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现当代
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  modern and contemporary
    Angel, Enemy, Angel and Enemy ——a thematic comparison of modern and contemporary Chinese city poetics
    天使·敌人·天使与敌人——中国现当代城市诗诗学主题的比较
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    On the Outlook on Children in Modern and Contemporary Chinese Children's Literature
    论中国现当代儿童文学中的儿童观
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    On the Discipline in the Modern and Contemporary Literature in China
    行易知难 笃学为是——中国现当代文学学科建设的一个剪影
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    The Teaching of Modern and Contemporary Chinese literature
    浅议中国现当代文学教学
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    On the Lack of Logic to the Traditional Periodicalization Theory of the Modern and Contemporary History of Literature
    论传统"现当代文学史"分期理论的逻辑缺失
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  contemporary and present
    Literariness in Contemporary and Present Literature Teaching
    现当代文学教学中的文学性问题
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    A Probe Into the Teaching Reform In Contemporary and Present Literature
    现当代文学课教学改革探索
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    As a famous romantic writer in Chinese contemporary history of literature, Yu Dafu was awarded. The two peaks of novel creation in Chinese contemporary history of literature with Lu Xun. He also made a profound effect on Chinese contemporary and present history of literature by his works with specific character and utterly different style.
    郁达夫作为中国现代文学史上著名的浪漫主义文学家,与鲁迅并称“中国现代文学史上小说创作的双峰”,他以其独具个性和风格迥然的艺术创作,在中国现当代文学史上有着深远的影响。
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    Thinking about the literature itself, the text thinks that there are many works about sex in the History of Contemporary and Present Literature of China, but it is different that the sex is perfectly become the object expressed during the Literature of Net.
    从文学本身来看,认为中国现当代文学中有很多作品就有写性,不同的是,这些文学中的性被罩上了不同的功能指向负担,直到网络文学中,性完全成了文学表达的对象。
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    This article will talk over literariness in contemporary and present literature teaching from the following two aspects: 1)tracing the vacancy and loss of literariness in the development of contemporary and present literature;
    讨论现当代文学教学中的文学性问题 :其一 ,追溯现当代文学史发展过程中“文学性”缺失的现象 ;
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  “现当代”译为未确定词的双语例句
    Chinese Modern-contemporary Literature Study: on the Turn of the Century
    中国现当代文学研究:在世纪的交汇点上
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    Difficult Explorment Miserable Choice ──Examination and Visualization to Today Intellectuals' Fate
    艰难的探索 痛苦的抉择──对现当代知识分子命运的内审与观照
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    The Opportunities and Challenges of the Chinese Contemporary Li terary Study ──A Thought of "Cultural Study
    中国现当代文学研究的机遇与挑战──关于“文化研究”的一种思考
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    Study the Impact and wide and New of Studying about Chinese Contemporary Literature in culture
    文化研究对中国现当代文学研究的冲击与廓新
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    The Tragic Spirit of Classical Novel and its Influence on Contemporary Literature
    论古典小说的悲剧精神及其对现当代文学的影响
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  modern and contemporary
The - surely astonishing - main thesis is that instead of the modern and contemporary attempts, especially in Gottlob Frege's Foundations of Arithmetic, such a definition is found in the arithmetic in Euclid's Elements.
      
Using dynamic panel data econometric techniques, we analyzethe price structure of sequential auctions of modern and contemporary art that took place inItaly during the period 1983-1996.
      
A Note on Financial Risk, Return and Asset Pricing in Australian Modern and Contemporary Art
      
In this note, 30,227 paintings by fifty well-known modern and contemporary Australian artists sold at auction over the period 1973-2003 are used to construct a hedonic price index.
      
The results indicate that returns on Australian modern and contemporary art averaged nearly five percent over the period with a standard deviation of sixteen percent.
      
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Bsed on the chiefest of prose creation by the famous Chinese writer Sun Li since the new stage in the development of China's socialist cause as well as relevant materials, this paper expounds the chief esthitic features therein, namely, sincerity, pedestrianism,and philosophical flavor, which are not only the manifestation of the traditional Chinese esthetic requirements,but also the embodiment of the writer's personal integrity and artistic accomplishment, all of these esthetic features as an organic whole,...

Bsed on the chiefest of prose creation by the famous Chinese writer Sun Li since the new stage in the development of China's socialist cause as well as relevant materials, this paper expounds the chief esthitic features therein, namely, sincerity, pedestrianism,and philosophical flavor, which are not only the manifestation of the traditional Chinese esthetic requirements,but also the embodiment of the writer's personal integrity and artistic accomplishment, all of these esthetic features as an organic whole, helping to exteriorize and artify the entire cultural personality of the writer.

本文依据我国现当代著名作家孙犁新时期的主要散文作品及有关材料,阐述了孙犁新时期的散文创作真诚、平淡、理趣的主要审美特征。这些审美特征,既是我国传统审美要求的体现,也是作家人格修养的体现,它们作为一个有机的整体,完成了作家整个文化人格的外化,艺术化。

fom The Diary of Miss ShaFei to The Sun Shinning on the Sang Gan River,Producingnovels and short stories originally from a selfexpression point of view,then from a pointof view of recreation of the o6jective world,DingLing’s individualistic artistic characterwas in the course of continuous change.This article mainly discusses the reasons thatlead to such chang in Ding Ling’s individualistic artistic character,as well as its signifi-cances in contemporary and modern Literature.

从《莎菲女士日记》到《太阳照在桑干河上》,从自我表现出发进行创作到从再现客观世界出发进行创作,丁玲的艺术个性处于不断转换、变化的过程中,本文论述了导致丁玲艺术个性转换、变化的原因及在现当代文学中的意义。

In his query of the validity of the Dualistic Opposites Model, a basic researchmodel which has long been employed in the research on modern and contemporary Chinesecultures and modern Chinese literature, the writer points out the grave deficiencies of theModel and its three sub-models for their negligence to a great extent of human beings ascultural subject and their limitations in practice, and emphasizes the choice of culture andliterature as human beings'individual behavior. The writer suggests a new approach...

In his query of the validity of the Dualistic Opposites Model, a basic researchmodel which has long been employed in the research on modern and contemporary Chinesecultures and modern Chinese literature, the writer points out the grave deficiencies of theModel and its three sub-models for their negligence to a great extent of human beings ascultural subject and their limitations in practice, and emphasizes the choice of culture andliterature as human beings'individual behavior. The writer suggests a new approach and aconcept of homologous coincidence for a fresh study of the development process of modernChinese culture and literature, holding that what is crucial to the development of modernChinese literature is not to learn from foreigners or carry forward the good traditions ofour own country, but to give full play to the creativity of modern Chinese intellectuals.

对中国近、现、当代文化研究和中国现代文学研究中长期为人们运用的一种二元对立的基本研究模式提出置疑,认为这种基本模式及三种分模式对人这一文化主体严重漠视,有着巨大的缺陷,在实践上也有局限性;着重指出文化和文学的选择是一种个人性行为,提出了重新考察中国现代文化和文学发展进程的新角度以及“对应点重合论”观念,强调在中国现代文学史上起关键作用的,并不是学习外国和继承传统的问题,而是中国现代知识分子自身创造力的发挥问题。

 
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