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拒斥
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  rejected
    An Analysis of the Reasons Why the Art of Behaviorism Being Rejected in China
    行为艺术在中国遭受拒斥原因之分析
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    When contemporary behavior art of China is interchanged with the public,it's rejected because of its extraordinary way of expression. To better understand the reason,the contemporary behavior art of China is in fact stemming from the conflict between modernistic "ethical individualism" about performance art and "ethical normalization " .
    中国当代行为艺术在与公众展开交流时,因其另类的言说方式而遭到公众拒斥,剖析其深层原因,中国当代行为艺术所深陷的困境实质上是行为艺术现代性的“个人伦理”诉求与当下中国社会的“规范伦理”之间的冲突。
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  “拒斥”译为未确定词的双语例句
    Meanwhile, their idealistic moral tendency and the repulse to reality betray sometimes the spiritual characteristics which are contradictory to the development of civilization.
    与此同时 ,“新理想主义”作家的道德理想主义价值倾向以及对现实的拒斥 ,有时也呈现出了某种有悖于文明发展进程的精神特征。
短句来源
    At the same time of illustrating modernism's in h eritance from and rejection to the tradition, which is characteristic of dual n ature, the author explains the origin, the pursuit, the results, and the en suing of the contradiction with regard to modern aesthetics, which accounts for researchers' or thinkers' anticipation for a new aesthetic dimension in the cont ext of post-modern society.
    在说明现代主义艺术既拒斥传统又继承传统的双重特性的同时,作者对现代性审美的发端、追求、后果及矛盾的产生也进行了论述,并期待着审美理念在后工业后现代时代展露全新的审美视角。
短句来源
    It rejects philistinism,advocates seriousness and loftiness and sparkplugs the return of literary spirit.
    它拒斥媚俗,重扬严肃、崇高的儒雅风范,积极倡导文学精神的回归;
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  rejected
The experimental results can be applied to the development of biotechnological methods for degrading medicines: faked, rejected, or those that are expired.
      
If this assumption is rejected, the total flow becomes variable [3, 6, 7].
      
When the recorded signals are superimposed on the leading and trailing edges, a considerable part of the superimposed signals is rejected.
      
Afterpulses are rejected by the delayed coincidence method.
      
Owing to the fast and effective testing of detectors under conditions of mass production, the quality of the mini drift tubes is such that virtually no tubes are finally rejected during assembly of the detector system.
      
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As the art philosophy with the significance of principle of human value, androgyny philosophy has provided theoretical support for the co - construction of androgyny poetic discourse. There are still two main obstacles in realizing the co - construction: sex differences on physiology and psychology and sex grades of historical culture layers. To the former, we should strive for the maximum freedom under the complementary overall cultural background instead of insisting on equality from differences. To the later,...

As the art philosophy with the significance of principle of human value, androgyny philosophy has provided theoretical support for the co - construction of androgyny poetic discourse. There are still two main obstacles in realizing the co - construction: sex differences on physiology and psychology and sex grades of historical culture layers. To the former, we should strive for the maximum freedom under the complementary overall cultural background instead of insisting on equality from differences. To the later, we should reject and eliminate it. This requires the participation of the male as well as the female. Through the brief study of male poetic discourse, we saw the dawn of the co- construction of androgyny poetic discourse.

作为具有人性价值准则意义的艺术哲学,双性同体哲学为双性同体诗语空间的共建提供了理论支持,而要实现共建的目标有两大障碍:一是生理、心理等方面的性别差异,二是历史文化层面的性别等级。对于前者,我们不必在差异中强求平等,而应在互洽互补的整体文化背景下争取人的最大限度的自由;对于后者,我们应予以拒斥、清洗。这不仅需要女性而且也需要男性的参与。通过对男性诗语的简单考察,我们看见了双性同体诗语共建的曙光。

This dissertation compares the conception of the good and the evil in the Chinese and Western tragedies.It holds that Chinese classical tragedies are geared to common ethical patt.ern,which differs the good and the evil clearly.An- cient Greek tragedies and the Renaissance tragedies,though agree to be clear about the good and the evil,haven't such strong ethical flavour as Chinese classical tragedies.What's more,modern Western tragedies deny traditional ideas of the true,the good and the beautiful.The difference...

This dissertation compares the conception of the good and the evil in the Chinese and Western tragedies.It holds that Chinese classical tragedies are geared to common ethical patt.ern,which differs the good and the evil clearly.An- cient Greek tragedies and the Renaissance tragedies,though agree to be clear about the good and the evil,haven't such strong ethical flavour as Chinese classical tragedies.What's more,modern Western tragedies deny traditional ideas of the true,the good and the beautiful.The difference of Chinese and western tragedies shows us the different culture of different period.

本文对中西悲剧善恶观念进行了比较,认为中国古典悲剧多属于世俗伦理模式,在对善的执著追求和对恶的坚决拒斥中实现善恶分明的意图。古希腊悲剧和以莎士比亚为代表的文艺复兴时期的悲剧,虽然也讲求善恶分明的原则,但她们所包孕的内容几乎没有中国古典悲剧那样强烈的伦理色彩。西方现代悲剧更是大异其趣,否弃颠覆了传统的真、善、美观念,致使善恶界限趋向模糊,却对更高层面上的真、善、美执著的追求。中西悲剧善恶观念的差异,昭示了不同社会历史条件下不同的文化内涵。

During the 1990s, a group of writers put their emphasis on psychological problems. The phenomenon displays their challenge to the secularized living mould and literary ideas, influenced by market economy and the inheritance of traditional cultural missions of intellectuals. The literary pursuits and living status of neo-idealistic writers are themselves the manifestations of shocked souls of Chinese intellectuals. Meanwhile, their idealistic moral tendency and the repulse to reality betray sometimes the spiritual...

During the 1990s, a group of writers put their emphasis on psychological problems. The phenomenon displays their challenge to the secularized living mould and literary ideas, influenced by market economy and the inheritance of traditional cultural missions of intellectuals. The literary pursuits and living status of neo-idealistic writers are themselves the manifestations of shocked souls of Chinese intellectuals. Meanwhile, their idealistic moral tendency and the repulse to reality betray sometimes the spiritual characteristics which are contradictory to the development of civilization.

20世纪 90年代 ,一批关注精神性问题的作家的出现 ,是中国作家对市场经济导致的世俗化生存模式和文学观念的挑战 ,以及对知识分子传统文化使命的承继。“新理想主义”作家的文学追求和生存形态 ,其本身也是中国知识分子世纪末灵魂震颤的表征。与此同时 ,“新理想主义”作家的道德理想主义价值倾向以及对现实的拒斥 ,有时也呈现出了某种有悖于文明发展进程的精神特征。

 
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