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都市民间
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  “都市民间”译为未确定词的双语例句
     Song of Eternal Sorrow: a diligence of establishing folk myth of modern metropolis
     《长恨歌》:建立现代都市民间神话的一种努力
短句来源
     "Anthem of Everlasting Sorrow"——An Effort to Establish the Modern Urban Mythical Folks
     《长恨歌》:建立现代都市民间神话的一种努力
短句来源
     To advance the theory that named Dushi Minjian is a new angle of view, in which the intellectuals participate in creating the Chinese metropolitan novels under the nameless situation since 1990s.
     “都市民间”理论的提出,表明了90年代以来文学“无名”格局中的知识分子参与中国都市小说创作的一种新的观照方式。
短句来源
     Through describing the city of Shanghai, Wang Anyi brought to light the ideal form of urban civilization existing in the space of urban-folk, which is a scattered, fictitious and memoried space in her art world.
     在对上海城市的描述中,王安忆揭示,在她的艺术世界里,理想的都市文化形态存在于都市民间的空间里。 这是一个零散的、虚拟的、记忆中的空间。
短句来源
     2.He indicates and affirms the consciousness of homeback and populace by surveying marketplace everythings of metrogolis and folk.
     2.通过对都市民间市井百态的观照来指向和确认还乡意识和平民意识。
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  相似匹配句对
     CITY
     都市
短句来源
     3.the civil consciousness in the city culture.
     三是都市文化表达中的民间意识。
短句来源
     The Civic World in the Metropolis: Qing Cheng Zhi Lian
     都市里的民间世界:《倾城之恋》
短句来源
     Hunters in City
     都市猎人
短句来源
     Huangxiao Opera in the Folk
     楚剧在民间
短句来源
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The novel Chang Hen Ge by Wang An-yi best shows her intelligence and talents. She has created a folk cultural pattern of big cities in a lively style. The typical features of this pattern are legendary and private. She depicts a vivid picture of both the big city Shanghai and Wang Qi-yao, who is a spirit of big cities.

《长恨歌》是王安忆最富灵性、最具才情的一部长篇小说.它以十分自由活泼的形式,创造了一种都市的民间文化形态.这种形态的典型特征就是它的传奇性、亲和性、私人性.写活了一个王琦瑶,也写活了大上海.王琦瑶是这个大都市的精魂.

In Chinese literature, the denomination in the Shanghai style literature dated back to the 1930's. But the artistic representation of its historical features and literary images of a city like Shanghai is not just required in the 30's, but the long\|term result from the impact of the foreign life styles on literary creation since its opening\|up. After the publication of "A Story of the Overseas Flowers", there appeared two traditions: One is a modern picture of the intricate metropolitan literature with a combination...

In Chinese literature, the denomination in the Shanghai style literature dated back to the 1930's. But the artistic representation of its historical features and literary images of a city like Shanghai is not just required in the 30's, but the long\|term result from the impact of the foreign life styles on literary creation since its opening\|up. After the publication of "A Story of the Overseas Flowers", there appeared two traditions: One is a modern picture of the intricate metropolitan literature with a combination of extravagant and decadent writing styles, i.e. emphasizing the tradition of a modern feature. The other exposes the criticism on the class division of metropolitan literature and humanitarianism from the Left\|wing literary perspective, i.e. stressing the critical tradition. The New\|feel Party and the Left\|wing Folk Culture pushed the two traditions to a peak. In the 40's, the literary traditions of Shanghai style were eventually turned into a comparatively stable artistic category in the metropolitan folk life in Zhang Ai\|ling's artistic world.

在中国文学史上 ,海派文学的定名大约是在 2 0世纪的 30年代。但像上海这样一个城市 ,其自身的历史风貌和文化形象在文学创作上获得艺术再现并不是 30年代才出现的要求 ,而是开埠以来的洋场生活逐渐对文学创作发生影响的长期结果。自《海上花列传》以来 ,海派文学出现了两种传统 :一种是以繁华与糜烂同体的文化模式描述出极为复杂的都市文化的现代性图像 ,即突出现代性的传统 ;一种是以左翼文化立场揭示出都市文化的阶级分野及其人道主义的批判 ,即突出批判性的传统。 30年代的新感觉派与左翼文化把这两个传统推向顶峰。到 4 0年代 ,在张爱玲的艺术世界里 ,海派小说的各种传统终于在都市民间的空间里综合地形成了比较稳定的审美范畴

Changhengge, written by Wang Anyi, is a masterpiece of contemporary Chinese literature in expressing the aesthetic representation of civilian life in urban areas. The author derives her narration from her concern for conceit, fate, and nostalgia. But such narration fails to enduringly press for and probe into human inner mind.

王安忆《长恨歌》是中国当代文学中的重要作品之一。它立足民间的叙事立场 ,表现了王琦瑶的人生历程 ,因而是一部有关都市民间生存形式的审美表现的重要作品。作者的叙述动力来自她对”虚荣”、”命运”、”怀旧”的关注。但是作者在对民间生存形式的认同上缺乏一种批判意识 ,在对人物命运的抒写上缺乏一种更为宽广的人文关怀 ,在描写上缺乏一种更能激发人们审美想像的美学空间的开拓 ,因而使得作品难以成为长久敲击并拷问人心的诗的交响 !

 
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