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新诗传统
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  tradition of new poems
     Tradition of New Poems: A Tale to Be Narrated
     新诗传统:一个有待讲述的故事
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  “新诗传统”译为未确定词的双语例句
     Between Sunlight and Shadow —Modern Chinese Political Lyrics and the Tradition of Modern Chinese Poetry
     在阳光与阴影之间——中国现代政治抒情诗与新诗传统
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     Carrying Forward the "May 4th"Spirit and Rebuilding Up New Poetic Tradition -On Ai Qing's Comeback and Poetry Creation
     接续“五四”精神 重建新诗传统——论艾青重归诗坛与其诗歌创作
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     The Consanguinity Unable to Cut Off ——In Defense of the Tradition of New Poetry
     不能割断的血缘——为新诗传统问题一辩
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     From the Re-evaluation of the Poets to the Re-construction of the History of the New Poetry
     由对诗人的重估到对新诗史的重构——从《诗刊》看五四以来的新诗传统在五、六十年代的命运
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     Jiuye School has their own distinctive aesthetic sense of poem. First, poem is a total reflection of actuality and human life.
     在纵向继承中国古典诗歌与新诗传统尤其是三十年代现代派诗歌传统,横向借鉴西方现代主义诗歌的基础上,九叶诗派形成了他们自己独特的审美追求:第一,诗是现实人生与社会历史的综合反映。
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     Eight Traditions in Chinese New Poetry
     中国新诗的八大传统
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     X.
     传统X.
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     The conventional R.
     传统R.
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     Forum: New Poetry and Tradition
     “新诗传统”专题笔谈
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     The Birth of New Poem
     新诗的诞生
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In the river of the tradition of the Chinese modern poetry,there have been existing the two interchanging currents of the Sunlight School and the Shade School .The Chinese modern political lyric poetry, which has outstanding features of the times ,a striking aesthetic style and inevitable historical limitations ,is closely related to the tradition of the Sunlight School. Great poets, such as Guo Moruo,Ai Qing ,He Jingzhi and Guo Xiaochuan,made extraordinary contributions to the modern political lyric poetry...

In the river of the tradition of the Chinese modern poetry,there have been existing the two interchanging currents of the Sunlight School and the Shade School .The Chinese modern political lyric poetry, which has outstanding features of the times ,a striking aesthetic style and inevitable historical limitations ,is closely related to the tradition of the Sunlight School. Great poets, such as Guo Moruo,Ai Qing ,He Jingzhi and Guo Xiaochuan,made extraordinary contributions to the modern political lyric poetry and the tradition of the Chinese modern poetry.The political lyric poetry, which changed in the crisscrossing and merging of the Sunlight and the Shade, provides us with space and samples for thinking deeply.

新诗传统的河流里始终起伏着“阳光派”与“阴影派”两脉。中国现代政治抒情诗与“阳光派”传统密切相关 ,有着鲜明的时代特征、突出的审美风格以及不可避免的历史局限性。从郭沫若、艾青到贺敬之、郭小川 ,他们对政治抒情诗和新诗传统都作出了自己独到的贡献。在阳光和阴影的交错与融合中流变的政治抒情诗 ,给我们提供了思考的空间和样本。

Although the concept of Chinese Contemporary Avant -guard Poetry was used initially in the late 1980's, it contains the poetry move ment which occurred in middle 1980's. In which the concrete meanings of the Avan t-guard Poetry are reflected, and what are its essential historic and poetic cha racteristics, is the prerequisite of a spread study; at the same time, how to re define the traditions of the new poetry and the problems of relation between the new poetry and the translational poetry according to the...

Although the concept of Chinese Contemporary Avant -guard Poetry was used initially in the late 1980's, it contains the poetry move ment which occurred in middle 1980's. In which the concrete meanings of the Avan t-guard Poetry are reflected, and what are its essential historic and poetic cha racteristics, is the prerequisite of a spread study; at the same time, how to re define the traditions of the new poetry and the problems of relation between the new poetry and the translational poetry according to the beginning and developm ent of the Chinese new poetry, is also a question that must be overc omed during a thorough study.

“中国当代先锋诗歌”这个概念的提出和运用,始自80年代后期,但它所涵盖的现象,在时间范畴上,应往前推至80年代中期的诗歌运动。“先锋诗歌”这一概念的具体涵义到底体现在哪些方面,它所包含的历史和诗学的重要特征有哪些,这是展开研究的必要前提;同时,从新诗产生与发展的独特性出发,如何重新界说新诗传统及其与翻译诗歌的关系,又是我们深入研究必须解决的问题。

This article focuses on the sixty years Tursuance of HuZheng by introducing his two poems "The war in July" and "The Great Advance of Troops" where are representatives of the earliest modern poems of China, it explores the eternal charm of troops verse and the hisoric importance; and then comments on what he achieved on freestyle verse, rules and forms of classical poems and poetics in the New Period and afterwards.

本文探讨七月派诗人胡征六十年坎坷的艺术追求 ;探索《七月的战争》、《大进军》这两部标志着中国现代诗歌最早的军旅诗恒久的艺术魅力及其历史意义 ;总评新时期以来诗人在自由体新诗、传统格律诗及诗论方面的成就

 
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