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美学化
相关语句
  aesthetic tendency
     Aesthetic Tendency of Humanities Education
     人文教育的美学化
短句来源
  “美学化”译为未确定词的双语例句
     It is beneficial to improve the aesthetic apperciation of architectueal arts,to enrich the contents of aesthetic education and to promote the artistic quality by studying the aesthetic characteristics of architectural arts.
     研究和把握建筑艺术的审美特征 ,有助于对建筑艺术进行审美鉴赏 ,丰富审美教育的内容 ,促进建筑创造的艺术性和美学化
短句来源
     The essay presents humanization, beautification & safety on modeling design of NC machine.
     对数控机床进行人性化、美学化、安全化的造型设计,重点是控制面板上的显示—操作的相合性设计。
短句来源
     This kind of relation among aesthetics, philosophy and politics is the foundation by which we understand aesthetics integrality of Sartre.
     美学与哲学、政治的这种关系是理解萨特美学完整性的基础。 萨特前期建立的是一种“感性学化的”现象学,他的后期哲学更是在此基础上发展为美学化的历史哲学。
短句来源
     The basic characteristic of aestheticism discourse as follows: the first is the aesthetical inclination in the realm of literary theory; the second is poetic discourse became a sign of literary theoretical discourse.
     我认为,审美主义话语的基本特征表现为以下两个方面:一是文学理论领域显示出浓重的美学化倾向,二是带着强烈个体情绪反应的诗意言说成为一个时代文学理论话语的时代标志。
短句来源
     Some think design is from life;
     设计使生活美学化;
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  相似匹配句对
     TOWARD AN ETHICAL AESTHETIC
     走向伦理美学
短句来源
     Aesthetic Tendency of Humanities Education
     人文教育的美学
短句来源
     What Is Aesthetics For?
     美学何为?
短句来源
     Aesthetics in Poetry
     诗话美学
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  aesthetic tendency
It is possible to see this "aesthetic of the marginal" as an aesthetic tendency prevalent in the period, which has its own specific cultural significance.
      


Abstract A dialogue and comparison between the classical tradition of Chinese aesthetics and postmodern aesthetic principles lead to the following conclusion: that the negation by postmodernism of both avant-garde art and classical aesthetics is a revolt against mainstream cultural and artistic traditions in the West when postmodern culture breaks out of the prison of modern Western rational thinking, it unintentionally approaches, perhaps, certain poetic conceptions and aesthetic spirit of oriental China....

Abstract A dialogue and comparison between the classical tradition of Chinese aesthetics and postmodern aesthetic principles lead to the following conclusion: that the negation by postmodernism of both avant-garde art and classical aesthetics is a revolt against mainstream cultural and artistic traditions in the West when postmodern culture breaks out of the prison of modern Western rational thinking, it unintentionally approaches, perhaps, certain poetic conceptions and aesthetic spirit of oriental China. The disintegration of the subject, the ambiguity of meaning and the aestheticization of daily life are topics dealt with in the paper in the development of the author's argument.

不少理论家认为,后现代主义正不断以游戏的方式使用着西方的传统文化资源,并将其视为解除历史深度威胁的有效符码,其结果不仅使现代主义的前卫艺术失去了惊世骇俗的力量,同时也以玩世不恭的态度否定了经典美学的崇高感。本文不完全同意这种见解,并试从跨文化立场寻找新的阐释思路。通过以中国经典的诗学传统与后现代美学原则的对话和比较,从而有理由认为,后现代主义对前卫艺术和经典美学的双重否定,只是针对西方主流文化艺术传统的反叛,而当后现代的文化钟摆游荡出西方近代理性思维的囚笼之时,它可能在无意中却接近了东方中国的某些诗学观念和美学精神。论文进一步从主体的消解、意义的模糊化和生活的美学化三个方面展开论述

With the high development of wood based panel industry since 1980, the technical level of the wood based panel equipment has been improved gradually, especially speaking, the wood based panel equipment in those countries have such features like: Large scale of produce; automation of process; optimum of quality; security of process; standardization and seriation of production facilities; aestetiction of facilities appearance; strictly abidy by the requirement of environment law.

80年代以来,世界人造板生产装备的技术水平不断提高,尤以西欧和北美最为显著。从总体上讲,这些国家的人造板生产装备具有以下特点:①生产规模大型化;②生产过程自动化;③生产质量最佳化;④生产运行安全化;⑤生产设备标准化和系列化;⑥设备外观美学化;⑦严格遵守环保要求

The internal driving force of the revolution in the Chinese literature of the 20 th century is the conflict of the literary, political and economic modernity. This conflict has resulted in the different stages in the revolution. Briefly speaking, the revolution in literature befor the 1990s is stimulated by the conflict between the politicized theory of advocating the new literature as an implement and the theory of maintaining the new literature's independence. The revolution after the 1990s is stimulated...

The internal driving force of the revolution in the Chinese literature of the 20 th century is the conflict of the literary, political and economic modernity. This conflict has resulted in the different stages in the revolution. Briefly speaking, the revolution in literature befor the 1990s is stimulated by the conflict between the politicized theory of advocating the new literature as an implement and the theory of maintaining the new literature's independence. The revolution after the 1990s is stimulated by the conflict between the market oriented theory of regarding literature as consumption and the avant garde theory of maintaining the new literature's independence. During the mid and late 1980s there was also a conflict between the avant garde experimental theory of maintaining the new literature's independence and literary conservatism.

20世纪中国文学革命的内在动力是文学现代性、政治现代性和经济现代性的冲突。此一冲突决定着文学革命不同阶段的特征。概言之,90年代以前的文学革命由政治化的新文学工具论和美学化的新文学自主论之冲突所推动,90年代以后的文学革命由市场化的新文学消费论和先锋性的新文学自主论之冲突所推动,此间还包括80年代中后期先锋实验派文学自主论与文学保守主义之间的冲突。

 
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