputable fact that literary Aestheticism is turning increasingly leisure, entertaining and mass consumptive, which is in line with the natural law of Aestheticism development. But the recognition of such a status quo does not mean complying with it. Sober literary workers should consistently make efforts to maintain the elegant aesthetic taste, to safeguard the eternal spiritual homestead, evoke the return of literary responsibility and function, and...

>=In the reality of current consuming society, it is an undisputable fact that literary Aestheticism is turning increasingly leisure, entertaining and mass consumptive, which is in line with the natural law of Aestheticism development. But the recognition of such a status quo does not mean complying with it. Sober literary workers should consistently make efforts to maintain the elegant aesthetic taste, to safeguard the eternal spiritual homestead, evoke the return of literary responsibility and function, and thus promote the literary aesthetic tendency to transform and change once again.

在当下消费社会现实中,文学的审美观念向休闲、娱乐的大众消费转变已是不争的事实,也是审美意识发展的自然规律。但是承认现实不等于顺从现实,清醒的文学工作者应该为而坚持高雅的审美趣味而努力,为坚守永恒的精神家园而奋斗,呼唤文学的责任和作用的回归,并因此促使文学审美趋向再次出现转化和改变。

 
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