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   语言张力 的翻译结果: 查询用时:0.242秒
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语言张力
相关语句
  tension of language
     Combination of different elements and tension of language
     异质组合与语言张力
短句来源
  language tension
     In chapter 2 the author used the carnival theory of Soviet linguist to take apart the language tension from the heterogeneousness of interlocution language and the dualism of carnival language, which actually displayed the popularization and elegance as well as the humor and solemn of the language, the reality and absurdity of the interlocution together with the language irony, ridiculousness and the carnival of vulgarism.
     第一章“对话”的张力和第二章“狂欢”的张力是借用前苏联语言学家巴赫金的对话理论和狂欢理论,分别从“对话”语言的异质性和“狂欢”语言的双重性来剖析语言张力,具体表现为语言的俗化和雅化、幽默与庄重、写实与荒诞的“对话”及语言的反讽、调侃、俚俗的“狂欢”。
短句来源
  “语言张力”译为未确定词的双语例句
     On the analysis of the tension of John Donne's poetry, the paper touches off considerably the tension of poetry expressed by the original icons;
     本文通过对多恩诗歌的张力建构的分析,领悟到多恩诗歌语象之突兀和奇特所生发的语言张力
短句来源
     two, its aesthetic features;
     二、乡愁诗的审美特色为 :原型意象的心灵烛照 ,奇特组合的语言张力 ,诗与歌联姻的律动谐美。
短句来源
     This article,taking the language and image tensions in John Donne's erotic poems as a cutting point,intends to show the construction process of these two tensions in those poems.
     本文从约翰. 多恩艳情诗的语言张力和意象张力入手,分析了这两种张力在文本内部的构建。
短句来源
  相似匹配句对
     G Language
     G语言
短句来源
     Combination of different elements and tension of language
     异质组合与语言张力
短句来源
     First is the language.
     一是语言
短句来源
     Emotional Tension of Language and Aesthetic Standard
     语言的情感张力及审美尺度——语言的生动性与形象性探析
短句来源
     Tension analysis of glass roving
     无捻粗纱张力分析
短句来源
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This paper indicates that homesickness is the motive of Yu Guang zhong's poems and the China love is the soul of his creation. This paper focuses on three aspects of Yu Guang zhong's poems on homesickness: one, the rich connotation; two, its aesthetic features; three, the surpassing meaning in its spiritual content.

乡愁是余光中诗歌的创作母题 ,中国情结是其诗作的精魂。文章从三方面作了论述。一、余光中乡愁诗的丰厚内涵包括 :无根一代的悲患情怀 ,蕴含深广的民族意识 ,归依母体的文化精神 ,对大陆现实的深切关注。二、乡愁诗的审美特色为 :原型意象的心灵烛照 ,奇特组合的语言张力 ,诗与歌联姻的律动谐美。三、思想意蕴的超越意义 :超越小“我”而胸怀大“我”,把思乡提高到祖国统一的境界 ,具有超地域、超时代的意义

This paper discusses the relations among the functions of different literary languages, from the dimension of being miscellaneous and being literary, based on the nature of tension of literary language. The poetic function of language is not simply equal to literacy. Only when there exist the literacy and literary context can people find the poetic function from various language functions, can the poetic function be given prominence to in literature, can other functions in the language and the language style...

This paper discusses the relations among the functions of different literary languages, from the dimension of being miscellaneous and being literary, based on the nature of tension of literary language. The poetic function of language is not simply equal to literacy. Only when there exist the literacy and literary context can people find the poetic function from various language functions, can the poetic function be given prominence to in literature, can other functions in the language and the language style be relatively unified.

本文从“杂语性”与“文学性”的关系角度观照文学语言的张力性质 ,以此认识文学作品中不同语言功能之间的关系。语言的诗歌功能不能简单地等同于文学性。只是由于文学性及其文学语境的存在 ,人们才能从众多的语言功能中划分出语言的诗歌功能 ,诗歌功能也才能在文学中得到突出 ,语言中的其他功能、语体也才会在文学中获得相对的统一性。

Aristotle' s philosophy on language, which focuses on grammar and logic, is related to "Being" ("there be" or "be"). This view of language considers "Being" as the fundamental condition of meaning. Therefore, the possibility of expression of language is lost when what is communicated by language is investigated from this point of view. Contrarily, Laozi' s thought on language, which pays much attention to "images" , is connected with "Tao". "Emptiness" is the core of "Tao" . This view of language regards "Emptiness"...

Aristotle' s philosophy on language, which focuses on grammar and logic, is related to "Being" ("there be" or "be"). This view of language considers "Being" as the fundamental condition of meaning. Therefore, the possibility of expression of language is lost when what is communicated by language is investigated from this point of view. Contrarily, Laozi' s thought on language, which pays much attention to "images" , is connected with "Tao". "Emptiness" is the core of "Tao" . This view of language regards "Emptiness" as intention. Consequently, what it cares for is "how language can communicate" , by which the tension of language is shown. These two different views of language lead to two different ways of thinking.

亚里士多德注重语法-逻辑的语言哲学思想,是与“在”(“有”或“是”)联系在一起的,这种语言观要求“在”为意义的根本条件,因此它在考察语言“说什么”之时,已经丧失了语言表达的可能性;而《老子》注重“意象”的语言哲学思想则是与“道”联系在一起,“道”的核心是“无”,这种语言观以“无”为意蕴,因此它考察的是语言“何以能说”,由此彰显出语言的张力。两种不同的语言观引发东西方两种不同的思想进路。

 
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