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玄学
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  metaphysics
    On the Influence of Metaphysics of Wei and Jin Dynasties On the Artistic Dialectics in Literary Mind Elaboration
    论魏晋玄学对《文心雕龙》艺术辩证法的影响
短句来源
    Guo Xiang’s Metaphysics and the Consciousness of Literature
    郭象玄学与文学的自觉
短句来源
    Metaphysics and the Criticism of Weijin Literature
    遵四时以叹逝 瞻万物而思纷——玄学与魏晋文学批评
短句来源
    Metaphysics Influence on the Poesy Creation of Ji Kang
    玄学对嵇康诗歌创作的影响
短句来源
    Comment on Ruan Ji’s and Tao Yuanming’s Metaphysics
    试论阮籍和陶渊明诗歌的玄学精神
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  the metaphysics
    On The Origin of"Woe as beauty" in the Metaphysics of Wei and Jin Dynasties
    谈魏晋玄学“悲为美”之缘起
短句来源
    Mu Dan——a pondering soul on poem——an attemptable discussion on the metaphysics thinking in Mu Dan's poem
    穆旦,一颗沉思的诗魂——试论穆旦诗歌中的玄学思考
短句来源
    We affirm that the relation of metaphysical poems and the metaphysics is inseparable, but at the same time we also point out that the development of the latter one is obviously faster than the former one.
    肯定了玄言诗的发展与玄学密不可分的关系,同时指出二者发展的不同步性,前者明显滞后于后者,玄言诗是在玄学理论已经较为完备的基础上产生的以鉴赏为目的的诗歌作品;
短句来源
    Chapter two : Discussing the metaphysics of The seven worthies in the bamboo forest .
    第二章:专题探讨竹林七贤的玄学思想。
短句来源
    The formation of this critical style reflects the great influence of the traditional way of thinking marked by the pre-Qin Yi Zhuan, the metaphysics in the Wei and Jin dynasties and the Zenin the Tang and Song dynasties.
    这种批评风格的形成,反映出以先秦《易传》、魏晋玄学、唐宋禅学为标志的中国传统思维方式的巨大影响。
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  “玄学”译为未确定词的双语例句
    The Prosperity of Neo-Taoism and Flourishing of Argumentation
    玄学的兴盛与论说文的繁荣——正始论说文的文化学阐释
短句来源
    The Influence of Wei-Jin Xuanxue on Chinese Literature
    魏晋玄学对中国文学影响的几点理论思考
短句来源
    Tao Yuan-ming's Poems and Bird Image
    陶诗与鸟——兼论陶渊明玄学人生观的诗意转换
短句来源
    Origin of Ideas and Arts in the Articles of the Wei and Jin Dynasties
    玄学清谈与山水清音——魏晋文章之思想与艺术探源
短句来源
    Intermediary of the Creative Echo ——On the Influence of the Metaphysical and Buddhist Thinking Modes upon Wen Xin Diao Long
    创造性回应的中介——论玄学、佛学思维方式对《文心雕龙》的影响
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  metaphysics
A criticism of all totalizing knowledge, deconstruction rejects all appeals to ontological, epistemological or ethical absolutes as a metaphysics of presence.
      
The attempt to replace a metaphysical correspondence theory of truth with one that is conceptually epistemic does not provide an exit from metaphysics.
      
The Unmasking of the Metaphysicians or the Deconstructing of Metaphysics
      
This essay argues that Popper's work, seen from the vantage point of increasing historical distance, can be viewed as the first attempt to understand the grand narrative as the adjustment of metaphysics to the modern world.
      
Haller shifted the dispute from anatomy to embryology; and it is on an embryological base and not on metaphysics that he built his own demonstration of the original nature of the monster.
      
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  the metaphysics
The article reveals the metaphysics of First World development practices in the Third World in order to suggest that international lawyers ought to consider carefully their approach to development practices.
      
The term highlights a systematic correspondence between the metaphysics of matter and of quality: the relationship between a thing and its matter is like the relationship between a qualified thing and the relevant quality.
      
Corrosive Effects: Environmental Ethics and the Metaphysics of Acid Mine Drainage
      
It argues that Heidegger's confrontation entails situating what Heidegger calls Nietzsche's "transformed" understanding of the sensuous outside the metaphysics of both Plato and Platonism.
      
We wish to show that the Bergsonian version of a critique of "the metaphysics of presence" is, for all that, an offshoot of a Platonic type of metaphysics.
      
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The author disagrees with those literary critics who deny ttha Literary Mind Elaboration received any influence from the metaphisical philosophy of Wei and Jin Dynasties. He advances his own original view in this paper that themetaphysical philosophy in Wei and Jin Dynasties succeeded in carrying forward the dialectics put forth in the Three Metaphysics Classics and, in termsof methodology, exerted significant influence on Liu Xia's work, Literary Mind Elaboration.This influence has its prominent evidence in...

The author disagrees with those literary critics who deny ttha Literary Mind Elaboration received any influence from the metaphisical philosophy of Wei and Jin Dynasties. He advances his own original view in this paper that themetaphysical philosophy in Wei and Jin Dynasties succeeded in carrying forward the dialectics put forth in the Three Metaphysics Classics and, in termsof methodology, exerted significant influence on Liu Xia's work, Literary Mind Elaboration.This influence has its prominent evidence in the process in which the "Tao as Essential" theory and the aesthetic concept of "Natural Interest" tookshape. The metaphysical influence also demonstrates itself in helping formthe idea of unity of opposites in the work. Besides,"Diff erentiation between Lang-uage and Meaning" held by metaphysics exerted considerable effects on thetheory and methodology of the work. Therefore, the metaphysical philosophy of Wei and Jin Dynasties should be considered a major source of artistic dialectics fin this work.In order to provide a basis, both subjective and objective, for Liu Xia to accept metaphysical influence, the author of this paper also elaborates on the development of literature and criticism, as well as the academic learning in Qi and Liang Dynasties.

本文不同意文学批评史家们否定《文心雕龙》受玄学影响的意见,认为魏晋玄学发挥了“三玄”中的辩证思想,在方法论上给《文心雕龙》以重要影响。这突出表现在《文心雕龙》“以道为本”理论构架的形成和“自然之趣”艺术观的形成上,也表现在它的对立统一观念、运动变化观念的形成上,同时,玄学“言意之辨”对它的理论方法也有很大影响。因此,魏晋玄学是《文心雕龙》艺术辩证法的一个重要思想来源。本文还从齐梁时代文学与批评的发展以及学术思想的状况论证了刘勰接受玄学影响的主客观依据。

This thesis describes the cultural background under which the literature theory of Confucianism and the literature theory of Taoism moved towards the mutual supplement from the conrlict during Wei and Jin. Jing Xue (the study of the classics) Was conceived as the orthodoxy which promoted Confucianism to occupy the cultural center during Han. Up to Wei and Jin Taoism challenged Confucianism which became metaphysical by a complete deconstructive operation in which Taoism corrupted the classical texts of Confucianism...

This thesis describes the cultural background under which the literature theory of Confucianism and the literature theory of Taoism moved towards the mutual supplement from the conrlict during Wei and Jin. Jing Xue (the study of the classics) Was conceived as the orthodoxy which promoted Confucianism to occupy the cultural center during Han. Up to Wei and Jin Taoism challenged Confucianism which became metaphysical by a complete deconstructive operation in which Taoism corrupted the classical texts of Confucianism and Taoism took shape in five kinds of characters in the methodology of critics.

儒道两家文学理论从冲突走向互补有其相应的文化背景。经学是古代中国的学术宗教,在汉代经学推动儒家思想占据了文化的中心地带,成为汉代的显学。在魏晋时期,道家思想通过彻底的解构性操作使儒家的经典文本在误读中走向坍塌,从而导致了儒家思想的玄学化。因此,儒道两家思想的冲突和互补得以在文学批评的方法论中形成了五种人格类型,即:“以儒攻道”、“以道攻儒”、“内道外儒”、“内儒外道”和“贵儒尊道”。

It introduces the famous representarive figure of metaphysics Jikang,by combining the social backgronnd of wei and Jin dynasties. It describes Jikang's characteristics and shows his ideas and thoughts of music's no happiness and sadness in"On music's no happiness and sadness".

本文结合魏晋的社会特点介绍了当时玄学的著名代表人物嵇康的性格特征,概述了其在《声无哀乐论》中所阐述的“声无哀乐”的观点及思想。

 
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