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Meirs'《One-Century Loneliness》and MoYan's《Plump Breast and Hip》have appealing magic power.As a whole,they narrate one-century history of their respective nations,present national spirit full of rich national nature.Comparatively speaking,we can draw inspiration from the relationship between acceptance of influence and novelty of creation,and have a decp appreciation of national and global nature of literature.

马尔克斯的《百年孤独》和莫言的《丰乳肥臀》都充满引人入胜的魔幻色彩。从整体来看 ,两部作品都叙述了各自民族的百年历史 ,展现了一个民族的精神状态 ,具有浓郁的民族特性。将两部作品进行比较解读 ,从接受影响和独特创造的关系中受到启发 ,对文学的民族性与世界性这个命题会有更加深刻的认识

William Kennedy' s masterpiece Ironweed is published in 1983, for which he received a Pulitzer Prize in fiction as well as a National Book Critics Circle Award in 1984. With a strong local color and a description of magic color, this novel shows a real picture of the contemporary American society.

《流浪汉》是威廉·肯尼迪的代表作,该书于1985年出版,获1984年的普利策奖和全国书评界奖。这部小说拥有极浓厚的地方色彩,带有魔幻色彩的描述,展现了当代美国社会的真实画面。

In Shanghai,Yokomitsu depicted old China,represented by Shanghai,the Capital of Fantasy.He wrote about the May 30th Movement and Fang Qiulan the heroine.Despite the novel's obvious misrepresentation of China,as can be seen in the imaginary and fanciful descriptions,Shanghai exhibited the author's effort to understand the real China.The novel proved to be a turning point of the Japanese literature in the early Showa period,when the Japanese literature on Chinese subjects began to shift its attention from Chinese...

In Shanghai,Yokomitsu depicted old China,represented by Shanghai,the Capital of Fantasy.He wrote about the May 30th Movement and Fang Qiulan the heroine.Despite the novel's obvious misrepresentation of China,as can be seen in the imaginary and fanciful descriptions,Shanghai exhibited the author's effort to understand the real China.The novel proved to be a turning point of the Japanese literature in the early Showa period,when the Japanese literature on Chinese subjects began to shift its attention from Chinese classics to the real society and life of modern China.The writers came out of their apathy and began to show their interest in modern China and her people.

日本作家横光利一在长篇小说《上海》中描述了以“魔都”上海为代表的旧中国、以五卅运动为中心的中国民族民主运动和以女主人公芳秋兰为代表的中国革命者,显示了作者对中国现实的关注。尽管充满魔幻色彩的描述显现出作者对中国现实明显的误读,但是作者力图深入理解中国现实的努力在昭和年代初期的日本文学中可谓是一个转折点。这部作品有代表性地说明了从昭和初年开始,在涉猎中国题材的作品中,日本作家不再拘泥于对中国古代经典文本的一味缅怀,也在一定程度上改变了对现实中国的冷漠,而开始日渐显示出对现代中国社会和中国民众的关注。

 
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