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鲁迅     
相关语句
  lu hsun
    Lu Hsun and Chinese Modern Poetry
    鲁迅与中国现代诗歌
短句来源
    Call from HOMETOWN ── Rereading Lu Hsun's view of “Life in China
    《 故乡》的 召 唤 ”──重读鲁迅眼中的“中国人生”
短句来源
    "Become Yourself"--Lu Hsun, Lu Hsun Phenomenon and Modernity
    “成为你自己”——鲁迅鲁迅现象和现代性问题
短句来源
    On the Difference Between the Critical Views on National Character by LU Hsun and LIN Yutang
    试比较鲁迅与林语堂在国民性批判问题上的差异
短句来源
    On Lu Hsun′s Spirit of Self-Examination
    论鲁迅的自省精神
短句来源
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  lu sun
    The Psychological Description in Lu Ling's Novel Influenced by Lu Sun
    试论鲁迅精神对路翎小说创作的影响
短句来源
    The Historic Cultural Unravel of LU Sun’s Thinking Culture Characteristics
    鲁迅思想文化个性的历史文化寻绎
短句来源
    In the different years of the 20th ecntury, Lu Sun and Ji Xianlin orderly put forward and discussed “Taking in Principle” and “Taking off Principle”, which have practical theory value for us to correctly understand and approach the long cultural tradition (including cultural theory) and construct the literature and art theory with Chinese feature.
    鲁迅和季羡林在本世纪不同年代先后提出和论述的“拿来主义”和“送去主义”,对我们正确认识和对待中国悠久的文化 (包括文论 )传统 ,对建设有中国特色的文艺学有着现实的理论价值
短句来源
  lu shun
    Lu Shun and Humanity
    鲁迅与人性
短句来源
    Lu Shun and Bo Yang (hereafter shorten as Lu and Bo), two well-known essayists in the 20th century, make great achievement to the creation of novels as well.
    作为二十世纪先后同以杂文名世的两位伟大作家鲁迅、柏杨,其文学生涯也同以小说起步,并取得了极高的成就。
短句来源
    After the May 4th Movement, Lu Shun, Hu Shi and some scholars deduced that Wu Chengen was the only writer of the novel, denying the relationship between Journey to the West and Longmen School.
    “五四”后 ,鲁迅、胡适等新进学者推定吴承恩是唯一作者 ,完全否定《西游记》与龙门派的关系。
短句来源
    The sense of death is an important part of Lu Shun's life philosophy as well as the key clue running through Weeds . Reflections on the sense of death is not only a penetrating analysis of limit, existence and time but also a mysterious,surprising,transcendental and eternal artistic psychology and aesthetic development.
    死亡意识是鲁迅生命哲学的一部分,也是贯穿《野草》的中心线索,对死亡意识的思索既是一个有限性、存在性、时间性的缕析,同时也是一个神秘、惊异、超越和永恒的艺术心理和审美逻辑发展过程。
短句来源
    However,the diversity and complex of interpretation of the death image which is the unity of objective image and subjective interest implicated by the symbolic and fantasy of the sense of death is a difficalty in understanding Lu Shun' s mental world.
    而死亡意识的泛化、象征性、荒诞性暗示的客观形象与主观意趣统一的死亡意象以其多义性和表义的复杂性成为难以潜入鲁迅精神世界的深渊。
短句来源
  “鲁迅”译为未确定词的双语例句
    The Footmarks and Motives of a Translator: Luxun and His Translation
    盗火者的足迹与心迹——论鲁迅与翻译
短句来源
    Lun Xun and Western Expressionism Art
    鲁迅与西方表现主义美术
短句来源
    A Few Remarks on the Method of the Research Work on Lu Xun
    鲁迅研究方法浅谈
短句来源
    Optimism and Pessimism in Adversity——The mind of Lu Xun and Mao Dun in 1927
    逆境中的乐观与悲观——1927年鲁迅与茅盾心态之比较
短句来源
    On Lu Xun's Critical Spirit of Culture
    论鲁迅的文化批判精神
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This paper generalizes the literature phenomena in Hong Kong during the period from the last years of Qing Dynasty to the eve of Sino-Japanese War (about 1874-1936 A.D.) and discusses the process of its germination and sprouting. The paper divids this period into three stages. The first stage is the last years of Qing Dynasty. Some newspapers in vernacular Chinese were published ' then and the new-vernacular literature was born at the right moment, which was characterized by a nature of nationalism for its being...

This paper generalizes the literature phenomena in Hong Kong during the period from the last years of Qing Dynasty to the eve of Sino-Japanese War (about 1874-1936 A.D.) and discusses the process of its germination and sprouting. The paper divids this period into three stages. The first stage is the last years of Qing Dynasty. Some newspapers in vernacular Chinese were published ' then and the new-vernacular literature was born at the right moment, which was characterized by a nature of nationalism for its being against imperialists on the one hand and being against the reign of Manchurian government on the other. The second stage is the initial years of the Republic. The new-vernacular literature thoughts were quietly taking shape on this small island in spite of the clamour and attacks coming from the literary school of National Cultre Heritage and all others who represented the thoughts of the conservative literary schools. And, then, came the sprouting stage. Under the influence of May 4th New Culture Movement and of the new-vernacular literature works, the literary writers and scholars in Hong Kong, with Lu Xun's encouragement, advanced through hard struggle and finally pushed the green shoots up out of the mud and soil and an army of new-vernacular literature thus appeared all of a sudden.

本文概述了从清朝末年到中国人民的抗日战争前(约1974—1936)香港的文学现象,探讨香港文学萌芽生发的过程。香港文学的萌芽生发时期可大致分为三个阶段,即:晚清,华文学报纸出现,文学亦随之应运而生,它具有反帝反清的民族意识;民初,国粹派和一切旧文学、旧文化思想势力喧嚣攻击新文学运动,而新文学和新思潮却在这个小岛悄悄诞生;在五四运动和新文学的影响下,在鲁迅先生的鼓舞下,香港新文学作者努力学习,在与旧文学势力、封建文化势力的斗争中,顽强奋斗,破土而出,异军突起。

In the field of research work on Lu Xun, there exist two unhealthy tendencies, either to deify Lu Xun or to belittle him. To counter these two tendencies, this paper proposes that the researchers should undertake a comprehensive survey and analysis in the light of his historical background so that a comparatively correct conclusion can be drawn. Meanwhile, the researchers should combine theory with practice and dare to be creative and original. The research work in 90's should pay special attention to the practical...

In the field of research work on Lu Xun, there exist two unhealthy tendencies, either to deify Lu Xun or to belittle him. To counter these two tendencies, this paper proposes that the researchers should undertake a comprehensive survey and analysis in the light of his historical background so that a comparatively correct conclusion can be drawn. Meanwhile, the researchers should combine theory with practice and dare to be creative and original. The research work in 90's should pay special attention to the practical meaning and aesthetic value of Lu Xun's spirit and work in the present day. Thus, the research work on Lu Xun can be expected to be more fruitful.

本文针对鲁迅研究领域内存在着神化鲁迅和贬损鲁迅两种不良现象,提出必须坚持马克思主义的科学研究方法,把鲁迅的思想及其作品摆进他所处的特定的历史背景下进行综合性的考察研究,才会得出比较正确的,符合历史的结论。理论要联系实际,要敢于创新,90年代的鲁迅研究应着重研究鲁迅的精神及其作品的现实意义和美学价值。这样,鲁迅研究才能取得更加丰硕的成果。

Chen Xueshao is an obscure woman write who found herself during the New Cultural Movement. Inspired by the May 4th spirit she published severl anthologies of prose.After returning from her studies in France she met with the help of Lu Xun and Mao Dun and made great strides in her creative activity. She went to Yanan in 1938, and with the helpof Zhou Enlai she underwent significant changes in the theme and style of her writing. She was subjected to cruel persecution from the time of the Anti-Rightist Struggle...

Chen Xueshao is an obscure woman write who found herself during the New Cultural Movement. Inspired by the May 4th spirit she published severl anthologies of prose.After returning from her studies in France she met with the help of Lu Xun and Mao Dun and made great strides in her creative activity. She went to Yanan in 1938, and with the helpof Zhou Enlai she underwent significant changes in the theme and style of her writing. She was subjected to cruel persecution from the time of the Anti-Rightist Struggle right through the Cultural Revolution. With the dawn of the new era, she was seized with a new zeal for literary creation, which found. expression in her descriptions of the arduous path of exploration and pursuit the Chinese intellectuals had traversed. The present article contains a detailedand accurate introduction and a fair assessment ofher literary career, highlighting the

陈学昭是新文学运动中成长起来却鲜为人知的女作家。在“五四”精神感召下出版过多种散文集。留法归来后得到鲁迅、茅盾的帮助,创作大有进步。1938年去延安,在周恩来帮助下创作题材与风格有重大变化。自“反右”至“文革”受到残酷迫害。新时期焕发了创作热情,描写了中国知识分子探索与追求的艰难历程。本文对陈学昭的创作道路和各时期的创作特点,以及思想、艺术成就,做了较为翔实的介绍和公允的评价,庶几能给当代文学研究提供一点新的信息。

 
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