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中国画
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  chinese painting
    This paper discusses the linear aesthetic meaning of traditional Chinese painting with historical and comparative methods and concludes the linear spirit in traditional Chinese painting.
    本论文探讨的是中国画线的美学问题。 用历史,比较等方法进行论述。
短句来源
    The line of traditional Chinese painting does make public its ultimate meaning anywhere from dull to meticulous, from meticulous to impressionistic, from mural painting to scroll painting and from scroll painting to other art forms.
    中国画的线,从拙到工,从工到写,从壁画到卷轴画,又从卷轴画到其他艺术样式,无处不张显其终极意义。
短句来源
    The line spirit decided the image modeling of traditional Chinese painting that created "parallel image" to "parallel expression".
    线的意志,决定中国画的“意象造型”,而意象造型创造“平行之象”,进行“平行表达”。
短句来源
    Firstly, from the present situation of the markets of Chinese painting and Chinese oil painting, it analyzes the influence of the artistic criticism on the formation of the painting market.
    首先,分别从中国画市场和中国油画市场的现有格局,分析了美术批评对绘画市场格局的形成所产生的影响;
短句来源
    The basic teaching of Chinese painting in teachers universitics is mainly to develop the students ability in modelling, in using brush and ink, and in filling in colors on a sketch, while the creative teaching which studies how to select and use expressive art symbols suitable to chinese paintings, lays stress on the exploration into art spirit and the creation of art language.
    高师中国画教学中基础教学的重要内容是着重提高学生的造型能力、笔墨能力和设色能力; 创作教学的重要内容是研究选择运用适于中国画表达的艺术符号,注重艺术精神的探索和艺术语言的创新;
短句来源
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  traditional chinese painting
    This paper discusses the linear aesthetic meaning of traditional Chinese painting with historical and comparative methods and concludes the linear spirit in traditional Chinese painting.
    本论文探讨的是中国画线的美学问题。 用历史,比较等方法进行论述。
短句来源
    The line of traditional Chinese painting does make public its ultimate meaning anywhere from dull to meticulous, from meticulous to impressionistic, from mural painting to scroll painting and from scroll painting to other art forms.
    中国画的线,从拙到工,从工到写,从壁画到卷轴画,又从卷轴画到其他艺术样式,无处不张显其终极意义。
短句来源
    The line spirit decided the image modeling of traditional Chinese painting that created "parallel image" to "parallel expression".
    线的意志,决定中国画的“意象造型”,而意象造型创造“平行之象”,进行“平行表达”。
短句来源
  “中国画”译为未确定词的双语例句
    ABOUT THE BASIC TEACHING AND CREATIVE TEACHING OF CHINESE PAINTINGS IN TEACHERS UNIVERSITIES
    谈高师中国画教学的基础教学与创作教学
短句来源
    Research on Auction Prices of Modern Chinese Traditional Paintings
    近现代中国画拍卖市场价格研究
短句来源
    Auction is a quite suitable trading way of the goods that has no easily measured value, so it plays a decisive role in the trading of modern Chinese traditional paintings.
    拍卖是一种非常适合绝对价值难以量化的商品的交易方式,拍卖在近现代中国画的交易中起着决定性的作用。
短句来源
    Chapter Two describes the characteristics of the market of modern Chinese traditional paintings, its development and its effects on the auction market.
    第二章描述了近现代中国画市场的特征、近年来的发展以及其对拍卖市场的影响。
短句来源
    Its market is made up of the market of individuals, the market of painting galleries and the market of auction houses.
    近现代中国画市场主要由民间个人交易市场、画廊市场和拍卖市场三个方面构成。
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  chinese painting
WU HUNG, The Double Screen, Medium and Representation in Chinese Painting.
      
The Philosophical origin of the black-white system of Chinese painting
      
A chronological survey of Chinese painting, sculpture, and the applied arts.
      
Cassandra received further training in Western watercolour and Chinese painting and has developed a unique style based on these oriental traditions.
      
Facsimile reprint of the important annotated bibliography of 860 works on Chinese painting and calligraphy.
      
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The basic teaching of Chinese painting in teachers universitics is mainly to develop the students ability in modelling, in using brush and ink, and in filling in colors on a sketch, while the creative teaching which studies how to select and use expressive art symbols suitable to chinese paintings, lays stress on the exploration into art spirit and the creation of art language. Sketching a link between basie teaching and ereative teaching, should be strengthened so as to promote an all-round improvement of the...

The basic teaching of Chinese painting in teachers universitics is mainly to develop the students ability in modelling, in using brush and ink, and in filling in colors on a sketch, while the creative teaching which studies how to select and use expressive art symbols suitable to chinese paintings, lays stress on the exploration into art spirit and the creation of art language. Sketching a link between basie teaching and ereative teaching, should be strengthened so as to promote an all-round improvement of the teaching of Chinese painting.

高师中国画教学中基础教学的重要内容是着重提高学生的造型能力、笔墨能力和设色能力;创作教学的重要内容是研究选择运用适于中国画表达的艺术符号,注重艺术精神的探索和艺术语言的创新;速写是基础教学与创作教学的中间环节.要加强速写,促进中国画教学全面提高。

The aesthetics of the Chinese art make a special role in the aesthetics of the world art,which has the special value of aesthetics.The western can't understand the Chinese paining,the same as Chinese can't understand symphony.However,where is the subtle of the aesthetics of the Chinese art?This artical will discuss the question,that is the aesthetics of the chinese art is based on Chinese philosophy.And it's subtle lies in “temperament” and “exist and nihilism supplement each other”.

中国艺术美在世界艺术美学中占有独特的地位,具有独特的美学价值。西方人看不懂中国画就如中国人听不懂交响乐。那么,中国艺术美的妙处何在?本文论述了这个问题,即中国艺术美的根基在中国哲学,其妙处就在“气”与“有无相生”。

Because it is more and more convenient for people to communicate with the quick development of telecom,the traditional idea of region has already faded away.However,art still roots deeply into the “earth”(according to Hodgail)——i.e.it is closely related to region.It calls us,reminds us of the limitation when we try to fly into free creation.It is a fact that regional feature runs through the art’s histoy,especially the Chinese art’s histtory.This essay analyses the connotation and the value of the regional feature...

Because it is more and more convenient for people to communicate with the quick development of telecom,the traditional idea of region has already faded away.However,art still roots deeply into the “earth”(according to Hodgail)——i.e.it is closely related to region.It calls us,reminds us of the limitation when we try to fly into free creation.It is a fact that regional feature runs through the art’s histoy,especially the Chinese art’s histtory.This essay analyses the connotation and the value of the regional feature in Chinese painting history in respect of the aspect of the continuity and develepment.Regional feature is very obvions in the conflict and the blending of the Chinese and the western cultures,so it indicates the issue of “identity-differeace” theory mnch concerned by mordern artists,This problem is discussed in the last part of the assay.

在资讯日益发达的时代里 ,地球已变得越来越小 ,“地域性”这个传统命题已在人们的生活视野中飞速消逝。然而 ,艺术却依旧如此顽强地扎根于“大地”(海德格尔意义上的 )——这个以地域为依托的沉重字眼召唤着我们 ,在我们尝试着向创作“自由”飞跃时不断提示着我们的限制。地域性首先是贯穿在艺术史、尤其是中国画史中的一个现实。本文试图从历史心理、传统风格的延续和发展等角度解析此概念在中国绘画史中的涵义和价值。另外 ,“地域性”在今天最显著地表现为中西文化之间的交汇与冲突。于是 ,它又指示着当今艺术家最为关心的“身份——差异”问题 ,本文最后一部分对之进行了初步论述

 
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