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中国画
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  chinese painting
    Simply Analysis on the Influence from Traditional Chinese Painting to Chinese Garden
    浅析中国画对中国造园艺术之影响
短句来源
    The technique of traditional Chinese painting has always been adopted in drawing scenery of gardens.
    描绘园林风景,历来都用中国画传统技法。
短句来源
  “中国画”译为未确定词的双语例句
    The Research of the Visual Environment for the Exhibition of Chinese Paintings
    中国画陈列室的视觉环境研究
短句来源
    By referring to the principles of Chinese drawing and the related theory of ancient Chinese landscape architecture, the article sums up the use technique of ornamental parts in Chinese penjing (miniature landscape) and discusses their application and how to appreciate.
    该文引用借鉴中国画论和园林的相关理论原理 ,总结归纳了中国盆景的配件技艺 ,论述其应用与欣赏 .
短句来源
    Chinese classical gardens fully elaborate the expressiveness of lines of Chinese drawings in their overall arrangement,setting up rockeries,plastic water and the modelling of buildings. Their structure,space,level,rhythm and decorating style are expressed by means of the change between heaviness and lightness,hardness and softness,turning and revolving,and the permutation and combination of the drawing lines.
    中国古典园林在整体布局、叠山理水及建筑物造型上充分发挥中国画线条的表现力,通过用线的轻重、刚柔和转折等变化及线条在画面上的排列组合,表现结构、空间、层次、节奏韵律及装饰风格。
短句来源
    Taking the Suzhou classical gardens for example, the essay uses the method of the nonverbal communication approach and the symbols, analyzes the meaning of the Suzhou classical gardens for the built environment, and deals mainly with the three kinds of meanings about the environment of space in the historic city Suzhou: the meaning of essential factors of city image, the meaning of structual characteristics of the city space, the meaning of aesthetics suggestive of chinese freehand brushwork of painting.
    以世界文化遗产中的苏州古典园林为例,综合使用非言语方法和象征方法分析其作为建成环境的意义,特别是与苏州古城空间环境相关的三种意义———在城市意象要素上的意义、在城市空间特色中的意义和体现中国画意的美学意义。
短句来源
  相似匹配句对
    The Research of the Visual Environment for the Exhibition of Chinese Paintings
    中国画陈列室的视觉环境研究
短句来源
    Simply Analysis on the Influence from Traditional Chinese Painting to Chinese Garden
    浅析中国画对中国造园艺术之影响
短句来源
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  chinese painting
WU HUNG, The Double Screen, Medium and Representation in Chinese Painting.
      
The Philosophical origin of the black-white system of Chinese painting
      
A chronological survey of Chinese painting, sculpture, and the applied arts.
      
Cassandra received further training in Western watercolour and Chinese painting and has developed a unique style based on these oriental traditions.
      
Facsimile reprint of the important annotated bibliography of 860 works on Chinese painting and calligraphy.
      
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Chinse paintings can be seriously damaged by the light radiation. Owing to theconservation of the items on display, the illuminance on these items should be kept aslow as possible, but the picture and visual environment must not be dim and inadequate. The writers have conducted a series of experiments of subjective assessment byusing the technique of semantic differential scale and factor analysis. They find outthe preferred lighting conditions of the visual environment for the exhibition ofChinese paintings....

Chinse paintings can be seriously damaged by the light radiation. Owing to theconservation of the items on display, the illuminance on these items should be kept aslow as possible, but the picture and visual environment must not be dim and inadequate. The writers have conducted a series of experiments of subjective assessment byusing the technique of semantic differential scale and factor analysis. They find outthe preferred lighting conditions of the visual environment for the exhibition ofChinese paintings. The results are: 1. The optimum illuminance on the picture is 50 lux, and the range is 30-100lux. The mean cylindrical illuminance/picture illuminance ratio (an index forthe light distribution within the space of exhibition area) is 0.15, and the range is0.12-0.20. The incandescent lamp is recommended as the light source for the display andambient lighting of the exhibition of Chinese paintings. 2. When fluorescent lamp used as the light source, the illuminance and themean cylindrical illuminance/picture illuminance ratio should be higher than theincandescent lamp.

光辐射对于中国画可以产生严重的危害,为了保存这些艺术珍品,应尽可能地降低展品上的照度,但是给人观赏又不能让画幅和视觉环境显得昏暗或模糊不清。作者进行了一系列主观评价实验,应用语意差别量表和因子分析,找出了中国画陈列的视觉环境的最佳照明条件。结论为: 1.画幅上的最佳照度为50lx,范围为30-100lx。陈列室的空间光分布要求平均柱面照度/画幅照度((?)/E)比为0.15,范围为0.12—0.20。画幅和环境照明建议采用白炽灯作为光源。2.当使用荧光灯时,画幅照度和平均柱面照度/画幅照度比宜采用较大值。

The technique of traditional Chinese painting has always been adopted in drawing scenery of gardens. Recently, however, the use of watercolor to display scenery of gardens has gradually been increased along with the coside-rable progress of watercolor itself. Such watercolor paintings display the beauty of gardens, in which water and color are intermingled, showing transparent, easy, smoothy, brisk, bright and beautiful effects of artistry on its general appearance. This is widely accepted.

描绘园林风景,历来都用中国画传统技法。近年来水彩画有较大发展,用水彩表现园林风景的日趋增多。园林风景水彩表现了园林美妙景观,画面有水色交融、透明流畅,轻快明丽的艺术效果。 园林风景的取景与构图最根本的一条是掌握对立统一的规律。构图形式有平视、鸟瞰、空间跳景式、推拉视矩、长卷式等。表现技法有素描淡彩、渲染、重叠、湿接、留空、勾线、色彩谐调等。

By referring to the principles of Chinese drawing and the related theory of ancient Chinese landscape architecture, the article sums up the use technique of ornamental parts in Chinese penjing (miniature landscape) and discusses their application and how to appreciate. Based on this, authors raised principles and methods of their application.

该文引用借鉴中国画论和园林的相关理论原理 ,总结归纳了中国盆景的配件技艺 ,论述其应用与欣赏 .提出了盆景配件应用的原则和方法

 
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