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接受批评
相关语句
  reception criticism
     On the Influence of Reception Criticism on Literature Consumption
     价值流失的危机:接受批评对文学消费的影响
短句来源
     Similarity to any criticism method,and based on reception aesthetics,the reader-centered reception criticism has produced great influence upon literature consumption activity.
     和任何批评方法一样,以接受美学为基础、侧重读者为中心的接受批评方法对文学消费活动产生着重要影响。
短句来源
  reception critique
     The original contribution of Chinese poetry and poetics began from the language system, a systematic summary of genetic ecology, texts of works, thinking in creation to reception critique.
     中国诗、诗学的原创性贡献应从语言系统开始,从发生生态、作品文本、创作思维、接受批评系统地进行总结。
短句来源
  “接受批评”译为未确定词的双语例句
     dissertation consists of four parts:In the first part (including the preface, Chapterl and Chapter2), the research objects, methods, values and realistic significance are described and the historical circumstance of women's survival and the reasons for the emergence of feminist ideological trend are discussed.
     第一部分(包括序言、第一章、第二章)论述了研究对象、方法及研究价值及现实意义,讨论了女性生存的历史境况、女性主义思潮产生的原因,梳理出西方女性主义批评各派批判男性中心主义的价值取向与相互尊重平等对话的学科特点或诗学精神,以及其与马克思主义、精神分析理论、读者接受批评及解构主义等批评理论既接纳又拒斥的对话原则;
短句来源
     Concerning all the theories of literary criticism in the (20th) century, although New Criticism and Reader Response are the best suitable for Chinese classic poetry, they have some limitations.
     在20世纪的诸多文学批评理论中,新批评和接受批评与中国古典诗歌最具亲和力,但这两种完全不同的批评范式却有着各自无法逾越的局限。 有没有一种可能,既从语言本身出发去理解诗歌,又不至于落入寻章摘句的樊笼;
短句来源
     In Sui and Tang dynasties,along with the rejection of life pattern and the art of poetry of TAO Yuan-ming,criticism of him never stops.
     伴随着士人对陶渊明人生模式和诗歌艺术的认同接受,批评陶渊明的声音也一直未断。
短句来源
  相似匹配句对
     China’s Acceptance of M.Gorky’s Literary Theory and Criticism
     高尔基的文学理论与批评在中国的接受
短句来源
     An Integrated Review on the Acceptance of Archetypal Criticism in China
     原型批评理论在中国的接受状况综述
短句来源
     The Responsibility of Criticism
     批评的责任
短句来源
     SELF RITICIS
     自我批评
短句来源
     On Moral Acceptance
     试论道德接受
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BAO Zheng is renowned for his uprightness. Incorruptibility is indeed one of his outstanding qualities,which is shown fully not only by his speech and behaviour but by other people's comments on him. He is able tobe free from corruption because of his peculiar thoughts, moral characters and upringhtness bearing. Keeping inmind that the people are the noot of a country, he is loyal to his emperor and parents, while strict with himself;he cultivates his moral characters and accepts all the criticism and supervision....

BAO Zheng is renowned for his uprightness. Incorruptibility is indeed one of his outstanding qualities,which is shown fully not only by his speech and behaviour but by other people's comments on him. He is able tobe free from corruption because of his peculiar thoughts, moral characters and upringhtness bearing. Keeping inmind that the people are the noot of a country, he is loyal to his emperor and parents, while strict with himself;he cultivates his moral characters and accepts all the criticism and supervision. However, based on his personalcharacters and hearing, this kind of uprightness has insurmountable limitations of the history and his class status.

包拯素以清廉而声名久传。清廉,确实是其品行的一大特征,在言论、行为,以及他人的评论方面,都有系统完整的表现。他之所以能够一生清廉,始终不渝,主要来源于其很有特色的思想、品性和修养,也即他的民本忠孝、修身律己、接受批评监督等。而这种基于个人品性修身的清廉,又存在无法克服的阶级和历史的局限性。

In order to select precise category concept-“patterns” to define,expound,and master the lyric artistic style of Tang poetry to replace the traditional ambiguous language,this paper discusses the chief natural characteristics of the lyric artistic patterns of Tang poetry from three aspects of the sincerity,distillation and implicity of the lyric artistic style of Tang poetry.Based on the above discussion,this paper analyzes the phenomena of the lyric artistic style of Tang poetry,and gives a special research...

In order to select precise category concept-“patterns” to define,expound,and master the lyric artistic style of Tang poetry to replace the traditional ambiguous language,this paper discusses the chief natural characteristics of the lyric artistic patterns of Tang poetry from three aspects of the sincerity,distillation and implicity of the lyric artistic style of Tang poetry.Based on the above discussion,this paper analyzes the phenomena of the lyric artistic style of Tang poetry,and gives a special research of the creation,reception,criticism and theory of the lyric artistic style of Tang poetry with a special viewpoint in an entire,microcosmic and macroscopic way.It takes effors for the systematic construction of the emotional theory of Tang poetry.

为了扬弃传统的模糊语言而选取确切的范畴概念——“范式”来把握、论述、界定唐诗的抒情艺术 ,本文从艺术情感的真挚、升华和含蓄三方面 ,论述了唐诗抒情艺术范式的主要品性。由此对唐诗抒情现象进行了美学分析 ,进而对唐诗抒情艺术的创作、接受、批评和理论进行特定视角的专题研究 ,试图建构起唐诗情感理论的体系框架

The so- called"life in literature and art"refers to the exchange, mixing together and con-densation of the human spirit and the spirit of objects in literary creation. This life is present in the sub-jective structure, process of creation, products of art and the receptionist criticism of art. The basic re-quirement of the theory of the "life in literature and art" is that all products of art should be of the sameconstruction with life. In products of art, this life of literature and art should be as smooth...

The so- called"life in literature and art"refers to the exchange, mixing together and con-densation of the human spirit and the spirit of objects in literary creation. This life is present in the sub-jective structure, process of creation, products of art and the receptionist criticism of art. The basic re-quirement of the theory of the "life in literature and art" is that all products of art should be of the sameconstruction with life. In products of art, this life of literature and art should be as smooth as the windand as strong as the bone. And in the various forms of the masculine strength and feminine delicateness,vividness and vigor are erpressed. The operation of this life is harmonious and rhythmic, so as to reachthe perfect stage in art of being vivid in life.

气韵之气系指艺文之气。它是作为宇宙本体之气的分体,是人性之气与物之气在艺术创造领域中的交流、融合与凝聚,通贯于艺术创造的主体建构、创作过程、艺术作品与艺术的接受批评。气韵说的根本要求是一切艺术品应当与生命同构。在艺术品中,艺文之气应当流行顺畅如风,凝结强健似骨,虽阳刚与阴柔百态,但皆能显其生动之势,遒劲之力。而气之运化,和谐而有节律,因变化莫测而神,臻余味无穷而妙。气依韵而运化,韵本气而神妙。“不着一字,尽得风流”乃艺术之至境,亦即“气韵生动”的极致。

 
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