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Zang Kejia loved and respected Mao Zedong and his Poetic works as well.In about 40 years,he did 3 greatinfluential work for the publicity and study of Mao Zedong's poems: In January, 1957, he had 18 poems by MaoZedong published in Poem Periodiacel,of which be was chief editor,in October,1957, he published the significantunderstanding of Mao zedong ' 18 poems,in 1989, be supervised the publication of Appreciation of Mao Zedong's poems,co-edited by many famous literary persons.In a relation with Mao Zedong... Zang Kejia loved and respected Mao Zedong and his Poetic works as well.In about 40 years,he did 3 greatinfluential work for the publicity and study of Mao Zedong's poems: In January, 1957, he had 18 poems by MaoZedong published in Poem Periodiacel,of which be was chief editor,in October,1957, he published the significantunderstanding of Mao zedong ' 18 poems,in 1989, be supervised the publication of Appreciation of Mao Zedong's poems,co-edited by many famous literary persons.In a relation with Mao Zedong as a wier to a leader, and as close friendsin poetry, Mr Zang was keen on explaining-and commenting on Mao's poems. He was able to have a deep and comectunderstanding of Mao's poem and good at artistic analysis and reflecting those remarkable features beyond poems. 臧克家热爱与崇敬毛泽东,也热爱与崇敬毛泽东的诗词作品。四十年中,他为宣传、研究毛泽东诗词做了影响广泛的三件大事:1957年1月他在主编的《诗刊》上首发毛泽东诗词18首;1957年10月他发表了意义深远的《毛主席诗词十八首讲解》;1989年他又主编由众多文坛名家撰写的《毛主席诗词鉴赏》;由于臧老与毛泽东既是作家与领袖的关系,又是切磋技艺的诗友,故臧老对毛诗讲解、评论具有充满感情、理解透彻准确、善于艺术分析和传达诗外之音的鲜明特色。 AbstractThe Chinese classical poetry craze in the end of 20th century showed a flourish of aesthetic judgment of the masses.But it also had some weaknesses:being mediocre individually and microcosmically though magnificent in scale,being to some extent lethargic in style though experienced in the writing technique ,and being weak in aesthetic force though elegant in printing and ornate in diction.The question before us is how to create the real masterpieces in the appreciation of classical poetry? 20世纪末叶的中国古典诗词鉴赏热势头异常强劲,显示出群体审美生命汇聚成的大格局,大气象,同时也暴露出自身的缺憾:鉴赏阵容宏观上的波澜壮阔,挟裹着鉴赏个体微观上的勉强平庸;趋于成熟的老辣硬朗的鉴赏风格,也若淡若浓地染了些秋老叶黄的暮气;似乎造得圆熟精美、辞采翩翩的鉴赏文本,总是激荡不起强悍的审美冲击力。面对烟花爆竹一般骤然响彻又归于沉寂的鉴赏热,值得追问的是:如何才能造出无愧于中国诗词鉴赏史的名赏和大赏? In appreciating poetry, the historical consciousnaess of the perceiver is a significant factor in avoiding misunderstanding. Historical consciousness plays an important role in exploring the connotative meaning and artistic features of the works and grasping the creating individuality of the author. 在诗词鉴赏活动中,鉴赏主体的历史意识是避免误读的一个重要因素,历史意识对于发掘作品的深层内涵、深刻把握作者的创作个性及作品的艺术风貌,具有极其重要的意义。
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