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   比较音乐学 的翻译结果: 查询用时:0.011秒
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比较音乐学
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  comparative musicology
     The research of this subject falls into the category of regional ethnology and comparative musicology. It involves such disciplines as morphology, geography, linguistics, folklore and psychology.
     本课题的研究属区域民族学和比较音乐学范畴,研究方法上涉及形态学、地理学、语言学、民俗学、心理学等多门学科;
短句来源
     If we reconsider music education based on modern western philosophy, postmodern pedagogy and curriculum, comparative musicology, anthropology of culture, anthropology of music, we will find that the aesthetic paradigm of music education must be broken through, realizing the changing of culture.
     将视界扩展到现代西方哲学、后现代教育学与课程论、比较音乐学、文化人类学和音乐人类学等多个学科领域,重新审视音乐教育的理论。 音乐教育理论必须突破审美范式,实现文化转向。
短句来源
     Influenced by Ethnology and Anthropology, Enthonomusicology has undergone a continuous development from Comparative Musicology to Enthnomusicology, which indicates the continuous self perfecting process of the subject from its birth to maturity.
     民族音乐学在民族学人类学的影响下 ,从开始的比较音乐学到后来的民族音乐学经历了学科诞生和发展的不断完善的过程。
短句来源
     Since the comparative musicology came out,it has been established on the base of region-comparing.
     关键词自比较音乐学诞生以来,其方法一直是建立在区域间比较的基础上。
短句来源
  “比较音乐学”译为未确定词的双语例句
     A comparative approach allows the author to investigate and identify the influence of Chinese forms on the music of the Korean and Japanese dong xiao.
     运用比较音乐学的方法,研究并阐述了中国对韩国、日本洞箫音乐的影响。
短句来源
  相似匹配句对
     COMPARE
     比较
短句来源
     Comparison analyses.
     比较分析方法。
短句来源
     Contrast and Analysis on the Differences between the Ethnomusicology Master Bring up Program of two schools in China and Japen
     中日两校民族音乐学硕士生培养的比较与思考
短句来源
     A Discussion on the Systematization of Musicology
     音乐学的体系构成
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  comparative musicology
The methodological structure of comparative musicology realised in every aspect the methodological model of musicology.
      


People summed up and arranged the research results of the Dong Chorus home and abroad during the past 50 years (1953-2002). From the angle of ethnomusicology, people described the researches synoptically. The following contents are included; comments on the origination of the Dong Chorus and its musical patterns (modes, harmony, polyphonic means, artistic feature, etc. ) ; summaries of important papers on the Dong Chorus from aspects of musical folklore, musical aesthetics, musical psychology, comparative musi-cology...

People summed up and arranged the research results of the Dong Chorus home and abroad during the past 50 years (1953-2002). From the angle of ethnomusicology, people described the researches synoptically. The following contents are included; comments on the origination of the Dong Chorus and its musical patterns (modes, harmony, polyphonic means, artistic feature, etc. ) ; summaries of important papers on the Dong Chorus from aspects of musical folklore, musical aesthetics, musical psychology, comparative musi-cology and cultural anthropology. All shows the special position of the Dong Chorus in the study of Chinese polyphonic folk songs.

运用梳理、归纳的方法,将50年(1953—2002)间国内、外研究侗族大歌的成果,从民族音乐学的角度进行概览性描述,其内容包括论侗族大歌的起源、音乐形态(调式、和声、多声手法、艺术特征等)以及从音乐民俗学、音乐美学、音乐心理学、比较音乐学、文化人类学的角度对侗族大歌进行研究的重要文章综述,充分地显示了侗族大歌在中国多声部民歌研究中的独特地位。

Bartok is a famous comosper of Hungary.He loves his motherland as well as the folk music.He usually goes to the countryside to collect folk music and arrange them.By using the comparative musicology,he does some research and comparison between Hungarian music and the old orient music especially the Mongoliian music.Meanwhile,he puts them in practice and write many important works.On the aspect of music composition,Bartok emphasizes on exploring the melody and absorbing the material from the folk music.What's...

Bartok is a famous comosper of Hungary.He loves his motherland as well as the folk music.He usually goes to the countryside to collect folk music and arrange them.By using the comparative musicology,he does some research and comparison between Hungarian music and the old orient music especially the Mongoliian music.Meanwhile,he puts them in practice and write many important works.On the aspect of music composition,Bartok emphasizes on exploring the melody and absorbing the material from the folk music.What's more,he has a bold test on debugging,adjusting,stereo color and so on.The Bartok's attitude to study folk music is of important value and guiding significance for us to understand,learn and explore the precious native folk music.Only in this way, the national spirit will be eternal.

匈牙利著名作曲家巴托克,一生热爱祖国,热爱民间音乐,他经常深入民间,收集、整理民间音乐,并运用比较音乐学的观点,对匈牙利音乐和古老的东方音乐尤其是蒙古族音乐进行对比和研究,并付之实践,撰写了多部重要的民间音乐论著。在音乐创作方面,巴托克注重在旋律上探索吸收民间音乐素材,并在调式、调性及其它方面有大胆尝试。巴托克学习民间音乐的这种态度,对我们学习、了解和探索本民族宝贵的民间音乐有着重要的参考价值和指导意义,唯有如此,民族主义精神才能在大地的沃土中永生!

Musical culture as an independent concept in half a century is a substantial leap in civilization, a process of negation of negation.

“音乐文化”作为一个独立的学术概念出现只有半个多世纪,但它代表了人类文明发展历程进入了一个质的飞跃。然而,这个“质”却是经历了相当长的“量”的积累过程而产生,在这个“量”的积累过程中,人们的思想、观念、意识不断地自我斗争、否定,再斗争、再否定,一个接着一个理论和思潮的出现和被重新审视。音乐文化的研究受到这些人文学科的影响,诸如探索和殖民主义、文艺复兴的人类学、启蒙运动的人类学和“人的科学”、和谐的普遍性、民族学、人类学、民族音乐的科学、古典进化论、比较音乐学、文化相对主义、田野工作和参与者观察、文化区域和音乐文化、传播主义、功能主义和结构-功能主义、心理人类学、行为主义、文化变迁、文化生态学和新进化主义、都市人类学、结构主义、认知人类学、象征人类学、演奏-经验及交流、马克思主义人类学、反思论的人类学、批评人类学等,从而,量变达到了质变,音乐不再是娱乐、不再是物理、不再是技术和形式,也不仅仅是审美或教化,而成为了文化,成为了我们人类精神和物质总和中的重要部分。梳理这个思想、文化和精神积累的过程也就是对音乐人类学两个世纪历程的回顾和发展趋势展望。

 
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