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     Art Works Are Living Forms: On Grillet's Noumenalism in His Novels
     艺术作品是一个活的形式——论罗伯-格里耶的小说本体
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     Ontological Novel Views in the Theories of the Novels in the Late Qing Dynasty
     晚清小说理论的小说本体观念
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     Chapter one concentrate on and expound the fact objective life theory of reflection, the theory trace back to the actual life of the objective reality novel noumenonn.
     第一章集中论述了客观生活反映论,这类理论将小说本体追溯到客观存在的现实生活。
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     From their different narrations, the dissertations states specifically the characteristics of the style: the fictitious character, the narrative character and the creation of true life, which make the right narrations afterward get higher art achievements , and expects itself future of the contemporary fiction.
     从它们叙事方式的比较分析中,具体阐述了当代小说艺术的本体特征:虚构性、叙事性及真实的生命创造,指出正是由于对小说本体特征的重视,世纪之交的“右派”叙事作品才取得较高的艺术成就,同时对小说艺术自身的发展趋势进行了分析与展望。
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     The article compares the remark of Mongolian Hasibao on dream of the red chamber with the one of Zhiyanzhai from three respects: the theme, identity of fiction and the comment on figures.
     本文从《红楼梦》的主题、小说本体特征及人物评价三个万向,对脂砚斋与蒙古族红学家哈斯宝的《红楼梦》评点进行比较。
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     Significant of artistic form: The call of Noumenon from Luxun′s stories
     形式意义:鲁迅小说本体召唤
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     Ontological Novel Views in the Theories of the Novels in the Late Qing Dynasty
     晚清小说理论的小说本体观念
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     The Bounds of Fiction
     小说的边界
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     Pulp fiction
     低俗小说
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     The Ontology Revision
     本体修正
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Luxun was the pioneer of Chinese modern fictions and modern fiction theory.His innovation is characterized by his initiating "working for life" fiction view and puts forward the typification of fiction subjects and advocated various creating methods and originality in fiction styles.

鲁迅是中国现代小说及现代小说理论的开创者,他的小说理论开创性特色主要表现在:小说观念的创新———"为人生"的启蒙主义小说观;小说本体艺术的典型化理论;多样开放的小说创作方法;小说体式的独创性。

Studying from the origin, rise of novels as well as the development of realism and modern novels, the writer has found out that writing fictitiously rather than realistically is the ontology of novel. Reflecting social ideology and existing in the form of language, the symbolic existence of novels has also proved that novels have been creating or writing fictitiously instead of copying the real life within its own literary world.

从小说的源头、兴起以及现实主义、现代派小说的发展轨迹,考察小说的本体特性;指出作为观念形态的小说,以语言的形式呈现,符号化的存在决定着小说对自身文本世界的创造与虚构,而不是“简单地”复制生活;得出了小说的本体特性是虚构,而不是写实的结论。

Starting from reading and appraising Mei Zhihang' s children' s novels, this paper discusses technically the dualistic children' s novel writing methods through the elements of the cutting - in narrating method and narrating angle. The article probes into the so called Integrated Dual World lying behind the plain and shallow stories in typical children' s novel composition, which shapes as of the collaboration of childhood story, childhood spirit and adult' s ideology to get the works to close to childhood spirit...

Starting from reading and appraising Mei Zhihang' s children' s novels, this paper discusses technically the dualistic children' s novel writing methods through the elements of the cutting - in narrating method and narrating angle. The article probes into the so called Integrated Dual World lying behind the plain and shallow stories in typical children' s novel composition, which shapes as of the collaboration of childhood story, childhood spirit and adult' s ideology to get the works to close to childhood spirit and chime in with their ideology together with adult writer' s life experience and idealistic condense.

本文以评读儿童文学作家梅子涵新创作的儿童小说为引起,主要从儿童小说叙述方式中切入点和叙述视角的技术层面上,探讨典型儿童小说在创作上形成的、童年故事童年精神与成人创作理念相融合的一个无痕的二次元世界。即强调作品在贴近儿童心灵、附和儿童精神的同时,将成人作家所拥有的人生经验和思想积淀,潜藏在浅显朴拙的故事背后。并以此建构儿童小说的本体意义。

 
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